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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article32284566" target="_blank"&gt;http://nla.gov.au/nla.news-article32284566&lt;/a&gt;</text>
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                <text>Building a Cathedral. Progress at St. Mary's.</text>
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                <text>â€œSt Maryâ€™s Cathedralâ€, â€œSt. Maryâ€™s churchâ€, Cathedral, church, Catholicism, â€œGothic architectureâ€, â€œEast Perthâ€, rebuilding, â€œCavanagh - architectâ€, masons, stonemasons, craftsmen, "guild journeymanâ€, stonework, stone, stained-glass, windows,  â€œmedieval village cathedralsâ€, transepts, sanctuary, sacristy, â€œlady chapelâ€</text>
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                <text>In this newspaper article from The West Australian, the author describes progress on the building of the eastern part of St. Maryâ€™s Cathedral in East Perth in June, 1929. He describes the Gothic design of the architecture as a particularly English style dating from the period 1370-1550, characterised by â€œa perpendicularity given it by the extensions of the chief mullions in the windows on to the arches and the addition of horizontal bars or transoms to divide the long lightsâ€. The style is also notable, the article suggests, for its â€œgreat window spacesâ€. In the second half of the article, the author likens the intricate stonework of the 25 masons employed to work on the cathedral to that of guild journeymen building village cathedrals in the middle ages.</text>
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                <text>National Library of Australia&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article32284566" target="_blank"&gt;http://nla.gov.au/nla.news-article32284566&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.news-article32284539" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>This photograph from the West Australian shows a mason carving a crocket on a stone pinnacle during the building of St. Maryâ€™s Cathedral in East Perth in 1929. The caption accompanying the photograph likens his work to that of a medieval guild craftsman. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Architecture, capital punishment, conservation, Considine &amp; Griffiths Architects, architect, convict, Convict Establishment, convict labour, Edmund Henderson, Edward I of England (1239-1307), fortification, Fremantle, Fremantle Prison, gate, gatehouse, limestone, maximum security, medieval castle, medieval warfare, penal establishment, prison, stonework, Swan River Colony, towers, transportation, WA, Western Australia</text>
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                <text>&lt;p class="MsoNormal"&gt;A view of the Fremantle Prison Gatehouse in  Fremantle, Western Australia. The Gatehouse was constructed by convict  labour between 1854 and 1855. It was built according to the design of  Royal Engineer Edmund Henderson from limestone quarried on site.  Gatehouses consisting of two close towers with a gate positioned between  them were a common feature of medieval castles and walled cities,  especially during the reign of Edward I in England (1272-1307).  Gatehouses were deliberately designed to be large and imposing  structures, because their purpose was to protect the weakest point of a  fortified space - the entrance. A major restoration of the Fremantle  Prison Gatehouse took place in 2005 under the management of Considine  and Griffiths Architects. The stonework was conserved and all  non-original rendering was removed.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About Fremantle Prison:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Fremantle  Prison was originally named The Convict Establishment, then The  Colonial Convict Establishment. It was renamed Fremantle Prison in 1867.  The building of the prison commenced in 1852, following a British  government directive that the Swan River Colony was to be used as a  penal establishment and the arrival of the first ship of convicts in  June 1850. The prison was first occupied in May 1855. Control of the  prison was handed over to the colonial authorities in 1886, and the  gallows were added in 1888 (following the closure of the Perth Gaol in  1887). From then until capital punishment was abolished by an act of  State Parliament in 1984, Fremantle Prison was the only legal place of  execution in the colony and later the state. The prison was  decommissioned in 1991, when the remaining male inmates and staff were  transferred to the new maximum security prison at Casuarina. The Women&amp;rsquo;s  Division, added to the prison in 1889, had been disbanded in 1970 when  female prisoners were transferred to Bandyup Women&amp;rsquo;s Training Centre.  Since its closure, Fremantle Prison has been added to the State,  National and World Heritage Lists. For more information and a list of  recommended readings, see Fremantle Prison&amp;rsquo;s official website: &lt;a href="http://www.fremantleprison.com.au/" target="_blank"&gt;http://www.fremantleprison.com.au&lt;/a&gt;.&lt;/p&gt;&#13;
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&#13;
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                <text>An image of the Former Magistrateâ€™s Court Building on the corner of La Trobe Street and Russell Street in Melbourneâ€™s CBD. The Former Magistrateâ€™s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It is a three-storey building of French Romanesque style that was constructed entirely from Australian materials. The corner site was well-established as the location of the Cityâ€™s law courts, having previously housed the Supreme Court and then the Court of Petty Sessions in a two-storey brick building that was demolished in 1910 to make way for the current building. Construction of the new building began in 1911 and was completed in 1914. The strongly modelled entrance, thick, squat columns and solid masonry are characteristic of Norman Revival or neo-romanesque architecture, as are the tourelles, tower, parapeted gables and semi-circular windows and arches. The Court of Petty Sessions, later renamed the Melbourne Magistrateâ€™s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.</text>
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                <text>A close-up of the triple lancet window above the entrance doorway at St Paulâ€™s Cathedral, Melbourne. The Cathedralâ€™s mixture of early and late gothic styles is evident in this window; the flamboyant arches (each has a trefoil head rather than a simple point) are typical of the late gothic period, but the tracery and overall composition is not as ornate as would be seen in a decorated gothic window. The Cathedralâ€™s distinctive chequered tiling surrounds the windows, capped by a blind arcade of lancet arches.&#13;
&#13;
About St Paulâ€™s Cathedral:&#13;
&#13;
St Paulâ€™s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedralâ€™s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfieldâ€™s more modest original plans. </text>
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                <text>&lt;p&gt;An image of the entrance to St Paul&amp;rsquo;s Cathedral in Melbourne. Inside the doorway, a set of lightweight stained glass &amp;lsquo;processional doors&amp;rsquo; have been installed. Designed by Janusz Kuzbicki, they were intended to keep out city and traffic noise, and to allow the heavy wooden doors of the Cathedral to remain open during the day. For more on the processional doors, see: &lt;a href="http://www.stpaulscathedral.org.au/cathedral/processional_doors" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://www.stpaulscathedral.org.au/cathedral/processional_doors&lt;/span&gt;&lt;/a&gt;. Around the doorway, a number of the Cathedral&amp;rsquo;s other distinctive features are visible, including the patterned stonework, lancet windows, stone buttresses and decorative tracery.&lt;/p&gt;&#13;
&lt;p&gt;About St Paul&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Paul&amp;rsquo;s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral&amp;rsquo;s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield&amp;rsquo;s more modest original plans.&lt;/p&gt;</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>25 April 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19615">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19616">
                <text>Digital Photograph; JPEG</text>
              </elementText>
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        <name>Anglican</name>
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        <name>arch</name>
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        <name>architect</name>
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      <tag tagId="74">
        <name>architecture</name>
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      <tag tagId="1236">
        <name>blind tracery</name>
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      <tag tagId="353">
        <name>Cathedral</name>
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      <tag tagId="68">
        <name>Church</name>
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        <name>church building</name>
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      <tag tagId="1190">
        <name>Church of England</name>
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      <tag tagId="4330">
        <name>Diocese of Melbourne</name>
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      <tag tagId="4561">
        <name>door</name>
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      <tag tagId="3306">
        <name>doorway</name>
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      <tag tagId="4562">
        <name>entrance</name>
      </tag>
      <tag tagId="4542">
        <name>flamboyant arch</name>
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      <tag tagId="905">
        <name>gothic architecture</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="4410">
        <name>John Barr</name>
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      <tag tagId="4332">
        <name>Joseph Reed (1823-1890)</name>
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      <tag tagId="1077">
        <name>lancet arch</name>
      </tag>
      <tag tagId="1115">
        <name>lancet window</name>
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      <tag tagId="1194">
        <name>masonry</name>
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      <tag tagId="1299">
        <name>mullion</name>
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      <tag tagId="71">
        <name>neo-Gothic</name>
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      <tag tagId="4563">
        <name>processional doors</name>
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      <tag tagId="1300">
        <name>quatrefoil</name>
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      <tag tagId="3107">
        <name>sandstone</name>
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      <tag tagId="693">
        <name>stained glass</name>
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      <tag tagId="272">
        <name>stonework</name>
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      <tag tagId="4411">
        <name>tiling</name>
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      <tag tagId="1094">
        <name>tracery</name>
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      <tag tagId="1860">
        <name>trefoil</name>
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      <tag tagId="2984">
        <name>Vic</name>
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      <tag tagId="890">
        <name>Victoria</name>
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      <tag tagId="2822">
        <name>Victorian Gothic</name>
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      <tag tagId="3288">
        <name>William Butterfield (1814-1900)</name>
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        <name>window</name>
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