1 8 93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <p>To view this image,</p> <p>1. Go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_self">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a></p> <p>2. Search by artist or title.</p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'St Francis beaten by his Father', by Arthur Boyd Subject The topic of the resource art, Assisi, beating, business, Catholicism, Christianity, church, cloth merchant, drawing, family, father, Francis of Assisi, Franciscan Order, modern art, patrimony, poverty, preacher, preaching, religious order, repairs, saint, Saint Francis of Assisi, San Damiano, St Francis of Assisi, The Poor Clares, violence, work. Description An account of the resource This work by Arthur Boyd was acquired by the Art Gallery of South Australia in 1969 with funds from the Morgan Thomas Bequest. It depicts St Francis of Assisi being beaten by his father, who is known to have objected to Francis’ religious inclinations and specifically to have reprimanded him for selling cloth from his shop to fund church repairs. St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181. After an adolescence spent learning his father’s cloth business and aspiring to be a noble knight, he received his religious calling in his twenties when he was praying at San Damiano and heard Christ telling him to repair the church. Following a dispute with his father after selling cloth to raise money for the task, Francis returned every stitch of clothing his father had ever given him and renounced his patrimony. He turned to a life of poverty and religious work. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226, and was pronounced a saint only two years later by Pope Gregory IX. Creator An entity primarily responsible for making the resource Arthur Boyd, 1920-1999 Source A related resource from which the described resource is derived Art Gallery of South Australia: <a href="http://www.artgallery.sa.gov.au/agsa/home/" target="_self">http://www.artgallery.sa.gov.au/agsa/home/</a><br /> Date A point or period of time associated with an event in the lifecycle of the resource 1965 Rights Information about rights held in and over the resource Art Gallery of South Australia, with permission of the Bundanon Trust Format The file format, physical medium, or dimensions of the resource Lithograph on Paper, 47.9cm x 60.3cm art Assisi beating business Catholicism Christianity Church cloth merchant drawing family father Francis of Assisi Franciscan Order modern art patrimony poverty preacher preaching religious order repairs saint Saint Francis of Assisi San Damiano St Francis of Assisi The Poor Clares violence work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.michaelgalovic.com/Pop/StFrancis.html" target="_self">http://www.michaelgalovic.com/Pop/StFrancis.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘St Francis and the Birds’, by Michael Galovic Subject The topic of the resource Animals, art, Assisi, Bevagna, birds, Cardinal Ugolini, Catholicism, Christianity, Francis of Assisi, Franciscan, Giovanni Francesco do Bernadone, icon, iconography, modern art, Pope Gregory IX, Pope Innocent III, Portiuncula, poverty, preacher, preaching, religious art, religious order, saint, Saint Francis of Assisi, St Francis of Assisi, The Little Flowers of St Francis, The Poor Clares, work, ‘new icons’. Description An account of the resource <p>This artwork by Yugoslavian-Australian artist Michael Galovic depicts St Francis of Assisi, the thirteenth-century religious reformer, preaching to birds in his characteristic brown habit. It is an example of the artist&rsquo;s modern religious artwork in which he seeks to create new versions of traditional icons, often featuring medieval figures such as St Francis or Hildegard of Bingen (see <a href="http://www.michaelgalovic.com/galleryintro.html" target="_self">http://www.michaelgalovic.com/galleryintro.html</a>). St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181 to a wealthy cloth merchant. Following a dispute with his father in his twenties, he returned every stitch of clothing his father had ever given him and turned to a life of poverty and religious work, particularly by helping to rebuild churches. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226 and only two years later he was pronounced a saint by Pope Gregory IX. Among many well-known stories about St Francis and animals is the scene depicted in this painting, which is described in <em>The Little Flowers of St Francis</em>:</p> <p>So solace-filled he left them, and full well,<br />To penitence disposed, and, parting thence,<br />Betwixt Carmano and Bevagna came. <br />And, ardently as ever journeying on, <br />He raised his eyes and certain trees beheld <br />Fast by the way-side, on whose boughs were perched <br />A multitude of birds innumerable, <br />So that Saint Francis was amazed thereat, <br />And said to his companions: &ldquo;In the road <br />Ye shall await me here, whole I go preach <br />Unto the birds my sisters&rdquo;: and he went <br />Within the field, and to the birds &lsquo;gan preach <br />That on the ground were sitting; and at once <br />Those that were on the trees did come to him,<br />And, one and all, stayed motionless until <br />Saint Francis had done preaching, and e&rsquo;en then<br />Departed not till he had given them <br />His Benediction.</p> <p>(James Rhoades, <em>The Little Flowers of St Francis: Rendered into English Verse</em>, London, 1904, pp.88-89).</p> Creator An entity primarily responsible for making the resource Michael Galovic Source A related resource from which the described resource is derived <a href="http://www.michaelgalovic.com" target="_self">http://www.michaelgalovic.com</a> Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Michael Galovic Format The file format, physical medium, or dimensions of the resource Gessoed board, with egg tempera and gold leaf, mixed technique assemblage, 100cm x 70cm ‘new icons’ Animals art Assisi Bevagna birds Cardinal Ugolini Catholicism Christianity Francis of Assisi Francsciscan Giovanni Francesco do Bernadone icon iconography modern art Pope Gregory IX Pope Innocent III Portiuncula poverty preacher preaching religious art religious order saint Saint Francis of Assisi St Francis of Assisi The Little Flowers of St Francis The Poor Clares work https://ausmed.arts.uwa.edu.au/files/original/5278365e7814f89d42b20b602022e6a0.jpg d7a649bb923be1314ecbbc8ff259accd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Andrew’s Presbyterian Church, Manly, Sydney. Subject The topic of the resource arched windows, bell tower, blind arcade, gargoyle, Manly, New South Wales, NSW, Presbyterian Church, Romanesque, Romanesque Revival, St Andrew’s Presbyterian Church, semi-circular arches, John Sulman, Sydney, tower, St. Andrew, Saint Andrew, St Andrew Description An account of the resource An image of St Andrew’s Presbyterian Church on Raglan Road in the Sydney suburb of Manly. The building was designed by John Sulman in the Romanesque Revival style and was completed in 1890. The carved white sandstone building features a prominent bell tower with gargoyles, semi-circular arched windows and blind arcading, and a porch with an arched entrance. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 05 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched windows bell tower blind arcade gargoyle John Sulman Manly New South Wales NSW Presbyterian Church Romanesque Romanesque Revival saint Saint Andrew semi-circular arch St Andrew St Andrew’s Presbyterian Church St. Andrew Sydney tower https://ausmed.arts.uwa.edu.au/files/original/d8619cbd7c42c2652413f4dd144dfbe4.jpg 19136e9163bae91c9982d511831f4a4e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 972 Width 648 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Andrew’s Presbyterian Church, Manly, Sydney. Subject The topic of the resource Arched windows, bell tower, blind arcade, gargoyle, Manly, New South Wales, NSW, Presbyterian Church, Romanesque, Romanesque Revival, St Andrew’s Presbyterian Church, semi-circular arch, John Sulman, Sydney, tower, saints, saint, St. Andrew, Saint Andrew, St Andrew Description An account of the resource This image shows St Andrew’s Presbyterian Church on Raglan Road in the Sydney suburb of Manly. The building was designed by John Sulman in the Romanesque style and was completed in 1890. The carved white sandstone building features a prominent bell tower with gargoyles, semi-circular arched windows and blind arcading, and a porch with an arched entrance. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 5 February 2012 Rights Information about rights held in and over the resource No Copyright arched windows bell tower blind arcade gargoyle John Sulman Manly New South Wales NSW Presbyterian Church Romanesque Romanesque Revival saint Saint Andrew saints semi-circular arch St Andrew St Andrew’s Presbyterian Church St. Andrew Sydney tower https://ausmed.arts.uwa.edu.au/files/original/520f8947ea7b2da12b12d886a57ebe51.jpg dfb44539cb92982dd4f82693d76b36f0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Andrew’s Presbyterian Church porch, Manly, Sydney. Subject The topic of the resource Arched windows, bell tower, blind arcade, gargoyle, Manly, New South Wales, NSW, porch, Presbyterian Church, Romanesque, Romanesque Revival, saints, saint, St Andrew’s Presbyterian Church, semi-circular arch, John Sulman, Sydney, tower, Saint Andrew, St. Andrew, St Andrew Description An account of the resource This photograph shows the porch of St Andrew’s Presbyterian Church on Raglan Road in the Sydney suburb of Manly. The building was designed by John Sulman in the Romanesque revival style and was completed in 1890. The porch has a decorated semi-circular arch supported by columns with decorated capitals. The church is entered through a semi-circular arched door in a semi-circular arched doorway. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 5 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched windows bell tower blind arcade capital column gargoyle John Sulman Manly New South Wales NSW porch Presbyterian Church Romanesque Romanesque Revival saint Saint Andrew semi-circular arch St Andrew St Andrew’s Presbyterian Church St. Andrew Sydney tower https://ausmed.arts.uwa.edu.au/files/original/fbea00bf0d72734533ed3b9af08de480.jpg 129d528f1fd98dfd2c121a97d72ee3cd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 972 Width 648 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Andrew's Cathedral, Sydney - George Street Entrance Subject The topic of the resource Anglican, Arched windows, Edmund Blacket, crenellation, gargoyle, Gothic, Gothic Revival, New South Wales, NSW, stained glass, Sydney, tower, tracery, saint, saints, Saint Andrew, St. Andrew, St Andrew Description An account of the resource St Andrew’s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral was designed by the English architect Edmund Blacket, who later became the colonial architect to New South Wales. The building is in the Gothic revival style, and features gargoyles, pointed arched windows, stained glass, crenellation, towers, and tracery. Unusually, due to the ease of access from George Street, the Cathedral is now entered through the less grand east end and the interior has been reorientated accordingly. This photograph shows the new entrance. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arched windows crenellation Edmund Blacket gargoyle Gothic Gothic Revival New South Wales NSW saint Saint Andrew saints St Andrew St. Andrew stained glass Sydney tower tracery https://ausmed.arts.uwa.edu.au/files/original/43e4584ecbff14a8b46993ca55477990.jpg 5d999702fdce04a83ee0656cbcbe2eb7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 648 Width 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exterior Detail, St. Andrew's Cathedral, Sydney Subject The topic of the resource Anglican, Arched windows, Edmund Blacket, crenellation, gargoyle, Gothic, Gothic Revival, New South Wales, NSW, stained glass, Sydney, tower, tracery, saints, saint, St. Andrew, St Andrew, Saint Andrew Description An account of the resource St Andrew’s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral was designed by the English architect Edmund Blacket, who later became the colonial architect to New South Wales. The building is in the Gothic revival style, and features gargoyles (as seen in this photograph), pointed arched windows, stained glass, crenellation, towers, and tracery. Unusually, due to the ease of access from George Street, the Cathedral is now entered through the east end and the interior has been reorientated accordingly. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arched windows crenellation Edmund Blacket gargoyle Gothic Gothic Revival New South Wales NSW saint Saint Andrew saints St Andrew St. Andrew stained glass Sydney tower tracery https://ausmed.arts.uwa.edu.au/files/original/efc06e8e69b5f4af672b7b645b930264.jpg b9fb363f1cdf21a310461aa5eb5c6264 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 972 Width 648 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Andrew’s Cathedral, Sydney - Original Entrance Subject The topic of the resource Anglican, Arched windows, Edmund Blacket, crenellation, gargoyle, Gothic, Gothic Revival, New South Wales, NSW, stained glass, Sydney, tower, tracery, saint, saints, Saint Andrew, St. Andrew, St Andrew Description An account of the resource St Andrew’s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral was designed by the English architect Edmund Blacket, who later became the colonial architect to New South Wales. The building is in the Gothic revival style, and features gargoyles, pointed arched windows, stained glass, crenellation, towers, and tracery. Unusually, due to the ease of access from George Street, the Cathedral is now entered through the less grand east end and the interior has been reorientated accordingly. This photograph is of the original entrance. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arched windows crenellation Edmund Blacket gargoyle Gothic Gothic Revival New South Wales NSW saint Saint Andrew saints St Andrew St. Andrew stained glass Sydney tower tracery