1 8 105 https://ausmed.arts.uwa.edu.au/files/original/dacb186fec16a3f6a97c5ef025bd6047.jpg d09983f6e38d2d42a126ce54a97dc2c2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 533 Width 800 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John’s Anglican Church, Kirribilli, Sydney, New South Wales Subject The topic of the resource Anglican, Edmund Thomas Blacket, buttress, Church by the Bridge, Church of St John the Baptist, St John’s Anglican Church, Kirribilli, New South Wales, NSW, porch, Romanesque, Romanesque Revival, semi-circular arch, spire, Sydney, tower Description An account of the resource The Church of St John the Baptist, also known as St John’s Anglican Church is in the Sydney, New South Wales, suburb of Kirribilli. It was originally built as a church school and was designed by Edmund Thomas Blacket (1817-1883). It was built in 1884, with the vestry and sanctuary added in 1900 and the parish hall (now a kindergarten) in 1909. Due to its position close to one end of Sydney Harbour Bridge St John’s is also known as the Church by the Bridge and an evangelical group of that name meet at the church. The Church of St John the Baptist is in the Romanesque Revival style and features semi-circular arched windows and doorways, a circular window, buttresses, a porch, and a copper overlaid bell tower topped by a spire. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 18 December 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican buttress Church by the Bridge Church of St John the Baptist Edmund Thomas Blacket Kirribilli New South Wales NSW porch Romanesque Romanesque Revival semi-circular arch spire St John’s Anglican Church Sydney tower https://ausmed.arts.uwa.edu.au/files/original/b01e4e5e4d8188c02ee0a084d617c297.jpg fe4a91149c8fa519380e6c5c6394ab9a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 400 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John’s Anglican Church, Kirribilli, Sydney, New South Wales Subject The topic of the resource Anglican, Edmund Thomas Blacket, buttress, Church by the Bridge, Church of St John the Baptist, St John’s Anglican Church, Kirribilli, New South Wales, NSW, porch, Romanesque, Romanesque Revival, semi-circular arch, spire, Sydney, tower Description An account of the resource The Church of St John the Baptist, also known as St John’s Anglican Church is in the Sydney, New South Wales, suburb of Kirribilli. It was originally built as a church school and was designed by Edmund Thomas Blacket (1817-1883). It was built in 1884, with the vestry and sanctuary added in 1900 and the parish hall (now a kindergarten) in 1909. Due to its position close to one end of Sydney Harbour Bridge St John’s is also known as the Church by the Bridge and an evangelical group of that name meet at the church. The Church of St John the Baptist is in the Romanesque Revival style and features semi-circular arched windows and doorways, a circular window, buttresses, a porch, and a copper overlaid bell tower topped by a spire. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 18 December 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican buttress Church by the Bridge Church of St John the Baptist Edmund Thomas Blacket Kirribilli New South Wales NSW porch Romanesque Romanesque Revival semi-circular arch spire St John’s Anglican Church Sydney tower https://ausmed.arts.uwa.edu.au/files/original/5a544960d42c1288c1da5ee3b670a776.jpg 746671dc4c2f006160a9d5e9dc1cdac6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 545 Width 726 https://ausmed.arts.uwa.edu.au/files/original/7f0718231332566f575a29adf2c73c19.jpg f4162f414b327a3b92ae8c838d4986ec Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 648 Width 486 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church St Laurence Anglican Church, Sydney, New South Wales Subject The topic of the resource Anglican, Edmund Thomas Blacket, William Grant Broughton, Bishop Broughton, buttress, Christ Church St Laurence, crenel, Gothic, Gothic Revival, New South Wales, NSW, parapet, pointed arch, Henry Robertson, spire, Sydney, tower, tracery. Description An account of the resource <div class="element-text"> <p>Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia&rsquo;s first Bishop, on New Year&rsquo;s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism.</p> <p>For their very informative website of the church see <a href="http://www.ccsl.org.au/">http://www.ccsl.org.au/</a></p> </div> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 17 December 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2 x Digital Photograph/JPEGs Anglican Bishop Broughton buttress Christ Church St Laurence crenel Edmund Thomas Blacket Gothic Gothic Revival Henry Robertson New South Wales NSW parapet pointed arch spire Sydney tower tracery William Grant Broughton https://ausmed.arts.uwa.edu.au/files/original/4e9c8fe6f3e117cfdb9c2aca4ff2768b.JPG 97b40f1421ec6107c0c5ac1f20b375b3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f96063502afc37afff7c5a767d0285f0.JPG a109eb1417dab9f53a79a64f08a74a7e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/cb5c34284eba292575f326093f4b9c3b.JPG 9c2325c7ac4e1efe3e48b541f2a23804 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Mortuary Station, Regent St, Sydney Subject The topic of the resource James Barnet, Byzantine, capital, cemetery, Chippendale, column, funeral, Gothic, Gothic Revival, lancet window, Moorish, Mortuary Station, moulding, New South Wales, NSW, pointed arch, railway, Regent Street Railway Station, Rookwood Cemetery, sculpture, spire, Sydney, Venetian Gothic. Description An account of the resource The former Mortuary Station is located behind Sydney’s Central Station in the inner-city suburb of Chippendale on Regent Street, after which it was renamed. The station was designed by James Barnet and completed in 1869. It was part of the Rookwood Cemetery railway line, whereby special funeral trains transported bodies from the city centre to the cemetery for burial. The station is in the Gothic Revival style, in particular the 14th-century Venetian Gothic, and was deliberately designed to appear like a church (Indeed, one of the former stations on the line was dismantled and rebuilt in Canberra where it is now a church). The Venetian Gothic style combined elements from Gothic, Byzantine, and Moorish architecture. Mortuary Station features columns topped with decorated capitals, small lancet windows, pointed arches, a pointed-arch ticket window, decorated chimney, a spire, and bas-relief sculpture including a foliage motif and cherubs . The Rookwood line was officially closed in 1948 but the renamed Regent Street Railway Station is still sometimes used for special events. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource December 17, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Byzantine capital cemetery Chippendale column funeral Gothic Gothic Revival James Barnet lancet window Moorish Mortuary Station moulding New South Wales NSW pointed arch railway Regent Street Railway Station Rookwood Cemetery sculpture spire Sydney Venetian Gothic. https://ausmed.arts.uwa.edu.au/files/original/9a1fcb79a64a17fe3465b9440ed80032.JPG 05330ddf341437c540d91de766e99d6c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/94ca4ab44e470d489014455f1a65bfc4.JPG 87833588dd4a3b4477794e667069c84d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Peter’s Catholic Church, Kempton, Tasmania Subject The topic of the resource Buttress, Catholic, crenellation, Monsignor Gilleran, house, Kempton, parapet, pointed arch, Romanesque, Romanesque Revival, St Peter’s Church, semi-circular arch, spire, stained glass, Tas, Tasmania, tower, Alan Cameron Walker. Description An account of the resource The former St Peter’s Catholic Church is in the small Tasmanian town of Kempton. The foundation stone for the red brick church was laid by Monsignor Gilleran in 1918 and the building was completed in 1923. St Peter’s was designed by architect Alan Cameron Walker (1864-1931) in the Romanesque Revival style. It features semi-circular arches on the doorways, windows, and decorative details. The building also has corner buttresses, a tower with a parapet and corner crenels, stained glass windows, and a spire. It is now a private residence. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alan Cameron Walker. buttress Catholic crenellation house Kempton Monsignor Gilleran parapet pointed arch Romanesque Romanesque Revival semi-circular arch spire St Peter’s Church stained glass Tas Tasmania tower https://ausmed.arts.uwa.edu.au/files/original/d8c4266655bf6be49c9cebce57a9a23a.JPG 007c2d4248e91d3545ac18d441faa3a4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles Altar, Launceston, Tasmania Subject The topic of the resource Altar, Catholic, Church of the Apostles, column, finials, Gothic, Gothic Revival, lancet window, Launceston, Alexander North, pointed arch, spire, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson. Description An account of the resource <p>This elaborate altar is in the Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The altar is in the sanctuary designed by Alexander North (1858-1945) and built in 1886. The altar is topped by a spire and is in the Gothic style, with prominent decorated pointed arches, columns, and finials. Behind the altar are the two stained glass east windows, both of which consist of two lancet windows and tracery, with additional glass above.</p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a></p> <p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a></p> <p>&nbsp;</p> Format The file format, physical medium, or dimensions of the resource Digital Photograph Alexander North Altar Bishop Willson Catholic Church of the Apostles column finials Gothic Gothic Revival lancet window Launceston pointed arch Robert William Willson. spire stained glass Tas Tasmania tracery https://ausmed.arts.uwa.edu.au/files/original/8e83932bb696d98ea5e6a26471732db9.JPG 06c69b060f46313d9b5c1a5821d646d6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/34c41bd6c148a9772ea90cce49a2c6f6.JPG 758e3eab7077d551d1dea599c6b69e64 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles exterior, Launceston, Tasmania Subject The topic of the resource Buttress, Catholic, Church of the Apostles, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, pointed arch, spire, stained glass, Tas, Tasmania, tower, tracery, Bishop Willson, Robert William Willson. Description An account of the resource <p>The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. It is in the Gothic Revival style with a square tower topped by a spire, lancet windows with tracery and stained glass, buttresses, and pointed arch doorways.</p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a></p> <p>For the altar see <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a></p> <p>&nbsp;</p> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Bishop Willson buttress Cardinal Moran Catholic Church of the Apostles Gothic Gothic Revival lancet window Launceston Patrick Francis Moran pointed arch Robert William Willson. spire stained glass Tas Tasmania tower tracery https://ausmed.arts.uwa.edu.au/files/original/ea68373e6b87c340e95beca5490c85f5.jpg f8ff45cb68b96e9a7f28d00ec6cf4bb8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Castle Bird Box Subject The topic of the resource Pearl Anderson, bird box, Cameo Alpacas and Garden Art, castle, column, crenellation, Deloraine, drawbridge, Elod Gunther, parapet, pointed arch, spire, Tas, Tasmania, tower, Woodbridge. Description An account of the resource <p>This wooden bird box was created by Cameo Alpacas and Garden Art, a company run by Pearl Anderson and Elod Gunther and based in Woodbridge in southern Tasmania. The bird box is a recreation of a medieval castle, complete with corner towers with crenelated parapets, with the walls between the towers also having crenellation. The pointed arch entrance to the castle includes a possible representation of a bridge or drawbridge, which the bird could sit on. The photograph was taken at the Tasmanian Craft fair held in the town of Deloraine.</p> <p>For more of their creations see <a href="http://ausmed.arts.uwa.edu.au/items/show/1185">http://ausmed.arts.uwa.edu.au/items/show/1185</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1181">http://ausmed.arts.uwa.edu.au/items/show/1181</a></p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource November 4, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1181">http://ausmed.arts.uwa.edu.au/items/show/1181</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1185">http://ausmed.arts.uwa.edu.au/items/show/1185</a></p> <p>&nbsp;</p> Format The file format, physical medium, or dimensions of the resource Digital Photograph bird box Cameo Alpacas and Garden Art castle column crenellation Deloraine drawbridge Elod Gunther parapet Pearl Anderson pointed arch spire Tas Tasmania tower Woodbridge.