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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in  Subiaco,  Western Australia was designed  by architect Edgar L. B.  Henderson and  built by C. W. Arnot between  1933 and 1937. It is  constructed from red  brick and pressed cement in an  inter-war gothic  style common of the  1920s and 1930s. It exhibits many  features common  to gothic  architecture, including pointed gothic arches,  lancet  windows,  elaborate bar tracery in the stained glass windows and  blind  tracery on  the tympana of the doorways, and a large tower and  spire.&lt;/p&gt;&#13;
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&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic  style   single (or standalone), lancet windows, collections of two or  three   single windows positioned side by side, and also the later gothic  trend   of enclosing multiple lancet windows beneath one arch and  separating   them with mullions to form larger windows and allow for more  light to   enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;&lt;/div&gt;&#13;
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                <text>A view of lancet windows at the Basilica of St Patrickâ€™s in Fremantle, Western Australia. At the upper level are tripled lancet windows. Below, the windows of the aisle each contain a quatrefoil and a pair of lancet windows separated by a stone mullion.&#13;
&#13;
About St Patrickâ€™s Basilica:&#13;
&#13;
St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. Examples of its gothic features are the large decorated window above the main door, the tall vertical towers flanking the entrance, the pointed archways, the flying buttresses, and the ornate tracery decorating the windows, towers and tympanum. St Patrickâ€™s was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Johnston Memorial Congregational Church</text>
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                <text>This article describes the colourful redecoration of the interior of the Johnston Memorial Church in Fremantle in 1897. The predominant colours are listed as green, salmon, citron, terracotta, Persian red and cream. Among the features described in more detail are a frieze under the ceiling line â€˜with a foliated design introducing quartrefoils and Maltese crossesâ€™, a deep red dado with a medieval acanthus scroll painted in cream, and gold dog roses against a cardinal red background interspersed at regular intervals. The terracotta and cream design painted onto the green balcony is described as â€˜Gothicâ€™, and behind the rostrum â€˜is a Gothic canopy in deeper tones of colour, with a gold diapered pattern in deep blue, forming a background to the preacherâ€™. The decorations were designed and carried out by J. Ross Anderson, who was also noted for his decoration of the Wesley Church in Perth.&#13;
&#13;
The Johnston Memorial Church was completed in 1877 and was originally named the Congregational Church. It was later renamed in honour of long-serving congregational minister, Joseph Johnston (1814-1892).</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The Western Mail</text>
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                <text>A view of the Redemptorist Church in North Perth, Western Australia. An entrance porch with decorative crenellations and a large traceried window containing five stained glass and lead light panels dominate the churchâ€™s appearance. The door is surrounded by gothic arches decorated with acanthus leaves, and is flanked on either side by stone buttresses and niches. The Greek letters Alpha and Omega are clearly visible on the door, signifying that Christ is the beginning and ending of all things.&#13;
&#13;
This Federation Gothic Style church and the adjoining monastery were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been newly established in WA in 1899. The church was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903 and is dedicated to Saints Peter and Paul. An additional monastery wing was added in 1912 and a chapel and transept in 1922. The monastery and church together were added to the WA Heritage register in 2006.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="6272">
              <text>Digital Photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6265">
                <text>Bell Turret, St John the Evangelist Anglican, Fremantle, Western Australia</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6266">
                <text>Anglican, Anglican Church, arch, architect, architecture, bell, bell turret, church, church architecture, church building, Evangelicalism, Fremantle, gothic architecture, J. J. Harwood &amp; Son, Kingâ€™s Square, lancet arch, lancet window, limestone, neo-gothic, gothic, gothic building, building, gothic revival, quatrefoil, W. Smith, Western Australia, window</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6267">
                <text>A view of the bell turret at St John the Evangelist Anglican Church in Fremantle, Western Australia. It was added to the existing church structure, c.1906. In England, bell turrets were often added to parish churches that did not have adjoining bell towers by the twelfth century. See Hubert Pragnell, The Styles of English Architecture, London: B. T. Batsford Ltd, 1984, p.258.&#13;
 &#13;
Located in Kingâ€™s Square in the centre of Fremantle, St John the Evangelist Anglican Church is a neo-gothic building that was designed by W. Smith and constructed by J. J. Harwood and Son. The foundation stone was laid in 1878 and the building was consecrated in 1882. The church replaced an older building that had served the Anglican congregation in Fremantle since 1843, and which was demolished soon after the completion of St Johnâ€™s.&#13;
 </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6268">
                <text>McEwan, Joanne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6269">
                <text>4 February 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6270">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6271">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
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      <tag tagId="80">
        <name>Anglican</name>
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      <tag tagId="1185">
        <name>Anglican church</name>
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      <tag tagId="512">
        <name>arch</name>
      </tag>
      <tag tagId="811">
        <name>architect</name>
      </tag>
      <tag tagId="74">
        <name>architecture</name>
      </tag>
      <tag tagId="1914">
        <name>bell</name>
      </tag>
      <tag tagId="1423">
        <name>bell turret</name>
      </tag>
      <tag tagId="433">
        <name>building</name>
      </tag>
      <tag tagId="68">
        <name>Church</name>
      </tag>
      <tag tagId="1856">
        <name>church architecture</name>
      </tag>
      <tag tagId="1189">
        <name>church building</name>
      </tag>
      <tag tagId="1857">
        <name>Evangelicalism</name>
      </tag>
      <tag tagId="1067">
        <name>Fremantle</name>
      </tag>
      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="905">
        <name>gothic architecture</name>
      </tag>
      <tag tagId="1057">
        <name>Gothic building</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
      </tag>
      <tag tagId="1858">
        <name>J. J. Harwood &amp; Son</name>
      </tag>
      <tag tagId="1859">
        <name>Kingâ€™s Square</name>
      </tag>
      <tag tagId="1077">
        <name>lancet arch</name>
      </tag>
      <tag tagId="1115">
        <name>lancet window</name>
      </tag>
      <tag tagId="800">
        <name>limestone</name>
      </tag>
      <tag tagId="71">
        <name>neo-Gothic</name>
      </tag>
      <tag tagId="1300">
        <name>quatrefoil</name>
      </tag>
      <tag tagId="1861">
        <name>W. Smith</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
      <tag tagId="128">
        <name>window</name>
      </tag>
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