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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Medieval Writerâ€™s window, The Great Hall at The University of Sydney</text>
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                <text>Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer</text>
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                <text>&lt;p&gt;An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton &amp;amp; Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully &amp;lsquo;canopied,&amp;rsquo; a self-conscious nineteenth-century &amp;lsquo;medievalism&amp;rsquo; that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour.&lt;/p&gt;&#13;
To view this and other stained glass windows from the Great Hall and Quadrangle, see: &lt;a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml &lt;/span&gt;&lt;/a&gt;</text>
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                <text>White, David</text>
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                <text>Â© David White (photo)</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=176871"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=176871&lt;/a&gt;</text>
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                <text>University of Sydney: Carving the Gargoyles</text>
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                <text>gargoyle, university, stonemason, "stone building", architecture, craftsmanship, decoration, gargoyle, gothic architecture, John Smith (1821-1885), neo-gothic architecture, New South Wales, NSW, stonemason, stone building, Sydney, university, university buildings, University of Sydney, water</text>
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                <text>This black and white photograph held by the State Library of New South Wales dates from c.1859. Taken by John Smith during the construction of The University of Sydney, it depicts stone masons at work carving the gargoyles. This is  taking place against the backdrop of one of The University of Sydneyâ€™s neo-gothic buildings. Gargoyles were a popular feature of gothic architecture. They were functional as well as decorative, and were used to divert water away from the walls of buildings before drainpipes became commonplace.&#13;
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                <text>Smith, John</text>
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                <text>Library of New South Wales</text>
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                <text>ca 1859</text>
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                <text>Library of New South Wales</text>
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                <text>Hyperlink to photograph : Wet collodion plate, varnished. Stereoscopic negatives 7.5 x 16.5 cm., each image 7.1 x 7.8 cm. with no separation. Some lifting of emulsion at edges.</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Small Romanesque Arched Doorway, Former Magistrateâ€™s Court, Melbourne</text>
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                <text>arch, architecture, building, capital, columns, Court of Petty Sessions, George B H Austin, hood moulding, law, law courts, magistrate, Magistrateâ€™s Court, masonry, Melbourne, neo-Romanesque, Norman Revival, Public Works Department, RMIT, RMIT University, Romanesque architecture, Romanesque Revival, rounded arches, semi-circular arches, stonework, Supreme Court, Swanson Brothers, university, university buildings, Victoria</text>
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                <text>&lt;p&gt;An image of a small doorway on La Trobe Street to the former Magistrate&amp;rsquo;s Court Building in Melbourne&amp;rsquo;s CBD. The Former Magistrate&amp;rsquo;s Court Building is a three-storey building of French Romanesque design. The doorway is in the neo-Romanesque, Romanesque Revival, or Norman Revival architecture style. It features a deep-set semi-circular arched door and doorway with stone decorated hood moulding. The door is flanked by two small columns with decorated capitals. &lt;br /&gt; &lt;br /&gt; The Former Magistrate&amp;rsquo;s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It replaced a two-storey brick building on the site that previously housed the Supreme Court and then the Court of Petty Sessions. Construction of the new building began in 1911 and was completed in 1914. The Court of Petty Sessions, later renamed the Melbourne Magistrate&amp;rsquo;s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.&lt;/p&gt;&#13;
For more see &lt;a href="http://www.rmit.edu.au/about/heritage/bld20#history"&gt;http://www.rmit.edu.au/about/heritage/bld20#history&lt;/a&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>10 February 2013</text>
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                <text>&amp;ldquo;Romanesque Arched Doorway, Former Magistrate&amp;rsquo;s Court, Melbourne,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed March 10, 2013,&amp;nbsp;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/713"&gt;http://ausmed.arts.uwa.edu.au/items/show/713 &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
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&#13;
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                <text>An image of the entrance doorway to the former Magistrateâ€™s Court Building in Melbourneâ€™s CBD, on the corner of La Trobe Street and Russell Street. The Former Magistrateâ€™s Court Building is a three-storey building of French Romanesque design. As is common of neo-romanesque or Norman Revival architecture, the entrance is strongly modelled; the already large doorway is amplified by archivolts, in this case a band of five semi-circular arches, column jambs and decorative hood moulding.  &#13;
&#13;
The Former Magistrateâ€™s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It replaced a two-storey brick building on the site that previously housed the Supreme Court and then the Court of Petty Sessions. Construction of the new building began in 1911 and was completed in 1914. The Court of Petty Sessions, later renamed the Melbourne Magistrateâ€™s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.</text>
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                <text>&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt; An image of the window and mosaic featured on the northern side of the Great Gate at the University of Western Australia, Crawley. The University commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;</text>
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                <text>A view of Winthrop Hall and the clock tower at the University of Western Australia. They are built in an Italian or Mediterranean Romanesque style, typified by rounded arches, arcading, thick walls (they are 9ft thick) and the large square campanile tower. When asked about the style of the design, the architect described it variously as â€œRenaissanceâ€, and as being of Italian ancestry, but notably â€œanglicised and adapted to the local conditionsâ€ (See Western Mail, 21 April 1932, pp.14: http://nla.gov.au/nla.news-article38891565). There was at first, as historian Fred Alexander noted, some concern over â€œthe wisdom of preferring a boldly Mediterranean or Spanish type of architecture to the more familiar neo-gothic style generally favoured by academic authoritiesâ€, but these concerns faded as the buildings began to take shape and by the time Winthrop Hall was officially opened on 13 April 1932, it was highly praised as a fitting commemoration to its founder (See Fred Alexander, Campus at Crawley: A Narrative and Critical Appreciation of the First Fifty Years of The University of Western Australia, F.W. Cheshire, Melbourne, 1963, p.136).&#13;
&#13;
Winthrop Hall was designed by Melbourne architects Rodney Alsop and Conrad Sayce, whose joint entry won an architectural competition held by the University Senate in 1927. The impetus for the competition was a large bequest left by the Universityâ€™s first Chancellor, Sir John Winthrop Hackett, who had died in 1916. Alsop, the senior of the pair, was employed as the lead architect and they began the project of building Winthrop Hall and the Hackett Buildings together. However, they fell out in the process and Sayce left before the buildings were completed. One of the points on which they disagreed was Alsopâ€™s replacement of the clock tower in the original design with the Italian Campanile style tower that stands today (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of The University of Western Australia, University of Western Australia Press, Perth, 1993).&#13;
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7024">
                <text>3 February 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7025">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7026">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="949">
        <name>â€œRenaissanceâ€ style</name>
      </tag>
      <tag tagId="811">
        <name>architect</name>
      </tag>
      <tag tagId="74">
        <name>architecture</name>
      </tag>
      <tag tagId="942">
        <name>bell tower</name>
      </tag>
      <tag tagId="944">
        <name>benefactor</name>
      </tag>
      <tag tagId="945">
        <name>bequest</name>
      </tag>
      <tag tagId="946">
        <name>campanile</name>
      </tag>
      <tag tagId="943">
        <name>clock tower</name>
      </tag>
      <tag tagId="947">
        <name>Conrad Sayce</name>
      </tag>
      <tag tagId="796">
        <name>Crawley</name>
      </tag>
      <tag tagId="927">
        <name>Hackett Hall</name>
      </tag>
      <tag tagId="799">
        <name>Italian influence</name>
      </tag>
      <tag tagId="948">
        <name>Mediterranean style</name>
      </tag>
      <tag tagId="803">
        <name>Rodney Alsop</name>
      </tag>
      <tag tagId="804">
        <name>Romanesque style</name>
      </tag>
      <tag tagId="909">
        <name>Sir John Winthrop Hackett (1848-1916)</name>
      </tag>
      <tag tagId="807">
        <name>The University of Western Australia</name>
      </tag>
      <tag tagId="270">
        <name>tower</name>
      </tag>
      <tag tagId="950">
        <name>university buildings</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
      <tag tagId="809">
        <name>Winthrop Hall</name>
      </tag>
    </tagContainer>
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</itemContainer>
