1 8 2 https://ausmed.arts.uwa.edu.au/files/original/c22a9aa65eed81b67717d5b895e7b7a1.pdf 0191eaf7816a438dff9fc1adf4892a83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article: National Library of Australia <a href="http://nla.gov.au/nla.news-article58662791" target="_blank">http://nla.gov.au/nla.news-article58662791</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Saint Joan" Subject The topic of the resource Albert Chevalier, Atholl Fleming (1984-1972), Battle, Bishop of Beauvais, Bluebeard, British stage, Bruce Winston, canonisation, Captain La Hire, cast, characters, Charles VII, Charles de Ponthieu (1403-1461), Christopher Casson (1912-1996), Dauphin, Donald Eccles (1908-1986), drama, Dunois, Earl of Warwick, George Bernard Shaw (1856-1950), Hilda Davies, His Majestyâ€™s Theatre, Hundred Yearsâ€™ War (1336-1453), Inquisitor, Jeanne dâ€™Arc, Joan of Arc (1412-1431), Ladvenu, Leonard Bennett, Lewis Casson (1875-1969), maid of OrlÃ©ans, medieval France, Michael Martin-Harvey (1897-1975), New Theatre, Page, Perth, play, Poulengey, Rheims Cathedral, Robert de Baudricourt, Rouen, Saint Joan, â€œSaint Joanâ€, St. Joan, St Joan, saint, saints, stage, Sybil Thorndike (1882-1976), T. Tracy, theatre, theatrical production, trial, warrior, Zillah Carter (1864-1941) Description An account of the resource This article from the Sunday Times provides a positive review of George Bernard Shaw’s “Saint Joan”, which premiered in Australia at His Majesty’s Theatre in 1932. “Saint Joan” is a play based on the life (Scenes 1-5), trial (scene 6) and canonisation (Epilogue) of Joan of Arc. The play’s depiction of medieval France is praised by the reviewer as vivid and realistic. For a copy of Shaw’s “Saint Joan”, see <a href="http://gutenberg.net.au/ebooks02/0200811h.html" target="_blank">http://gutenberg.net.au/ebooks02/0200811h.html</a>.   About Joan of Arc: Joan of Arc was born in 1412 in the French village of Domrémy. From the age of about 12, Joan had visions of saints and heard heavenly voices that increasingly urged her to fight for France during the Hundred Years’ War. She travelled to the court of Charles De Ponthieu, the Orléanist claimant to the throne, where she was provided with a suit of armour and her distinctive banner depicting a golden fleur-de-lys. She secured a decisive military victory to rescue the city of Orléans from the Earl of Salisbury’s English army in 1429, and was present at the coronation of Charles VII. However, in May the following year Joan was captured by Burgundian forces at Compiègne, and was handed over to the English. She was tried at Rouen on charges of witchcraft and heresy, and was condemned to death. On 30 May 1431, she was executed. Two and a half decades later, the case was appealed and her conviction was overturned. She was beatified in 1909 and canonised as a saint in 1920. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article58662791" target="_blank">http://nla.gov.au/nla.news-article58662791</a> Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 8 May 1932 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English â€œSaint Joanâ€ Albert Chevalier Atholl Fleming (1984-1972) battle Bishop of Beauvais Bluebeard British stage Bruce Winston canonisation Captain La Hire cast characters Charles de Ponthieu (1403-1461) Charles VII Christopher Casson (1912-1996) Dauphin Donald Eccles (1908-1986) drama Dunois Earl of Warwick George Bernard Shaw (1856-1950) Hilda Davies His Majestyâ€™s Theatre Hundred Yearsâ€™ War (1336-1453) Inquisitor Jeanne dâ€™Arc Joan of Arc (1412-1431) Ladvenu Leonard Bennett Lewis Casson (1875-1969) maid of OrlÃ©ans medieval France Michael Martin-Harvey (1897-1975) New Theatre page Perth play Poulengey Rheims Cathedral Robert de Baudricourt Rouen saint Saint Joan saints St Joan St. Joan stage Sybil Thorndike (1882-1976) T. Tracy theatre theatrical production trial warrior Zillah Carter (1864-1941) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Black & White Photograph URL <a href="http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398">http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Rumpelstiltskin" Pan Pow Productions stage performance at Monash University, 1974 Subject The topic of the resource Alexander Theatre, child, fairytale, gold, Grimm Brothers, king, knights, medieval costume, medieval dress, Monash University, Monash, university, Pan Pow Productions, performers, play, queen, Rumpelstiltskin, spinning wheel, straw, theatre, theatre group, theatrical production, Victoria Description An account of the resource A Photograph of Act 1, Scene 4 from a 1974 stage performance of "Rumpelstiltskin" at the Alexander Theatre, Monash University, featuring Beverley Gardiner as Gretchen and Penelope Richards and Paul Kennedy as the two knights. â€œRumpelstiltskinâ€ is a childrenâ€™s fairytale by Jacob and Wilhelm Grimm. It was first written in 1812 and expanded in 1857. It tells the story of a Millerâ€™s daughter who is forced to spin straw into gold on threat of her life for three successive nights. A little man appears and offers to spin the straw for reward. On the first night she gives him her necklace, on the second her ring but on the third she has nothing to give and promises him her first born child. Years later, after she has married the king and has her first child, the man appears and gives the queen three days to guess his name or he will take her child. After two days of guessing to no avail, the queenâ€™s messenger (according to the 1857 version) stumbles upon the man dancing and singing in a house in the forest. The song he sings mentions his name, which the queen correctly reveals the following day. Although no date is given in the tale, the characters - involving a king, a queen and royal knights - and the importance of the spinning wheel are often assumed to indicate a medieval setting. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived Monash University Archives Publisher An entity responsible for making the resource available Monash University Date A point or period of time associated with an event in the lifecycle of the resource 1974 Rights Information about rights held in and over the resource Monash University Format The file format, physical medium, or dimensions of the resource Hyperlink Alexander Theatre child fairytale gold Grimm Brothers king knights medieval costume medieval dress Monash Monash University Pan Pow Productions performers play queen Rumpelstiltskin spinning wheel straw theatre theatre group theatrical production university Victoria