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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Print: Wood Engraving.&#13;
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              <text>&lt;p&gt;&lt;a href="http://handle.slv.vic.gov.au/10381/41259" target="_top"&gt;http://handle.slv.vic.gov.au/10381/41259&lt;/a&gt;&lt;/p&gt;</text>
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                <text>An image of a medieval-style embellished banner for the United Operative Masons of Melbourne, Victoria.  The banner commemorates the 8 hour day Labor Movement, with the 3 men around the triangle symbolising 8 hours of work, 8 hours of recreation and 8 hours of rest. The Labor Movement drew on a symbolic continuity with ideas about medieval guilds - in the organisation of workers into fraternities - and on chivalric  codes of conduct - in its concern with the plight of workers and with fighting to protect those most vulnerable to exploitation. </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Geelong Trades Hall Front View â€˜Labor Omnia Vincitâ€™&#13;
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                <text>Labor, Labor Omnia vincit, Knights of Labor, labour, labourer, knight, knights, work, working class, Geelong Trades Hall Building, Latin mottoes, union, unionism, Trade Union, Trade Unionism, trade, unions</text>
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                <text>â€˜Labor Omnia Vincitâ€™ (work conquers everything) is a historically significant slogan associated with the American and English labour movements. It was also the motto of the Knights of Labour, a group started in the 1860s in America. The Knights of Labor had members in Australia in the late nineteenth century. Geelong (Vic.) Trades Hall adopted the slogan as its motto and inscribed it on their building. A large number of Australian schools have also taken the slogan as their school code.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;A photograph from c. 1911 of a large crowd lining Argent Street in Broken Hill to watch a Labor Day procession of men carrying union banners.&lt;/p&gt;&#13;
&lt;p&gt;Union banners have a medieval predecessor in the banners used by guilds (an association of craftsmen in the same trade), with each guild having a banner to show their trade. Some historians consider trade unions to be the successors of medieval guilds.&lt;/p&gt;&#13;
&lt;p&gt;For an example of recreation medieval guild banners from 1909 in York see &lt;a href="http://www.theyorkcompany.co.uk/find_out_more/page020104.php" target="_blank"&gt;http://www.theyorkcompany.co.uk/find_out_more/page020104.php&lt;/a&gt;&lt;/p&gt;</text>
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                <text>ca. 1911</text>
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                <text>An article on page 8 of the Brisbane Courier newspaper on December 29, 1930. The article reports on the forthcoming excavations of the main Viking trading centre of the ninth to eleventh centuries, Hedeby. The site is now in northern Germany in South Slesvig, but belonged to Denmark during the Viking Age. The excavation was prompted by the discovery of two burials and a 60ft ship, as well as defensive banks. The article notes that there was much interest in the excavation, and this presumably extended to the newspaper readers in Brisbane. Today Hedeby is a major tourist attraction and includes a museum, a recreation of part of the town, and fully reconstructed defensive banks. </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Celtic, clan, combat, cooking, craft, Elizabeth (Hlif), Gall-GhÃ idheil, Galloway Bay, games, The Happy Viking, Hiberno-Norse, logo, Maleny, Norse, Qld, Queensland, re-enactment, ring-knot, Scotland, trade, Viking, Ulf, Ulveflokk, website.</text>
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                <text>Ulveflokk are a Viking re-enactment group based in Maleny, Queensland. It was established by Elizabeth (Hlif) of The Happy Viking store and Ulf. The group concentrate on the period 800-1100 and the interaction between Norse/Viking and Scottish Celtic culture in Galloway Bay (Galloway derives its name from the Gall-Gh&amp;agrave;idheil or foreign(Norse)-Gaels) which led to a hybrid culture often referred to as Hiberno-Norse. The group, or clan, re-create all aspects of daily life, including craft, cooking, trade, combat, and games. Ulveflokk is Norwegian for &amp;lsquo;wolf-pack&amp;rsquo;. Their logo features the heads of two wolfs joined by a Norse-style ring-knot. Information is available at http://ulveflokkvikings.webs.com and http://thehappyviking.com.au/2012/07/19/viking-re-enactment-ulveflokk/</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1161"&gt;http://ausmed.arts.uwa.edu.au/items/show/1161&lt;/a&gt;</text>
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                <text>&lt;p&gt;The Crimson Cog are a historical re-enactment group in New South Wales. They focus on the Hanseatic League in the years 1250-1300, particularly the city of L&amp;uuml;beck in northern Germany. The Hanseatic League were a confederation of merchant guilds and towns who dominated trade in the Baltic and North Seas from the thirteenth to sixteenth centuries. The Cog was a cargo ship used by the League.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Crimson Cog</text>
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