3 8 134 https://ausmed.arts.uwa.edu.au/files/original/5f381a7f9480b62b87be7c0f6e04e2b6.jpg 477e1dc9fe3b4a06482a6cfd6f3a5979 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 800 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Working Men's College, RMIT, Melbourne Subject The topic of the resource Addison and Kemp, Nahum Barnet, Melbourne, Percy Oakden, Francis Ormond, RMIT, RMIT University, Romanesque, Romanesque Revival, semi-circular arch, Terry and Oakden, tower, tracery, turret, Vic, Victoria, Working Menâ€™s College. Description An account of the resource The Working Men’s College (which became RMIT University) in Melbourne, Victoria, opened in 1887. The three-storey building was designed by Terry and Oakden, and Nahun Barnet and financed by Francis Ormond. The tower and La Trobe St frontage were added in 1890 and were designed by Percy Oakden Addison and Kemp. The building is now known as the Francis Ormond Building. The College was built in the Romanesque Revival style and features semi-circular arches and doorways, a corner tower with four corner turrets, and window tracery. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 10 February 2013 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1300">http://ausmed.arts.uwa.edu.au/items/show/1300</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Addison and Kemp Francis Ormond Melbourne Nahum Barnet Percy Oakden RMIT RMIT University Romanesque Romanesque Revival semi-circular arch Terry and Oakden tower tracery turret Vic Victoria Working Menâ€™s College https://ausmed.arts.uwa.edu.au/files/original/5a544960d42c1288c1da5ee3b670a776.jpg 746671dc4c2f006160a9d5e9dc1cdac6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 545 Width 726 https://ausmed.arts.uwa.edu.au/files/original/7f0718231332566f575a29adf2c73c19.jpg f4162f414b327a3b92ae8c838d4986ec Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 648 Width 486 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church St Laurence Anglican Church, Sydney, New South Wales Subject The topic of the resource Anglican, Edmund Thomas Blacket, William Grant Broughton, Bishop Broughton, buttress, Christ Church St Laurence, crenel, Gothic, Gothic Revival, New South Wales, NSW, parapet, pointed arch, Henry Robertson, spire, Sydney, tower, tracery. Description An account of the resource <div class="element-text"> Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia’s first Bishop, on New Year’s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism. For their very informative website of the church see <a href="http://www.ccsl.org.au/">http://www.ccsl.org.au/</a> </div> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 17 December 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2 x Digital Photograph/JPEGs Anglican Bishop Broughton buttress Christ Church St Laurence crenel Edmund Thomas Blacket Gothic Gothic Revival Henry Robertson New South Wales NSW parapet pointed arch spire Sydney tower tracery William Grant Broughton https://ausmed.arts.uwa.edu.au/files/original/9419dbc9b6bf017161efc6506a6092af.jpg 55476f5be025d066182ef433c93c5998 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 907 Width 680 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church St Laurence Anglican Church interior, Haymarket, Sydney, New South Wales Subject The topic of the resource Anglican, Edmund Thomas Blacket, William Grant Broughton, Bishop Broughton, Christ Church St Laurence, John Burcham Clamp, Gothic, Gothic Revival, Haymarket, lancet windows, New South Wales, NSW, pointed arch, Henry Robertson, stained glass, Sydney, tracery Description An account of the resource Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia’s first Bishop, on New Year’s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism. For their very informative website of the church see <a href="http://www.ccsl.org.au/">http://www.ccsl.org.au/</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 17 December 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Bishop Broughton Christ Church St Laurence Edmund Thomas Blacket Gothic Gothic Revival Haymarket Henry Robertson John Burcham Clamp lancet windows New South Wales NSW pointed arch stained glass Sydney tracery William Grant Broughton https://ausmed.arts.uwa.edu.au/files/original/e36064afd6f95c07c8a1065968f5adb0.JPG 4d3315ab6326e11ca824632ee6120600 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthewâ€™s Presbyterian Church rear window, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, capital, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tracery. Description An account of the resource The former St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the rear window of the church, made up of three narrow windows featuring tracery with semi-circular arches, above which are two small circular windows. The window frame also has a semi-circular arch, with columns and capitals on either side of the window. St Matthew’s was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For more of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a>   Format The file format, physical medium, or dimensions of the resource Digital Photograph capital columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania. tracery https://ausmed.arts.uwa.edu.au/files/original/d8c4266655bf6be49c9cebce57a9a23a.JPG 007c2d4248e91d3545ac18d441faa3a4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles Altar, Launceston, Tasmania Subject The topic of the resource Altar, Catholic, Church of the Apostles, column, finials, Gothic, Gothic Revival, lancet window, Launceston, Alexander North, pointed arch, spire, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson. Description An account of the resource This elaborate altar is in the Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The altar is in the sanctuary designed by Alexander North (1858-1945) and built in 1886. The altar is topped by a spire and is in the Gothic style, with prominent decorated pointed arches, columns, and finials. Behind the altar are the two stained glass east windows, both of which consist of two lancet windows and tracery, with additional glass above. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a>   Format The file format, physical medium, or dimensions of the resource Digital Photograph Alexander North Altar Bishop Willson Catholic Church of the Apostles column finials Gothic Gothic Revival lancet window Launceston pointed arch Robert William Willson. spire stained glass Tas Tasmania tracery https://ausmed.arts.uwa.edu.au/files/original/6800e74ac77464ff5fd779ea7afce5f2.JPG da1265616ee71485fce01f175d2aea75 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/fb1942f2f2669164ddfd3b93aafe7c94.JPG 64045499506fc234b7120a95fea861a2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles interior, Launceston, Tasmania Subject The topic of the resource Catholic, Church of the Apostles, column, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, Alexander North, pointed arch, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson. Description An account of the resource The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. Alexander North (1858-1945) designed the Sanctuary which was built in 1886. The decorated interior has a number of features common in Gothic and Gothic Revival churches including lancet windows with tracery and stained glass, columns supporting pointed arches with molding, and a large west window (between the pipe organs) with tracery and stained glass made up of four smaller lancet windows. For the altar see <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alexander North Bishop Willson Cardinal Moran Catholic Church of the Apostles column Gothic Gothic Revival lancet window Launceston Patrick Francis Moran pointed arch Robert William Willson. stained glass Tas Tasmania tracery https://ausmed.arts.uwa.edu.au/files/original/8e83932bb696d98ea5e6a26471732db9.JPG 06c69b060f46313d9b5c1a5821d646d6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/34c41bd6c148a9772ea90cce49a2c6f6.JPG 758e3eab7077d551d1dea599c6b69e64 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles exterior, Launceston, Tasmania Subject The topic of the resource Buttress, Catholic, Church of the Apostles, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, pointed arch, spire, stained glass, Tas, Tasmania, tower, tracery, Bishop Willson, Robert William Willson. Description An account of the resource The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. It is in the Gothic Revival style with a square tower topped by a spire, lancet windows with tracery and stained glass, buttresses, and pointed arch doorways. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a> For the altar see <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a>   Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Bishop Willson buttress Cardinal Moran Catholic Church of the Apostles Gothic Gothic Revival lancet window Launceston Patrick Francis Moran pointed arch Robert William Willson. spire stained glass Tas Tasmania tower tracery https://ausmed.arts.uwa.edu.au/files/original/806d59e37f5b147278bba99f45855bdc.JPG 3b45939a28c599b748c2fb6e0b20bb82 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/25b3b8bbd5f08081bbb3e88229eeedc0.JPG 1081b42e1e7da94275b24b778698aade Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/18855818769e1c58ed09d81eefe0cb77.JPG 0b338cbb72b2e1751c775493189adf62 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral interior, Hobart, Tasmania Subject The topic of the resource Prince Alfred, altar, Anglican, George Frederick Bodley, column, font, Gothic, Gothic Revival, Hobart, Henry Hunter, pointed arch, rood screen, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, vaulted ceiling. Description An account of the resource St Davidâ€™s Anglican Cathedral, Hobart was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The photographs show the nave, aisles, and sanctuary of the cathedral, as well as a small internal pointed arch door and doorway (photograph three), demonstrating that the Gothic style was carried through to utilitarian features. Photographs one and two show the elevation of the cathedral achieved with columns supporting pointed arches with molding, and the vaulted ceiling. Also visible is the large stained glass east window with stone tracery above the high altar, and numerous smaller stained glass windows. Other fatures of note in photographs one and two are the Bodley designed stone font and timber rood screen, the latter being installed in 1916. George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford. For more on St David's Cathedral see the 'Relation' section. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1179">http://ausmed.arts.uwa.edu.au/items/show/1179</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1166">http://ausmed.arts.uwa.edu.au/items/show/1166</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1155">http://ausmed.arts.uwa.edu.au/items/show/1155</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1168">http://ausmed.arts.uwa.edu.au/items/show/1168</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1184">http://ausmed.arts.uwa.edu.au/items/show/1184</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1174">http://ausmed.arts.uwa.edu.au/items/show/1174</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1171">http://ausmed.arts.uwa.edu.au/items/show/1171</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1190">http://ausmed.arts.uwa.edu.au/items/show/1190</a>           Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Altar Anglican column font George Frederick Bodley Gothic Gothic Revival Henry Hunter Hobart pointed arch Prince Alfred rood screen St Davidâ€™s Cathedral stained glass Tas Tasmania tracery vaulted ceiling.