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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.abc.net.au/local/videos/2009/04/21/2548797.htm"&gt;http://www.abc.net.au/local/videos/2009/04/21/2548797.htm&lt;/a&gt;&lt;/span&gt;</text>
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                <text>â€˜Home-made medieval war machine goes off with a bangâ€™</text>
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                <text>ABC, Australian Broadcasting Corporation, ballista, counterweight trebuchet, crossbow, Hobart, Doug Pattison, performance, Carol Raabus, re-creation, siege, siege engine, Tas, Tasmania, trebuchet, war, website.</text>
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                <text>&lt;p&gt;This online article by Carol Raabus was posted in 2009 on the Australian Broadcasting Corporation&amp;rsquo;s Hobart page. It is about local man Doug Pattison and his re-creation of siege engines. He has built a trebuchet, first used in the twelfth century, and a ballista (a large version of a crossbow), which was first used by the classical Greeks and remained popular until replaced by the trebuchet. Doug sometimes gives public performances of the weapons.&lt;/p&gt;&#13;
&lt;p&gt;For the story, including a clip of the trebuchet in action, see &lt;a href="http://www.abc.net.au/local/videos/2009/04/21/2548797.htm"&gt;http://www.abc.net.au/local/videos/2009/04/21/2548797.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Raabus, Carol</text>
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                <text>April 21, 2009</text>
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                <text>Carol Raabus; Australian Broadcasting Corporation</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜Living by the swordâ€™</text>
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                <text>Adult education, education, Elizabethan, Stephen Hand, Hobart, Leatherwood Online, â€˜Living by the swordâ€™, performance, rapier, re-creation, Vincentio Saviolo, George Silver, Stocatta School of Defence, sword, swordsman, Tas, Tasmania, Tasmaniaâ€™s Journal of Discovery, website.</text>
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                <text>&lt;p&gt;The anonymous online article &amp;lsquo;Living by the sword&amp;rsquo; appears in volume 4 of the Leatherwood Online &amp;ndash; Tasmania&amp;rsquo;s Journal of Discovery website and was posted in June/July 2007. It is about professional swordsman Stephen Hand of Hobart, Tasmania. Stephen teaches writes about, performs, and choreographs medieval and Elizabethan sword fighting. His technique is based on the late sixteenth-century works by Italian rapier master&lt;br /&gt;Vincentio Saviolo and the Englishman George Silver who favoured a more traditional backsword. Stephen helped establish the Stocatta School of Defence in Sydney in 1998 and a Hobart branch in 2004, and also teaches adult education classes. &amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For the article see &lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;</text>
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                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
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                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;</text>
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                <text>â€˜Vikings Visited Cairnsâ€™, Rex Gilroy, Psychic Australia </text>
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                <text>BifrÃ¶st, Cairns, Rex Gilroy, horned helmet, Mysterious Australia, Norse, Odin, opera, Psychic Australia, Qld, Queensland, Ring Cycle, Scandinavia, ship, swastika, Thor, Valkyrie, Viking, Vikings Visited Cairns, Richard Wagner, website.</text>
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                <text>&lt;p&gt;This article from &amp;lsquo;Psychic Australia&amp;rsquo; in March 1977 by Rex Gilroy claims that Norse/Scandinavian sailors visited the South Pacific and northern Australia. The article, &amp;lsquo;Vikings Visited Cairns&amp;rsquo;&amp;rsquo;, is now freely available online on the Mysterious Australia website. The article includes various arguments for a Norse presence in the south Pacific, including swastika symbols found in rock and wood art in Java, Cambodia, Malaya, and Vietnam, the shape of war canoes in Fiji, New Guinea, the Solomon Islands, and Tonga, and the physical appearance of some of the native inhabitants of New Guinea. Similar arguments are then applied to northern Australia, augmented by a comparison between northern-Australian Aboriginal religious beliefs and those of the Norse, such as the existence of a rainbow bridge (Bifr&amp;ouml;st in Old Norse texts) in both cultures, and spirits, or Valkyries, carrying off the dead after a battle. Gilroy also considers rock art near Cairns, Queensland, to show warriors dressed as Vikings in horned helmets. The author&amp;rsquo;s belief that Vikings wore horned and winged helmets, both of which became popularly associated with Vikings through the costumes used in Richard Wagner&amp;rsquo;s (1813-1883) Ring Cycle operas (although there is evidence for the ceremonial use of horned helmets in pre-Viking age Scandinavia), and the confusion in calling Wotan/O&amp;eth;in/Odin the thunder god instead of &amp;THORN;orr/Thor, allows for little confidence in the assertions of the article.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Gilroy, Rex</text>
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                <text>Psychic Australia (hard copy); Mysterious Australia (online) </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Copyright Â© 2006  - Uru Publications</text>
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                <text>&lt;p&gt;Ascomanni Medieval Re-enactment Society is a living history group based in the Tasmanian city of Launceston. The group focus on Anglo-Saxons, Normans, and Vikings during the later Viking Age, specifically the period 966-1066 ending with the Norwegian defeat at Stamford Bridge and the Norman victory at Hastings. Ascomanni (a term used for the Vikings by the eleventh-century German chronicler Adam of Bremen) focus both on the daily life and martial aspects of the Viking Age.&lt;/p&gt;&#13;
&lt;p&gt;Their website banner is an image of the reconstructed Oseberg Tapestry which was found in the Oseberg ship burial in Norway, c. 834.&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://ascomanni.webs.com/&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.battleofthenations.com.au/index.html"&gt;http://www.battleofthenations.com.au/index.html&lt;/a&gt;</text>
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                <text>&lt;p&gt;The Battle of Nations Festival is a full contact medieval tournament held in Europe which began in 2009. Australia will field a team for the first time in 2013 and will be captained by Kit Houston. The event features various combat categories, from one vs one duels to all vs all, and one including mounted knights on horses. There is also a side archery event for bows and crossbows. Contestants are expected to use historically accurate weapons and armour, and heraldry. Weapons featured include sword, longsword, shields, axes, and sword and buckler. The event also has an six-part online television show.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.battleofthenations.com.au/index.html"&gt;http://www.battleofthenations.com.au/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>(c) Battle of the Nations Australia and European Medieval Martial Arts Academy</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Local URL</name>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.bismarckmetalcraft.com/"&gt;http://www.bismarckmetalcraft.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;p&gt;Bismarck Metalcraft was established in 1988 by Ken Bradford in the northern Tasmanian town of Deloraine. They use modern steel to create armour, helmets, knives, and swords, including many recreations of items from medieval Britain and Europe, and feudal Japan. They also create custom-made items. Each&amp;nbsp;item is hand engraved with the Bismarck name in what is described&lt;br /&gt;as an &amp;lsquo;Old English Font&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.bismarckmetalcraft.com/"&gt;http://www.bismarckmetalcraft.com/&lt;/a&gt;&lt;/p&gt;</text>
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              <elementText elementTextId="30077">
                <text>Bismarck Metalcraft</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Allora, armour, Black Wolf, blog, caravan, chain mail, costume, Crusader, Crusades, Duke Robert, helmet, Holy Land, Ibn Battuta, knight, living history, Marco Polo, merchant, Middle East, multicultural, outremer, Qld, Queensland, re-enactment, shield, Silk Road, sword, trade, website.</text>
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                <text>&lt;p&gt;Black Wolf is a living history/re-enactment group based in the Queensland town of Allora. They are focus on the Crusades and Crusader experiences in the Middle East during the twelfth and thirteenth centuries. Their leader is &amp;lsquo;Duke Robert IV&amp;rsquo;. The text on the Black Wolf website emphasises the multicultural nature of the Holy Land (referred to as Outremer: Fr. outre mer, over-seas) and the merchant caravans travelling the Silk Road from China. Two famous medieval explorers, Marco Polo and Ibn Battuta, are also mentioned. The multicultural interest of the group can be seen in their members, whose characters are French, Turkish, Irish, Danish, and English. The gallery on the website highlights the martial aspects of the group, with members dressed as knights in chain mail and helmets fighting with swords and shields.&lt;/p&gt;&#13;
&lt;p&gt;For their blog see http://blackwolfcaravan.blogspot.com.au/&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.alicescottages.com.au/camelot.html"&gt;http://www.alicescottages.com.au/camelot.html&lt;/a&gt;</text>
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                <text>Aliceâ€™s Cottages, King Arthur, Camelot, cottage, helmet, Launceston, â€˜medieval experienceâ€™, Merlin, Merlinâ€™s spa, sword, tapestry, Tas, Tasmania, website.</text>
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                <text>&lt;p&gt;Alice&amp;rsquo;s Cottages offer romantic B&amp;amp;B accommodation in the Tasmanian city of Launceston. One of the cottages is called &amp;lsquo;Camelot Cottage&amp;rsquo; (named after the castle and court of King&lt;br /&gt;Arthur), and it features &amp;lsquo;Merlin&amp;rsquo;s Spa&amp;rsquo;. The &amp;lsquo;medieval experience&amp;rsquo; advertised on their website is enhanced by the inclusion of a tented four poster bed and a tapestry/wall hanging, whilst swords and a&amp;nbsp;medieval helmet decorate the&lt;br /&gt;cottage. Some of the photos feature a young couple in the cottage, with the man wearing a medieval helmet.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.alicescottages.com.au/camelot.html"&gt;http://www.alicescottages.com.au/camelot.html&lt;/a&gt;&lt;/p&gt;</text>
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