3 8 26 https://ausmed.arts.uwa.edu.au/files/original/57898b6e12b67098982ebc41811ff890.JPG f434767cd9fd534dfdb1b94eea357abc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/56b896ae51d90848e2233539138b3d5b.JPG a516869bdd36b02e751de20f9daa7d93 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/0e8b3522f845fd4d7d01c60f68abb56d.JPG 360f8c8fdf71b345390155db82c56fbd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Military Complex, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Point Puer, Port Arthur, Tas, Tasmania, tower. Description An account of the resource The Military Complex at the penal colony of Port Arthur, Tasmania, is situated in a prominent position overlooking the harbour. It is the third military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O’Hara Booth (1800-1851) and they are situated next to the Commandant’s House which was built for him. The complex was built with convict labour, and the stones of the central tower were shaped by the boys at the nearby Point Puer Juvenile Establishment. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower flanked by two smaller round towers, all of which are topped by crenelated parapets. The towers are separated by a strong stone wall. For the Guard Tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1139">http://ausmed.arts.uwa.edu.au/items/show/1139</a> For a smaller round tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1144">http://ausmed.arts.uwa.edu.au/items/show/1144</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1139">http://ausmed.arts.uwa.edu.au/items/show/1139</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1144">http://ausmed.arts.uwa.edu.au/items/show/1144</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Point Puer Port Arthur Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/0e8857dd63bce9efcede75bf833dab3b.JPG aa2fee3c9db8d81e827ededa60b61a86 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old Testament window, St Davidâ€™s Cathedral, Hobart, Tasmania Subject The topic of the resource Anglican, armour, Burlison and Grylls, castle, crenellation, Gideon, Gothic, helmet, heraldry, Hobart, Joshua, knight, lance, lancet window, Moses, Old Testament, parapet, pointed arch, St Davidâ€™s Cathedral, shield, spear, spire, stained glass, sword, Tas, Tasmania, tower. Description An account of the resource This large stained glass window featuring three figures from the Old Testament is on the northern wall of St David’s Anglican Cathedral, Hobart. It was created by the firm Burlison and Grylls and installed in the Cathedral in 1872. Each of the three figures – Joshua, Moses, and Gideon, occupy a lancet window. While Moses is attired in a robe, Gideon wears armour and a hat of the Renaissance period, and carries a spear. Joshua, who led the Israelites on their conquest of Canaan following the death of Moses, is dressed as a medieval knight. He wears full plate armour of the late medieval period and a sword at his side, and carries a lance. His helmet is at his feet. All three figures are standing above a representation of a castle/fortress with three round towers topped by a crenelated parapet, and Gothic-style spires. Below the castles are heraldic shields. For the Cathedral interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Armour Burlison and Grylls castle crenellation Gideon Gothic helmet heraldry Hobart Joshua knight lance lancet window Moses Old Testament parapet pointed arch shield spear spire St Davidâ€™s Cathedral stained glass sword Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/4f4750cea8470eaa76e691f91c3084b4.jpg c02e3f520780cf316a37bcd8654d3994 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pigeon Tower, near Cressy, Tasmania Subject The topic of the resource Joseph Archer, arrow slits, blind windows, Burlington Farming Pty Ltd, crenellation, Cressy, dovecote, folly, Panshanger Estate, parapet, pigeon tower, William Charles Piguenit, Tas, Tasmania, tower. Description An account of the resource This pigeon tower, or dovecote, is located on the banks of Macquarie River on a property owned by Burlington Farming Pty Ltd near the northern Tasmanian town of Cressy. The tower was originally part of the adjoining Panshanger Estate and was built in the 1830s under the directions of the original owner Joseph Archer (1795-1853). The building is approximately fifteen metres high and provided pigeons and chickens for the Estate. A cottage for the tower keeper originally stood nearby. Despite its intended function, the circular tower has the appearance of a fortified medieval tower featuring a crenelated parapet, blind semi-circular arched windows, and the openings for the pigeons have the external appearance of arrow slits. The attractive tower was in part made to be viewed from the Archer home, and it features in paintings by William Charles Piguenit (1836-1914). It is still intact, including brick fowl nesting boxes on the ground floor, and the timber floors and ceiling have recently been restored. For a 1949 article discussing the tower see <a href="http://nla.gov.au/nla.news-article26636364">http://nla.gov.au/nla.news-article26636364</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 4, 2012 Rights Information about rights held in and over the resource By permission of Burlington Farming Pty Ltd arrow slits blind windows Burlington Farming Pty Ltd crenellation Cressy dovecote folly Joseph Archer Panshanger Estate parapet pigeon tower Tas Tasmania tower. William Charles Piguenit https://ausmed.arts.uwa.edu.au/files/original/5c3546402527a17e89b74da451e7980c.JPG 4e8c4a3194809c4182fcc9ac5f5ee6cf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Round tower, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Port Arthur, round tower, Tas, Tasmania, tower. Description An account of the resource This small round tower is part of the Military Complex at the penal colony of Port Arthur, Tasmania. The complex is situated in a prominent position overlooking the harbour. It is the third military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O’Hara Booth (1800-1851) and they are situated next to the Commandant’s House which he had built. The complex was built with convict labour. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower flanked by two smaller round towers, all of which are topped by crenelated parapets. The towers are separated by a strong stone wall. As can be seen in this photograph, the towers were made to be used. The small round tower was entered from the rear and was large enough to accommodate a guard who would be able to look out over the harbour and shoot down on anyone approaching. The crenellation would provide some protection. For the Military Complex see <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Port Arthur round tower Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/be2ae15704482ad674c922b774e7fbfa.JPG 25b1dc2c898907bd29838b7c3b62d92a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Andrewâ€™s Anglican Church, Carrick, Tasmania Subject The topic of the resource Anglican, buttress, Carrick, crenellation, Gothic, Gothic Revival, lancet window, Francis Russell Nixon, parapet, pointed arch, Thomas Reibey, St Andrewâ€™s Church, school, Tas, Tasmania, tower. Description An account of the resource St Andrewâ€™s Anglican Church is in the town of Carrick in northern Tasmania. The church was transformed from a schoolhouse by Thomas Reibey of Hadspen in 1845, who became its first minister and was later succeeded by his brother. The tower was added in 1863. St Andrewâ€™s was consecrated by Tasmaniaâ€™s first Anglican Bishop, Francis Russell Nixon. The stuccoed brick church is in the Gothic Revival style and features a pointed arched entrance and windows, and a square tower with crenelated parapets, buttresses, and lancet windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 20, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican buttress Carrick crenellation Francis Russell Nixon Gothic Gothic Revival lancet window parapet pointed arch school St Andrewâ€™s Church Tas Tasmania Thomas Reibey tower. https://ausmed.arts.uwa.edu.au/files/original/2c957817120b78f696fe1b1012c5bc82.JPG 2271eb5352c4cb8f68d6f5f96c8700a1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f369bcc0607f8dd09883990de932555a.JPG 52cc561291ac965e50673378f43ca1c4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Markâ€™s Church of England rear, Pontville, Tasmania Subject The topic of the resource Anglican, arrow slit, James Blackburn, blind doorway, buttress, Celtic cross, cemetery, Church of England, column, convict, John Franklin, garden, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Markâ€™s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower. Description An account of the resource St Mark’s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark’s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For the rest of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican arrow slit blind doorway buttress Celtic cross cemetery Church of England column convict garden James Blackburn John Franklin Joseph Moir Neo-Norman Pontville Romanesque Romanesque Revival semi-circular arch St Markâ€™s Church of England stained glass Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/4cf5ff44cd6c020fa1650690c2a33f78.JPG bb52a9de6b74f475a9e8b2e354b6daca Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/70e183479a614aa2bff806e54ebb34d3.JPG 39f6e721ece0f6f645715590958f9aa3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s Church of England, Kempton, Tasmania Subject The topic of the resource Anglican, James Blackburn, buttress, Church of England, Gothic, Gothic Revival, Kempton, lancet window, pointed arch, Romanesque, St Maryâ€™s Church of England, semi-circular arch, Tas, Tasmania, tower. Description An account of the resource St Maryâ€™s Church of England (now Anglican) is in the small Tasmanian town of Kempton. The foundation stone for the sandstone church was laid in 1839 and it opened in 1844. It is thought that the church was designed by the convict architect James Blackburn (1803-1854). The church is in the Gothic Revival style and features lancet windows (the small ones at the front are concreted up), including groups of three lancet windows at the buildingâ€™s east and west, buttresses, and a pointed arch door and doorway. The square tower is unfinished, resulting in the bell being housed in a smaller structure on its top. Surprisingly, this addition has three Romanesque semi-circular arches on each side rather than the Gothic pointed arches used elsewhere on the building. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican buttress Church of England Gothic Gothic Revival James Blackburn Kempton lancet window pointed arch Romanesque semi-circular arch St Maryâ€™s Church of England Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/bbd15b966b0447a2be49469dd1f7426d.jpg 333ecf86d93d66e3a5fa1875271794d8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/1eac2d3c19a3871ef9c3e39865bfa18c.jpg a3d36fa3bf2a9fb1ad23dcdb1aa16827 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/ef0680292ac0804c0c3abdca43328912.jpg d68ca950c8f47d992eda2de925246fa6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Michael and All Angels Anglican Church tower and exterior, Bothwell, Tasmania Subject The topic of the resource Anglican, blind arcading, Bothwell, buttress, Gothic, Gothic Revival, lancet windows, Thomas Lewis, Alexander North, pointed arch, Presbyterian, St Lukeâ€™s Church, St Michael and All Angels Church, Tas, Tasmania, tower, turret. Description An account of the resource St Michael and All Angels Anglican Church is in the small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Luke’s (1830) impossible.  St Michael and All Angels was designed by Launceston architect Alexander North (1858-1945) and built of local stone by stonemason Thomas Lewis. The tower, with an internal stone spiral staircase and stair turret, was added in 1923. The proportions of the Gothic Revival church make it appear to be a small country cathedral. The church features buttresses, blind arcading, lancet windows, and pointed arch entrances.   For more of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1158">http://ausmed.arts.uwa.edu.au/items/show/1158</a>  <a href="http://ausmed.arts.uwa.edu.au/items/show/1157">http://ausmed.arts.uwa.edu.au/items/show/1157</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1157">http://ausmed.arts.uwa.edu.au/items/show/1157</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1158">http://ausmed.arts.uwa.edu.au/items/show/1158</a>   Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Alexander North Anglican blind arcading Bothwell buttress Gothic Gothic Revival lancet windows pointed arch Presbyterian St Lukeâ€™s Church St Michael and All Angels Church Tas Tasmania Thomas Lewis tower. turret