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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>â€˜The Questâ€™ Range Wine Labels, Chalice Bridge Estate</text>
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                <text>â€˜The Questâ€™, Arthurian legend, beverage, chainmail, Chalice Bridge Estate, Holy Grail, knight, label, Margaret River, medieval imagery, military order, Order of the Temple, shield, St George cross, sword, Templar Knights, WA, Western Australia, wine.</text>
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                <text>&lt;p&gt;&amp;lsquo;The Quest&amp;rsquo; is a wine range produced by Chalice Bridge Estate winery in Margaret River, Western Australia. The name evokes the Arthurian legend of the Quest for the Holy Grail, and this medieval association is enhanced by the elaborately illustrated Templar Knights that feature on the five individualised labels contained within the series. The Knights Templar formed what was probably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades, before it was forcefully disbanded in the early fourteenth century. The immense power of the Order at its height and speculation about it&amp;rsquo;s suppression fuelled rumours that members of the Order had discovered (and re-located) the Holy Grail. Each of &amp;lsquo;The Quest&amp;rsquo; wine labels depicts a knight dressed in the distinctive outfit of the Knights Templar &amp;ndash; the red Cross of St George on the breast of a white tunics &amp;ndash; complete with chainmail, a sword and a shield that also features the red cross. Each of the knights strikes a different pose; three are engaged in combat and two are resting.&lt;/p&gt;&#13;
&lt;p&gt;The Chalice Bridge Estate can be found at &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://chalicebridge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Designer: Daniel McKeating, Studio Lost &amp;amp; Found, Western Australia: &lt;a href="http://www.studiolostandfound.com" target="_blank"&gt;http://www.studiolostandfound.com&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Illustrator: Skye Ogden - Tokyo, Japan: &lt;a href="http://www.skyeogden.com" target="_blank"&gt;http://www.skyeogden.com&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Chalice Bridge Estate: &lt;a href="http://www.chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;</text>
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                <text>Chalice Bridge Estate Limited, Margaret River, Western Australia (&lt;a href="http://www.chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;)</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.alicescottages.com.au/camelot.html"&gt;http://www.alicescottages.com.au/camelot.html&lt;/a&gt;</text>
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                <text>Aliceâ€™s Cottages, King Arthur, Camelot, cottage, helmet, Launceston, â€˜medieval experienceâ€™, Merlin, Merlinâ€™s spa, sword, tapestry, Tas, Tasmania, website.</text>
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                <text>&lt;p&gt;Alice&amp;rsquo;s Cottages offer romantic B&amp;amp;B accommodation in the Tasmanian city of Launceston. One of the cottages is called &amp;lsquo;Camelot Cottage&amp;rsquo; (named after the castle and court of King&lt;br /&gt;Arthur), and it features &amp;lsquo;Merlin&amp;rsquo;s Spa&amp;rsquo;. The &amp;lsquo;medieval experience&amp;rsquo; advertised on their website is enhanced by the inclusion of a tented four poster bed and a tapestry/wall hanging, whilst swords and a&amp;nbsp;medieval helmet decorate the&lt;br /&gt;cottage. Some of the photos feature a young couple in the cottage, with the man wearing a medieval helmet.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.alicescottages.com.au/camelot.html"&gt;http://www.alicescottages.com.au/camelot.html&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article41446579" target="_self"&gt;http://nla.gov.au/nla.news-article41446579&lt;/a&gt;</text>
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                <text>&amp;lsquo;Melbourne Investiture: Honours Conferred with Sword&amp;rsquo;, &lt;em&gt;The West Australian&lt;/em&gt;, 6 November 1937</text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; in 1937 reports on a number of new knighthoods awarded as part of the King&amp;rsquo;s Coronation Honours. For the first time, the article informs readers, the recipients were &amp;lsquo;dubbed&amp;rsquo; by the Governor-General, Lord Gowrie, at Parliament House during a &amp;lsquo;ceremony of medieval pageantry&amp;rsquo;. The ceremony was undertaken with the permission of the King, who was traditionally the only figure with the authority to confer honours with a sword. The act of dubbing involves a light blow to the shoulders of a kneeling recipient with the flat side of a sword. Dubbing is an essential part of the public investiture ceremony and dates to the medieval period.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article41446579" target="_self"&gt;http://nla.gov.au/nla.news-article41446579&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>6 November 1937, p.18</text>
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              <text>&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;Digitised Newspaper Article - National Library of Australia&lt;br /&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;" lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article41438038" target="_blank"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article41438038&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>arcade, Big Ben, Big Clock, clock, dragon, Fremantle, H. Hope Jones, Hay Street, horse, knights, La Grosse Horage, lance, London Court, mechanisation, Monk of Glastonbury, Moreton Bay, Peter Lightfoot, retail arcade, Rouen, shopping, St George, St Georgeâ€™s Terrace, sword, Synchronome Company Ltd, synchronome invention, â€œTournament of Tilting Knightsâ€, WA, Wells Cathedral, Western Australia</text>
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                <text>In this article from The West Australian in 1937, the arrival of two clocks destined for London Court in Perth, Western Australia is announced. They were delivered to Fremantle by Mr H. Hope-Jones, managing director and founder of the Synchronome Company in London, during his world tour of observatory clocks. The article goes on to summarise Hope-Jonesâ€™ description of the clocks: the clock at the St Georgeâ€™s Terrace entrance would have a dial copied from the famous medieval (fourteenth century) Big Clock at Rouen and the clock at the Hay Street entrance would be a replica of Big Ben in London. Above the clock at the St Georgeâ€™s end, Hope-Jones explained, would be the figures of St George and the dragon on a revolving horizontal wheel. The wheel would revolve once at every quarter past the hour, twice at every half hour, three times at every three-quarters past the hour and at the chiming of the full hour St Georgeâ€™s sword would touch a hidden trigger switch and the dragonâ€™s head would fall off. Above the Hay Street clock would be four jousting knights, who would occasionally dismount each other with a blow from their lance. This, Hope-Jones said, was a copy of the fourteenth-century Wells Cathedral Clock reputed to have been made by Peter Lightfoot, the Monk of Glastonbury. </text>
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                <text>9 October 1937, p. 27.</text>
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                <text>The West Australian</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>A Viking's Sword</text>
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                <text>Brisbane, burial, England, Norseman, The Queenslander, raiding, ship, ships, swords, sword, QLD, Queensland, sacrifice, Sweden, Viking, warfare, war, battle, battles, weapon, weapons, weaponry</text>
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                <text>A highly romanticised article on page 46 of the Brisbane newspaper The Queenslander on 17 May, 1934. The article reports on a male Viking warrior grave uncovered in Sweden. Among the various grave-goods found was a sword made in England. This leads the author to create a highly speculative account of a Viking raid on England and the sword being â€˜taken from the dead hand of one who fell defending his homeâ€™. Other goods found accompanying this member of the â€˜sea wolvesâ€™ included a horse, dog, a possible slave, gaming pieces and a possible slave. The article also mentions the â€˜savage godsâ€™ that the man was likely to worship and his preference to die abroad in battle. The article is a good example of the romantic speculation that the Vikings seem to encourage. </text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The Queenslander</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10434">
                <text>No Copyright</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The Viking Battle Ship</text>
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                <text>Viking, vikings, armour, Brisbane, Brisbane Courier, church, clothing, fete, fÃªte, St. Paulâ€™s church, parade, QLD, Queensland, recreation, saga, sword, swords, battle, battles, ships, ship, weapons, weapon, weaponry</text>
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                <text>An article on page 4 of the Brisbane Courier newspaper on July 10, 1908. The article is about the decision to make a Viking battleship (in other articles about the event it is referred to as a Viking Dragon Ship) the centre-piece of a church fÃªte. The decision was made by the workers of St. Paulâ€™s church, Leichhardt Street, in Brisbane. The article notes that as Vikings collected ransom from those whom they raided, the â€˜modern imitators of that great race of peopleâ€™ would also demand ransom, but it would be used for a good cause. Entertainment at the fÃªte included sagas, which were perhaps excerpts from sagas about the Vikings written in Iceland in the twelfth and thirteenth centuries. It is also reported that there was a street parade the night before the fÃªte which featured a band of modern Vikings led by a Jarl (Old Norse for Earl) wearing â€˜skyrtas and kyrtils [Old Norse for shirts and tunic/gowns], and ring armour, and armed with swords and battle axesâ€™. The use of Viking terminology is an unusual feature of this article.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="10539">
                <text>National Library of Australia</text>
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                <text>Brisbane Courier</text>
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                <text>10 July 1908</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Armour</name>
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        <name>battle</name>
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        <name>battles</name>
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        <name>Church</name>
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      <tag tagId="1155">
        <name>clothing</name>
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      <tag tagId="3182">
        <name>fÃªte</name>
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      <tag tagId="3181">
        <name>fete</name>
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      <tag tagId="417">
        <name>parade</name>
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      <tag tagId="475">
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        <name>saga</name>
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        <name>ship</name>
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        <name>ships</name>
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        <name>St. Paulâ€™s church</name>
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        <name>swords</name>
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        <name>viking</name>
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        <name>vikings</name>
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        <name>weapon</name>
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        <name>weaponry</name>
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        <name>weapons</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
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          <name>URL</name>
          <description/>
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              <text>&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article3743134"&gt;http://nla.gov.au/nla.news-article3743134&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24146">
                <text>One-Man Tank: â€œMedieval Knightâ€</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24147">
                <text>The Argus, armour, Daily Telegraph, knight, Melbourne, sword, tank, Vic, Victoria, warfare.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;This article in the Melbourne newspaper The Argus in 1926 describes the invention of a one-man tank. The report is based on photographs published in the London newspaper the Daily Telegraph. It describes the tank as reintroducing &amp;lsquo;the medieval knight in armour&amp;rsquo;. The medieval imagery is continued with the description of the building of the tanks as &amp;lsquo;a veritable beating of plough shares into swords&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article3743134"&gt;http://nla.gov.au/nla.news-article3743134&lt;/a&gt;&lt;/p&gt;</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24149">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24150">
                <text>The Argus</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24151">
                <text>April 1, 1926</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24152">
                <text>The Argus</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24153">
                <text>Newspaper article;Hyperlink</text>
              </elementText>
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    </elementSetContainer>
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        <name>Armour</name>
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        <name>Daily Telegraph</name>
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        <name>knight</name>
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      <tag tagId="104">
        <name>Melbourne</name>
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      <tag tagId="363">
        <name>sword</name>
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      <tag tagId="5130">
        <name>tank</name>
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      <tag tagId="124">
        <name>The Argus</name>
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      <tag tagId="2984">
        <name>Vic</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
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        <name>warfare</name>
      </tag>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              </elementTextContainer>
            </element>
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        </elementSet>
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    <itemType itemTypeId="7">
      <name>Website</name>
      <description>A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).</description>
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        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website.</description>
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              <text>&lt;p&gt;&lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28580">
                <text>â€˜Living by the swordâ€™</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Adult education, education, Elizabethan, Stephen Hand, Hobart, Leatherwood Online, â€˜Living by the swordâ€™, performance, rapier, re-creation, Vincentio Saviolo, George Silver, Stocatta School of Defence, sword, swordsman, Tas, Tasmania, Tasmaniaâ€™s Journal of Discovery, website.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28582">
                <text>&lt;p&gt;The anonymous online article &amp;lsquo;Living by the sword&amp;rsquo; appears in volume 4 of the Leatherwood Online &amp;ndash; Tasmania&amp;rsquo;s Journal of Discovery website and was posted in June/July 2007. It is about professional swordsman Stephen Hand of Hobart, Tasmania. Stephen teaches writes about, performs, and choreographs medieval and Elizabethan sword fighting. His technique is based on the late sixteenth-century works by Italian rapier master&lt;br /&gt;Vincentio Saviolo and the Englishman George Silver who favoured a more traditional backsword. Stephen helped establish the Stocatta School of Defence in Sydney in 1998 and a Hobart branch in 2004, and also teaches adult education classes. &amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For the article see &lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28583">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="28584">
                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28585">
                <text>June/July 2007</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28586">
                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28587">
                <text>Online article; hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="5697">
        <name>â€˜Living by the swordâ€™</name>
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      <tag tagId="5694">
        <name>Adult education</name>
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        <name>education</name>
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        <name>Elizabethan</name>
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        <name>George Silver</name>
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      <tag tagId="320">
        <name>Hobart</name>
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      <tag tagId="5696">
        <name>Leatherwood Online</name>
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        <name>performance</name>
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      <tag tagId="5698">
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        <name>re-creation</name>
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      <tag tagId="5695">
        <name>Stephen Hand</name>
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      <tag tagId="5701">
        <name>Stocatta School of Defence</name>
      </tag>
      <tag tagId="363">
        <name>sword</name>
      </tag>
      <tag tagId="5702">
        <name>swordsman</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="5703">
        <name>Tasmaniaâ€™s Journal of Discovery</name>
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        <name>Vincentio Saviolo</name>
      </tag>
      <tag tagId="4806">
        <name>website.</name>
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