5 8 134 https://ausmed.arts.uwa.edu.au/files/original/2e59fd45accaf3a182fc7e3c1329e638.JPG cc56d16aaa4706227fb048e25bc33013 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Methodist Church, Westbury, Tasmania Subject The topic of the resource Bellcote, buttress, Crouch and Wilson, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, pointed arch, Tas, Tasmania, tracery, Uniting Church, Westbury. Description An account of the resource The current Uniting Church in the small Tasmanian town of Westbury was built as a Methodist Church. Building commenced in 1865 and it was completed in March 1867. It was designed by the Melbourne architectual firm (Thomas) Crouch and (Ralph) Wilson. The brick and pressed cement building is in the Gothic Revival style and based on late thirteenth century English churches. It features pointed arch doorway and windows, window tracery on the large window above the entrance, buttresses, a bellcote, and lancet windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph bellcote buttress Crouch and Wilson Gothic Gothic Revival Methodist Methodist Church pointed arch Tas Tasmania tracery Uniting Church. Westbury https://ausmed.arts.uwa.edu.au/files/original/729e3bb60add624f743ad69cf9e3db5d.JPG 89fcaae902cc004ba48e45242d88bb19 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s Cathedral interior, Hobart, Tasmania Subject The topic of the resource Catholic, Gothic, Gothic Revival, William Hall, John Hardman, Hardman Studio, high alter, Hobart, Henry Hunter, lancet window, St Maryâ€™s Cathedral, Byron Malloy, tabernacle, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource The building of St Mary’s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy (1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The building is in the Gothic Revival style. The interior includes pointed arch windows and columns supporting pointed arch openings within the nave. A survival from the original cathedral is the Hardman window. The stained glass window was made by the Hardman Studio run by John Hardman in Birmingham, England. It is based on Gothic windows of the fourteenth century and features five lancet windows and tracery. It is a memorial to Bishop William and his Vicar-General William Hall (1807-1866). Below the window is the tabernacle. It is made from the remains of the high alter carved by Byron Malloy that was installed at the re-opening of the cathedral in 1881. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a> For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Bishop Willson. Byron Malloy Catholic Gothic Gothic Revival Hardman Studio Henry Hunter high alter Hobart John Hardman lancet window Robert William Willson St Maryâ€™s Cathedral tabernacle Tas Tasmania tower tracery William Hall William Wardell https://ausmed.arts.uwa.edu.au/files/original/bfd1136202794b03ee2c6f9085551f2f.JPG 52564462e7cdc950fdb01a72e58b89d0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/e7e0357024bdd0a7f53ed1e041cb64f0.JPG 007d8f8e595501e641ae4267bd5161f2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s Cathedral exterior, Hobart, Tasmania Subject The topic of the resource Blind arcading, buttress, Catholic, finial, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, Daniel Murphy, niche, rose window, St Maryâ€™s Cathedral, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource The building of St Mary’s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy(1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The sandstone building is in the Gothic Revival style with blind arcading, buttresses, a rose window, niches, pointed arch doorways and windows (with tracery), pointed finials, lancet windows. The tower of the original cathedral did not survive the redesign. The extension to the right of the cathedral was added in 2010. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a> For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Bishop Willson. blind arcading buttress Catholic Daniel Murphy finial Gothic Gothic Revival Henry Hunter Hobart lancet window niche Robert William Willson rose window St Maryâ€™s Cathedral Tas Tasmania tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/e10ac942225a34cd7a483155cd0613b0.JPG 11ab1b1a7f3871ec046da41f9c0d2f81 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/3eef2bea0ce8b91b0b67e08767c67596.JPG e2418c843c4645b1479c983f21361822 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John the Evangelistâ€™s Church interior, Richmond, Tasmania Subject The topic of the resource Brian Andrews, baptismal font, Catholic, font, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, John Bede Polding, pointed arch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, Tas, Tasmania, Frederick Thomas, tiles, tracery, Robert William Willson, Bishop Willson. Description An account of the resource St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a parts of a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear stained glass window with tracery seen in photograph two), sacristy and spire. Thomas designed the communion rails as the rood screen in Pugin’s model was too large for the building, as well as the pointed chancel arch. The interior also includes a font designed by Pugin in 1843. It was carved in England and brought to Tasmania by Bishop Wilson, and sits atop a platform of simple medieval-style tiles.   Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1117</a> For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a> Creator An entity primarily responsible for making the resource McLeod, Shane (essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (essay copyright Brian Andrews and the Pugin Foundation) Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Augustus Welby Northmore Pugin baptismal font Bishop Willson. Brian Andrews Catholic font Frederick Thomas Gothic Gothic Revival Henry Edmund Goodridge John Bede Polding lancet windows pointed arch Pugin Richmond Robert William Willson St John the Evangelistâ€™s Church Tas Tasmania tiles tracery https://ausmed.arts.uwa.edu.au/files/original/a95de8ef999f67b31d45fca5cdd46801.JPG 79dff599d567fff5122f69e9c4c79027 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/f2df53f96ede6fde697439e630885576.JPG 404698b929bd2457b0283ed6fecf20c3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/d81c864e73fe6828c12dd7812f07c959.JPG d757e2014f52fbb3a517e70e29aa5e9c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John the Evangelistâ€™s Church exterior, Richmond, Tasmania Subject The topic of the resource Brian Andrews, buttress, Catholic, Rod Cooper, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, Alexander North, John Bede Polding, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, spire, Tas, Tasmania, Frederick Thomas, tracery, turret, Robert William Willson, Bishop Willson. Description An account of the resource St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear window with tracery), sacristy and spire. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, spire, stair turret, and lancet windows. The present spire is the third and a scaled down version of Pugin's original designed by architect Rod Cooper and added in 1972. The cross on top of the spire is all that remains of the second spire, designed by Alexander North (1858-1945) in 1893. Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a>  For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a> Creator An entity primarily responsible for making the resource McLeod, Shane (Essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (Essay copyright Brian Andrews; Pugin Foundation) Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Alexander North Augustus Welby Northmore Pugin Bishop Willson. Brian Andrews buttress Catholic Frederick Thomas Gothic Gothic Revival Henry Edmund Goodridge John Bede Polding lancet windows pointed arch porch Pugin Richmond Robert William Willson Rod Cooper spire St John the Evangelistâ€™s Church Tas Tasmania tracery turret https://ausmed.arts.uwa.edu.au/files/original/95ea9e3dadd980e3f5962730deaa9656.JPG 13093a88d51680e4707a54128e5e9b43 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/07f2ff496efe91c25eec0fbb00d9019b.JPG b5d5c06cdb7ef216c6c69371b0826964 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/e1e68cce39d938eb7e4f0027248cf26d.JPG d8751d00028d39ece2cb38c00c3efcc7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Patrickâ€™s Church, Colebrook, Tasmania Subject The topic of the resource Brian Andrews, bellcote, buttress, Catholic, Colebrook, Gothic, Gothic Revival, lancet windows, St Patrick, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, St Patrickâ€™s Church, Tas, Tasmania, Frederick Thomas, tracery, Robert William Willson, Bishop Willson. Description An account of the resource St Patrick’s Catholic Church is in the village of Colebrook, Tasmania. The sandstone building was built in 1855-7 under the supervision of architect Frederick Thomas from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, porch, and lancet windows. A noticeable feature is the triple bellcote which was reinstated in 2007 after falling in a storm in 1895. The elaborate balustrade was not part of Pugin’s design and was added by Thomas due to the sloping site. St Patrick’s represents Pugin’s idea of an early fourteenth century English village church. Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. St Patrick (c. 387 - c. 460) was an early medieval British missionary who worked in northern Ireland and is now Ireland’s patron saint. For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Colebrook_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Colebrook_Essay.pdf</a> Creator An entity primarily responsible for making the resource McLeod, Shane (essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (essay copyright Pugin Foundation, Brian Andrews) Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Augustus Welby Northmore Pugin bellcote Bishop Willson. Brian Andrews buttress Catholic Colebrook Frederick Thomas Gothic Gothic Revival lancet windows pointed arch porch Pugin Robert William Willson St Patrick St Patrickâ€™s Church Tas Tasmania tracery https://ausmed.arts.uwa.edu.au/files/original/7e910acdd1923f1b651e185ee9708cb9.jpg 229773a1927ae6c158ead55f735d6e5c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2448 Width 3264 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Government House, Hobart, Tasmania Subject The topic of the resource ANZAMEMS, Australian and New Zealand Association for Medieval and Early Modern Studies, bas-relief sculpture, crenellation, gargoyle, Gothic, Gothic Revival, Government House, Hobart, William Porden Kay, parapet, sculpture, Tas, Tasmania, tower, tracery, turret, Henry Fox Young. Description An account of the resource The current Government House of Tasmania, the third in Hobart, was designed by the Director of Public Works William Porden Kay and built between 1855 and 1857 in the Gothic Revival style. Governor Henry Fox Young took up residence on January 2, 1858. The building is located in the Queen’s Domain and features bas-relief sculpture, gargoyles, and tracery on the windows. Its most prominent Gothic features are found at the main entrance (as seen in the photograph), including a square clock tower topped by crenelated turrets, and a second tower with crenellation. The photograph was taking during a reception for the 7th Biennial International Conference of the Australian and New Zealand Association for Medieval and Early Modern Studies. For the website see <a href="http://www.govhouse.tas.gov.au/government-house/history">http://www.govhouse.tas.gov.au/government-house/history</a> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource December 3, 2008 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital photograph ANZAMEMS Australian and New Zealand Association for Medieval and Early Modern Studies bas-relief sculpture crenellation gargoyle Gothic Gothic Revival Government House Henry Fox Young. Hobart parapet sculpture Tas Tasmania tower tracery turret William Porden Kay https://ausmed.arts.uwa.edu.au/files/original/329384937ce235f1ea2447239892bba8.JPG d5cd1b49be628565498539c9730f41a9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1577 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource City Baptist Church, Launceston, Tasmania Subject The topic of the resource Baptist, buttress, Christ Church Congregational Church, City Baptist Church, Gothic, Gothic Revival, Grainger & Dâ€™Ebro, lancet window, Launceston, pinnacle, pointed arch, spire, Tas, Tasmania, tower, tracery, turret. Description An account of the resource Baptist City Church in the Tasmanian city of Launceston was built as Christ Church Congregational Church between 1883 and 1885. The brick and cement building was designed by Melbourne architects Grainger & D’Ebro. It is in the Gothic style and features buttresses, pointed arches on the windows and entrances, tracery on the central windows, a square tower with corner turrets and topped by a spire, lancet windows, and many small pinnacles. The building was purchased by the Baptist Church in 1983. For their website see <a href="http://www.citybaptistchurch.net/somehist.htm">http://www.citybaptistchurch.net/somehist.htm</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 9, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Baptist buttress Christ Church Congregational Church City Baptist Church Gothic Gothic Revival Grainger & Dâ€™Ebro lancet window Launceston pinnacle pointed arch spire Tas Tasmania tower tracery turret.