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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Valhalla Icecream is made in the Hobart suburb of Moonah. As seen on this advertising sign, the company&amp;rsquo;s logo features the side profile of the head of a Viking warrior on a red shield. The warrior wears a helmet with wings, a notion popular in the late 19&lt;sup&gt;th&lt;/sup&gt; century before Vikings with horned helmets became more popular. In Old Norse (Viking) mythology Valhalla was a giant hall where chosen warriors who had died in battle went to join the Norse god Odin. The warriors were led to Valhalla by Valkyries.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://valhallaicecream.com.au"&gt;http://valhallaicecream.com.au&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of a vaulted ceiling inside the heritage-listed Earlsferry House Bed and Breakfast on  the  Swan River in Guildford,  Western Australia. The building is of  typical  late nineteenth century  style, embodying elements of the  Victorian  gothic with its turret,  arches, and arched leadlight windows.&#13;
&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Photographs taken with permission of Jane Bowen and Martin Jaine</text>
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                <text>Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #452, &lt;a href="../../../items/show/452"&gt;http://ausmed.arts.uwa.edu.au/items/show/452&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, on the Swan River  in Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #451, &lt;a href="../../../items/show/451"&gt;http://ausmed.arts.uwa.edu.au/items/show/451&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Lead-light Windows, Earlsferry Bed &amp;amp; Breakfast in  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #450, &lt;a href="../../../items/show/450"&gt;http://ausmed.arts.uwa.edu.au/items/show/450&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford - Front  Room," in Medievalism in Australian Cultural Memory, Item #448, &lt;a href="../../../items/show/448"&gt;http://ausmed.arts.uwa.edu.au/items/show/448&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&#13;
&lt;div class="element-text"&gt;Carter, Bree, "Door with Lead-light  Panels, Earlsferry House, Guildford," in Medievalism in Australian  Cultural Memory, Item #447, &lt;a href="../../../items/show/447"&gt;http://ausmed.arts.uwa.edu.au/items/show/447&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Great Door with Leadlight Panels, Earlsferry House,  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #446, &lt;a href="../../../items/show/446"&gt;http://ausmed.arts.uwa.edu.au/items/show/446&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div class="element-text"&gt;&lt;/div&gt;&#13;
&lt;div class="element-text"&gt;&lt;br /&gt; Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #443, &lt;a href="../../../items/show/443"&gt;http://ausmed.arts.uwa.edu.au/items/show/443&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #440, &lt;a href="../../../items/show/440"&gt;http://ausmed.arts.uwa.edu.au/items/show/440&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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The school was built in 1873 by Father Patrick Gibney for the Sisters of Mercy. The Sisters of Mercy taught children of all ages, as well as music, reading and writing for young adults. When they left York, it was converted into one of the oldest libraries in WA. The building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. It is often symbolic of conservative qualities such as, continuity, stability, religious authority and tradition. The vaulted ceilings of this building is a feature which is particularly characteristic of the nineteenth-century Gothic style of architecture.&#13;
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                <text>architecture, architect, brickwork, ceiling, Crawley, groin vault, Hackett Hall, marble flooring, mosaic, pier, pilaster, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, university buildings, vaulted ceiling, Western Australia, Winthrop Hall</text>
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                <text>&lt;div class="gmail_quote"&gt;A view of the red brickwork and vaulted ceiling in the foyer of Winthrop Hall at the University of Western Australia. Groin vaults are produced when two semi-circular barrel or tunnel vaults are intersected at right angles. Vaulted ceilings were a common feature in medieval architecture by the twelfth century.&lt;/div&gt;&#13;
&lt;div class="gmail_quote"&gt;&amp;nbsp;&lt;/div&gt;&#13;
About Winthrop Hall:&lt;br /&gt;&lt;br /&gt;Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, arcading, thick walls (they are 9ft thick) and large square tower. The architect described the style as being of Italian ancestry, but notably &amp;ldquo;anglicised and adapted to the local conditions&amp;rdquo; (See Western Mail, 21 April 1932, pp.14: &lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;http://nla.gov.au/nla.news-article38891565&lt;/a&gt;). Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916). Winthrop Hall was officially opened at a ceremony on 13 April 1932.</text>
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                <text>28 January 2011</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Viking boat, Balingup Medieval Carnivale Parade</text>
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            <name>Subject</name>
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                <text>Balingup, Balingup Medieval Carnivale, carnival, dragon boat, helmet, parade, recreation, Shire of Donnybrook-Balingup, South-West WA, Vendal, Viking, WA, Western Australia</text>
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                <text>A close-up digital photograph of a Viking dragon boat in the Balingup Medieval Carnivale. The warriors in the boat, possibly setting out on a raid, are quite accurately attired. The three warriors at the back of the boat are wearing helmets similar to those known from excavations of Vendal era (the period immediately preceding the Viking Age) sites in Sweden. The lack of body armour is also realistic for all but the most wealthy of warriors.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="12069">
                <text>McLeod, Shane</text>
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                <text>27 August 2011</text>
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              <elementText elementTextId="12071">
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            <name>Format</name>
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            <elementTextContainer>
              <elementText elementTextId="12072">
                <text>Digital Photograph; JPEG</text>
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        <name>Balingup</name>
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        <name>Balingup Medieval Carnivale</name>
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        <name>carnival</name>
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        <name>dragon boat</name>
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        <name>helmet</name>
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      <tag tagId="417">
        <name>parade</name>
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        <name>Vendal</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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            <description>The topic of the resource</description>
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                <text>Ad, advert, advertisement, dragon ship, Gokstad ship, Hobart, W.H. Ikin &amp; Son, label, shield, ship, Tas, Tasmania, Viking, Viking Brand, Viking Brand Fancy Grade Pears.</text>
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                <text>&lt;p&gt;This pear case label for Viking Brand Fancy Grade Pears is approximately A4-size. It probably dates from 1938 or 1939 (see link below). Viking Brand were exported by W.H. Ikin &amp;amp; Son in Hobart and the produce was from Tasmania. The advert depicts a Viking dragon boat with both oars and sail being used. The boat also has round shields along its side, as is historically attested from the tenth-century Gokstad ship found in 1880 and now housed in the Viking Ship Museum near Oslo, Norway. The advertisement also proudly states that the pears are &amp;lsquo;Empire Produce&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For more information see &lt;a href="http://catalogue.statelibrary.tas.gov.au/item/?id=682142"&gt;http://catalogue.statelibrary.tas.gov.au/item/?id=682142&lt;/a&gt;&lt;/p&gt;</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28425">
                <text>Viking Brand</text>
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        <name>Viking Brand</name>
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        <name>Viking Brand Fancy Grade Pears.</name>
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        <name>W.H. Ikin &amp; Son</name>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;For the articles see &lt;a href="http://www.theage.com.au/national/border-fight-spells-trouble-for-viking-busker-20120106-1po02.html" target="_blank"&gt; &lt;span style="color: #800080;"&gt;http://www.theage.com.au/national/border-fight-spells-trouble-for-viking-busker-20120106-1po02.html&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://www.bordermail.com.au/news/local/news/general/viking-charged-over-security-guard-scuffle/2411514.aspx" target="_blank"&gt; &lt;span style="color: #800080;"&gt;http://www.bordermail.com.au/news/local/news/general/viking-charged-over-security-guard-scuffle/2411514.aspx&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Age, Albury, The Border Mail, busker, horned helmet, Melbourne, performance, re-enactment, reproduction, sword, Vic, Victoria, Viking</text>
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                <text>The online newspaper article â€˜Border fight spells trouble for viking buskerâ€™ appears in the online version of The Age newspaper, having originally appearing in the Albury, Victoria, newspaper The Border Mail. The article reports on the arrest in Albury of a Melbourne busker who dressed as a Viking in gold body paint. From the photographs included in the article the Viking attire consists of a waistcoat, horned helmet, gloves, and pants. The â€˜Vikingâ€™ also carried a sword as part of his act. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17892">
                <text>The Border Mail</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17893">
                <text>6 January 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17894">
                <text>The Border Mail; The Age.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17895">
                <text>Online Newspaper Article</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="3969">
        <name>Albury</name>
      </tag>
      <tag tagId="3971">
        <name>busker</name>
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      <tag tagId="2975">
        <name>horned helmet</name>
      </tag>
      <tag tagId="104">
        <name>Melbourne</name>
      </tag>
      <tag tagId="350">
        <name>performance</name>
      </tag>
      <tag tagId="173">
        <name>re-enactment</name>
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      <tag tagId="3944">
        <name>reproduction</name>
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      <tag tagId="363">
        <name>sword</name>
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        <name>The Age</name>
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      <tag tagId="3970">
        <name>The Border Mail</name>
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      <tag tagId="2984">
        <name>Vic</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
      <tag tagId="2556">
        <name>viking</name>
      </tag>
    </tagContainer>
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</itemContainer>
