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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Hourglass Gauntlets</text>
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                <text>armour, gauntlets, hourglass gauntlet, gloves, combat, battle, weapons, weapon, weaponry, protection, Medieval Shoppe, recreation, re-creation, re-enactment, replica, replicas, Parkes, New South Wales, NSW, 14th Century, fourteenth century</text>
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                <text>&lt;p&gt;An image of reproduction hourglass gauntlets, sold by the Medieval Shoppe in Parkes, NSW. The Medieval Shoppe produces and sells replicas of swords, shields, armour, and other historical weapons.&lt;/p&gt;&#13;
&lt;p&gt;Their website provides some information about hourglass gauntlets (&lt;a href="http://www.medievalshoppe.com.au/hourglass-gauntlets.html"&gt;http://www.medievalshoppe.com.au/hourglass-gauntlets.html&lt;/a&gt;):&lt;/p&gt;&#13;
&lt;p&gt;"When fighting was almost entirely hand-to-hand, the thorough protection of the hand was necessarily of paramount importance. Armour for the head and body was, after all, but a second line of defence against the attack which penetrated the guard of the weapon. Any damage to the hand which controlled all offensive movements, as well as all parries, would place a combatant at the mercy of his antagonist. But the armourer had not only to give his attention to the protective qualities of the covering which enclosed a part so vulnerable and so likely to receive a wound, he had also to consider how he should least interfere with the use of so complicated a piece of mechanism as the human hand. It was on account of these very important considerations that one finds the gauntlet always more complicated in the details of its construction than the rest of the protective outfit.&lt;/p&gt;&#13;
&lt;p&gt;Underneath the plate was worn a leather glove, to the fingers and thumb of which small overlapping scales were attached to complete the defence of the hand. Hourglass gauntlets are considered the zenith of medieval gauntlets. An example of this type may be seen on the brass of Sir John de Saint Quintan in Brandesburton Church, Yorkshire, which may be dated at about 1397. The famous effigy of Edward, Prince of Wales, known as the Black Prince, in the cathedral church of Canterbury depicts this masterful warrior wearing this kind of hand defence."&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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                <text>The Medieval Shoppe</text>
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                <text>Image used with the permission of The Medieval Shoppe, 2012.</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Gothic Window, Kryal Castle, Ballarat</text>
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                <text>Kryal Castle, castle, Kryal Castle, gothic, gothic window, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, arch, arched, window, windows, stairs, staircase</text>
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                <text>An image of a gothic-style window at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. It was built in 1972 and opened in 1974 by Keith Ryall.&#13;
&#13;
Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events.&#13;
&#13;
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                <text>Jeffrey, N. </text>
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                <text>Jeffrey, N.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Congregational Church, Pontville, Tasmania </text>
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                <text>Buttress, Congregational Church, Gothic, Gothic Revival, lancet window, Pontville, porch, J. Shiphird, Tas, Tasmania, Uniting Church.</text>
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                <text>This (Former) Congregational Church is in the small Tasmanian town of Pontville. The local sandstone church was opened in 1876 by Rev. J. Shiphird and replaced an earlier chapel. It is in the Gothic Revival style with buttresses, lancet windows, a pointed arch doorway (not visible in photograph), and a porch. It is now a Uniting Church.</text>
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                <text>McLeod, Shane</text>
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                <text>November 21, 2012</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Launceston Church Grammar School has two campuses in the northern Tasmanian city of Launceston. The relatively recent brick Tom Room Building continues the medieval theme found elsewhere on the campus by the use buttresses that end as crenellation. The building also features the school coat of arms/crest of a castle with towers and crenelated parapets on a shield, as well as a drawing of a Gothic pointed arch doorway. The building has drama and multi-purpose classrooms. This photograph was taken on the Mowbray campus.&lt;/p&gt;&#13;
&lt;p&gt;For the crest see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other buildings with medieval features see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;</text>
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                <text>&lt;p&gt;The Crimson Cog are a historical re-enactment group in New South Wales. They focus on the Hanseatic League in the years 1250-1300, particularly the city of L&amp;uuml;beck in northern Germany. The Hanseatic League were a confederation of merchant guilds and towns who dominated trade in the Baltic and North Seas from the thirteenth to sixteenth centuries. The Cog was a cargo ship used by the League.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Australia Post, Byzantine, Lesley Gordon Corrie, William W. Eldridge, Free Romanesque, Launceston, Launceston Post Office, lead lighting, Alexander North, post office, quadrangle, Queen Anne Style, Romanesque, semi-circular arch, Tas, Tasmania. </text>
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The red brick and freestone Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque. The Romanesque elements are obvious in the unusual interior which features an internal quadrangle (now glassed in) with balconies and windows. These elements include prominent use of semi-circular arches in the doorways and windows, and a pattern of alternating red brick and freestone, also known as &amp;lsquo;blood and bandage&amp;rsquo;, to highlight these features. The interior also includes leadlight windows.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1237"&gt;http://ausmed.arts.uwa.edu.au/items/show/1237&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1237"&gt;http://ausmed.arts.uwa.edu.au/items/show/1237&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="33027">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St Matthewâ€™s Catholic Church, Pontville, Tasmania </text>
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                <text>Apse, bellcote, buttress, Catholic, Gothic, Gothic Revival, lancet window, pointed arch, Pontville, porch, St Matthewâ€™s Catholic Church, Tas, Tasmania, tracery.</text>
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                <text>St Matthewâ€™s Roman Catholic Church is in the small Tasmanian town of Pontville. The sandstone church originally opened in 1876 but it has rebuilt in 1928 following a fire the previous year. It is in the Gothic Revival style with buttresses, lancet windows, a pointed arch doorway and door in the porch, window tracery, an apse, and a bellcote.</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>McLeod, Shane</text>
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                <text>November 21, 2012</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33025">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Local URL</name>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://blackwolfcaravan.blogspot.com.au/"&gt;http://blackwolfcaravan.blogspot.com.au/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;p&gt;Black Wolf is a living history/re-enactment group based in the Queensland town of Allora. They are focus on the Crusades and Crusader experiences in the Middle East during the twelfth and thirteenth centuries. Their leader is &amp;lsquo;Duke Robert IV&amp;rsquo;. The text on the Black Wolf website emphasises the multicultural nature of the Holy Land (referred to as Outremer: Fr. outre mer, over-seas) and the merchant caravans travelling the Silk Road from China. Two famous medieval explorers, Marco Polo and Ibn Battuta, are also mentioned. The multicultural interest of the group can be seen in their members, whose characters are French, Turkish, Irish, Danish, and English. The gallery on the website highlights the martial aspects of the group, with members dressed as knights in chain mail and helmets fighting with swords and shields.&lt;/p&gt;&#13;
&lt;p&gt;For their blog see http://blackwolfcaravan.blogspot.com.au/&lt;/p&gt;</text>
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