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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://www.abc.net.au/news/2012-02-14/new-procession-ushers-in-slipper-era/3828928" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.abc.net.au/news/2012-02-14/new-procession-ushers-in-slipper-era/3828928&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>New Procession ushers in Slipper era</text>
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                <text>Australian Parliament, Canberra, ceremonial robes, Chamber, House of Representatives, lobby, mace, medieval ritual, parliament, Parliament House, procession, public display, ritual, serjeant-at-arms, Speaker, weapon</text>
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                <text>This article from the online edition of ABC News reports on a change in Australian parliamentary procedure. A longer and more formal procession from the lobby of Parliament House to the Chamber of the House of Representatives has been introduced by Peter Slipper (the Speaker) on Tuesdays, the article explains, so that visitors and members of the public are better able to witness the ceremonial opening of parliamentary proceedings. An image of Slipper, in his ceremonial robes, following the Serjeant-at-Arms and the official mace accompanies the article. The mace plays an important and symbolic role in the House of Representatives, as in the British House of Commons. The association of the mace with parliament most likely originates from the medieval period, when the Kingâ€™s bodyguards, also known as serjeants-at-arms, were each armed with a mace. Gradually, the mace became associated with the customs and rituals of parliamentary ceremony rather than with its former use as a weapon. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Newspaper Article in The Western Argus.&lt;/p&gt;&lt;p&gt;National Library of Australia - &lt;font color="#000000" face="Tahoma" size="2"&gt;&lt;font face="Calibri" size="3"&gt;&lt;a href="http://nla.gov.au/nla.news-article34593995" target="_blank"&gt;http://nla.gov.au/nla.news-&lt;wbr&gt;article34593995&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;</text>
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                <text>The Mace of Parliament</text>
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                <text>In this article from the Western Argus, the significance and history of the mace in parliamentary proceedings is explained. The author describes the mace used in the Victorian Legislative Assembly as a sceptre surmounted by a cross, an orb and the crown of England. It is also decorated with the waratah flower of Australia, the rose of England, the thistle of Scotland and the harp of Ireland. The symbolic and ceremonial function of the mace in the opening and closing of parliamentary proceedings is explained, and the history of the mace as a weapon of medieval warfare is noted. The article suggests that the association of the mace with parliament is likely to originate from the medieval period: â€œIn medieval England the king appointed a Royal bodyguard of stalwart men, gaudily uniformed, and each bearing a mace. They came to be known as serjeants-at-arms. When Parliament was divided into two Houses â€“ the Commons and the Lords â€“ two serjeants-at-arms were provided from the Kingâ€™s bodyguard. The institution has survived. With the serjeant-at-arms has remained the mace, not as a weapon but as a symbol of office; and gradually the mace came to be associated with all the ceremonies and customs of the Commonsâ€. The article goes on to explain the traditional rivalry between the House of Commons and the House of Lords concerning the superior authority of the mace or its equivalent in the House of lords, the black rod (in the keeping of The Usher of the Black Rod). Traditional and symbolic rituals involving the mace and the black rod are also described. If the Usher of the Black Rod approaches the House of Commons to summon the Speaker, for example, the door is ceremoniously closed on him and he is required to knock three times and beg admittance. Similarly, the serjeant-at-arms is not permitted to enter the House of Lords without first surrendering the mace to the doorkeeper. </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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