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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.ironfest.net/images-of-ironfest"&gt;http://www.ironfest.net/images-of-ironfest&lt;/a&gt;</text>
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                <text>Images of Ironfest</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Armour, arts festival, art, arts, blacksmith, costume, festival, helmet, jousting, Kingdom of Ironfest, knight, Lithgow, living history, New South Wales, NSW, performance, plate armour, re-enactment, replica, shield, sword, website</text>
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                <text>Billed as â€˜An Arts Festival with a Metal Edgeâ€™ Ironfest is an annual festival held in the New South Wales city of Lithgow. The festival involves artists and blacksmith working with metal, as well as historical re-enactors, musicians, and performers. The re-enactors include those who focus on the medieval period, and the entertainment for the Ironfest 2013 includes jousting. The main page for Ironfest includes a photograph of nine knights wearing plate armour and helmets and carrying shields and swords. The festival began in 2010 and is held at the Kingdom of Ironfest (the Lithgow Showground).&#13;
&#13;
For their website see http://www.ironfest.net/index.php</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ironfest</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="32811">
                <text>2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32812">
                <text>Copyright Â© Ironfest 2012</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="32813">
                <text>Website/Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Armour</name>
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        <name>arts</name>
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        <name>arts festival</name>
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        <name>blacksmith</name>
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        <name>costume</name>
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      <tag tagId="647">
        <name>festival</name>
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        <name>helmet</name>
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      <tag tagId="2091">
        <name>jousting</name>
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      <tag tagId="6050">
        <name>Kingdom of Ironfest</name>
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        <name>knight</name>
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        <name>Lithgow</name>
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        <name>living history</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>performance</name>
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        <name>plate armour</name>
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        <name>re-enactment</name>
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        <name>shield</name>
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        <name>sword</name>
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        <name>website</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/index.php" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://www.mainlymedieval.com/store/index.php&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="17804">
                <text>Mainly Medieval </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="17805">
                <text>artefacts, consumption, â€˜Mainly Medievalâ€™, material culture, New South Wales, NSW, re-enactment, reenactment, replica, reproduction</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>â€˜Mainly Medievalâ€™ is an online store that provides a range of products for medieval enthusiasts. The catalogue lists for sale reference books about aspects of the medieval period, magazines related to re-enactor activities such as medieval warfare and textiles, medieval music and various re-enactor supplies including pavilions, artefacts, clothing, badges, games and playing cards. The company is based in New South Wales. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17807">
                <text>Mainly Medieval</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="17808">
                <text>2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17809">
                <text>Copyright Â© 2011 Mainly Medieval</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>â€˜Mainly Medievalâ€™</name>
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        <name>artefacts</name>
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        <name>consumption</name>
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        <name>material culture</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="173">
        <name>re-enactment</name>
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        <name>reenactment</name>
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        <name>replica</name>
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        <name>reproduction</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
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          <name>URL</name>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_100&amp;amp;products_id=2036"&gt;http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_100&amp;amp;products_id=2036&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mainly Medieval replica spoon</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>acorn, acorn knop, consumption, dining utensils, dining, food, knop, â€˜Mainly Medievalâ€™, material culture, medieval eating customs, New South Wales, NSW, pewter, replica, reproduction, spoon, symbolism, utensils</text>
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                <text>An advertisement for a replica medieval eating spoon distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. The spoon is made from food grade pewter. It is described by the catalogue as â€˜English,â€™ and of a type and design that was common between the fourteenth and fifteenth centuries. At the tip of the handle there is a stylised acorn design, symbolising life, fertility, and strength (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol. 1, p.27). The acorn was also, as the catalogue suggests, regarded as a talisman against cholera and fluxes. These properties likely explain its decorative appeal for dining utensils. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17993">
                <text>Mainly Medieval</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="17994">
                <text>2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17995">
                <text>Copyright Â© 2011 Mainly Medieval</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>English</text>
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        <name>â€˜Mainly Medievalâ€™</name>
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      <tag tagId="4006">
        <name>acorn</name>
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      <tag tagId="4007">
        <name>acorn knop</name>
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      <tag tagId="3940">
        <name>consumption</name>
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      <tag tagId="3717">
        <name>dining</name>
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      <tag tagId="4008">
        <name>dining utensils</name>
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      <tag tagId="3572">
        <name>food</name>
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      <tag tagId="4009">
        <name>knop</name>
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      <tag tagId="3942">
        <name>material culture</name>
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      <tag tagId="4010">
        <name>medieval eating customs</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="4011">
        <name>pewter</name>
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      <tag tagId="114">
        <name>replica</name>
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      <tag tagId="3944">
        <name>reproduction</name>
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      <tag tagId="4012">
        <name>spoon</name>
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        <name>symbolism</name>
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        <name>utensils</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_101&amp;amp;products_id=488"&gt;http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_101&amp;amp;products_id=488&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Replica Thirteenth-Century Devotional Candleholder</text>
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            <description>The topic of the resource</description>
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                <text>artefact, blessing, candle, candles, candleholder, candle-holder, Christ, Christian, Christianity, devotion, devotional, light, â€˜Mainly Medievalâ€™, material culture, New South Wales, NSW, re-enactment, reenactment, replica, symbolism</text>
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                <text>An advertisement for a replica thirteenth-century devotional candleholder distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. In purified Christianised logic, the candle is a symbol of â€˜devotion,â€™ and (prayerful) â€˜studyâ€™ (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol. 1, p.284). The candle also symbolises light and, by extension, Christ. This candleholder is a heavy pewter artefact, designed for maximum stability and utility. It contains a blessing which states, â€œGod bless those present and those that made meâ€. Candles and candleholders were used in the homes of the wealthy, especially in the libraries of those able to read and write, as well as in monasteries, churches, and universities. It seems unlikely, however, that such an expensive candleholder as this would be found in peasant dwellings, where rushlights and light from the fire would be sufficient to see after dark. </text>
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                <text>An advertisement for a scallop shell badge distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. The scallop shell badge signifies that the wearer has completed the lengthy overland pilgrimage known in English as the Way of St James. This pilgrimage, which now starts at Roncesvalles, gradually winds its way to the Cathedral in Compostela, NW Spain. The ninth-century version, however, was considerably shorter due to the Moorish occupation. This early route started at Oviedo, passed through Lugo, and culminated at Santiago de Compostela, covering a distance of 328 km. The church was built at Compostella as a shrine to James, the son of Salome and Zebedee, who died in Jerusalem AD 44 by order of King Agrippa. His body was reputedly rediscovered in 840 by divine revelation to Bishop Theodomirus (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol.2, p.1372). The Vatican â€˜officiallyâ€™ confirmed the location of St Jamesâ€™s relics and tomb via a Papal Bull in 1884, and consequently the Camino de Santiago de Compostela became one of the worldâ€™s great long-distance â€˜pilgrimages.â€™ </text>
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                <text>&lt;p&gt;Image of some delegates of the 2010 conference of the Australian  Early Medieval Association (AEMA) held at The University of Western  Australia visiting a re-creation Viking ship built by Royce Carrig of  Perth. AEMA conferences commonly include at least one practical session  where delegates experience a re-creation of an aspect of the early  medieval world. The wooden ship was built from plans of an excavated  Viking ship, and can usually be found anchored in the Swan River at the  1st Pelican Point Sea Scout Group base in Crawley. It is based on one of  the five eleventh-century ships deliberately sunk near Skuldelev in  Denmark to create an underwater barrier protecting Roskilde.&lt;/p&gt;&#13;
&lt;p&gt;For more information on the Viking ship, see &lt;a href="../../../items/show/388"&gt;http://ausmed.arts.uwa.edu.au/items/show/388&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Rouen clock: Medieval inspiration for London Court, Perth.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>clock, France, the Great Clock, Le Gros Horloge, H. Hope-Jones, London Court, newspaper, Normandy, Perth, replica, Rouen, WA, The West Australian, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;These photographs compare the clock face at the Hay Street end of London Court in Perth with Le Gros Horloge, or the Great Clock, at Rouen in Normandy, France, on which it is based. An article in The West Australian newspaper in 1937, and repeated on the official London Court website, claims that the London Court clock face designed by H. Hope-Jones is a &amp;lsquo;replica&amp;rsquo; of the one at Rouen. Yet a comparison of the photographs shows that this is not the case. Although the layout is the same the materials are different and the central sun on the Rouen clock is much larger. Le Gros Horloge also only has a single hand, to indicate the hour, whereas the London Court clock has the conventional modern two hands.&lt;/p&gt;&#13;
&lt;p&gt;The Rouen clock mechanism was installed in the early fifteenth century, whilst the clock face was added a century later. The clock includes figures associated with the day of the week appearing at noon on the appropriate day and, above the clock, a globe depicting the phase of the moon.&lt;/p&gt;&#13;
For London Court see &lt;a href="http://www.londoncourt.com.au/" target="_blank"&gt;&lt;span style="color: #800080;"&gt;www.londoncourt.com.au&lt;/span&gt;&lt;/a&gt;. For the newspaper article &amp;lsquo;Two New Clocks&amp;rsquo; see &lt;a href="http://nla.gov.au/nla.news-article41438038" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article41438038&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;.&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16966">
                <text>29 November 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16967">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16968">
                <text>2 x Digital Photographs; JPEGs</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
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      <tag tagId="152">
        <name>clock</name>
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        <name>France</name>
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        <name>H. Hope-Jones</name>
      </tag>
      <tag tagId="3817">
        <name>Le Gros Horloge</name>
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      <tag tagId="2080">
        <name>London Court</name>
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      <tag tagId="109">
        <name>newspaper</name>
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      <tag tagId="3819">
        <name>Normandy</name>
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      <tag tagId="150">
        <name>Perth</name>
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      <tag tagId="114">
        <name>replica</name>
      </tag>
      <tag tagId="2600">
        <name>Rouen</name>
      </tag>
      <tag tagId="3816">
        <name>the Great Clock</name>
      </tag>
      <tag tagId="3820">
        <name>The West Australian</name>
      </tag>
      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/b94d0fd601b936c22500029bba0801e0.jpg</src>
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          <elementSet elementSetId="5">
            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
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                <name>Channels</name>
                <description/>
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                    <text>3</text>
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                <name>Height</name>
                <description/>
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                    <text>635</text>
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                <description/>
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                    <text>953</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/e13cfae4ab1a061913630de792b1962c.jpg</src>
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          <elementSet elementSetId="5">
            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
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              <element elementId="75">
                <name>Channels</name>
                <description/>
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                  <elementText elementTextId="19738">
                    <text>3</text>
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              <element elementId="73">
                <name>Height</name>
                <description/>
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                  <elementText elementTextId="19741">
                    <text>1089</text>
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                    <text>726</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/0b0c3f45b593d34af15dd1102ecb7408.jpg</src>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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                <name>Bit Depth</name>
                <description/>
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                    <text>8</text>
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                    <text>3</text>
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                    <text>581</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="19756">
              <text>3 x Digital Photographs; JPEGs</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Medieval artifacts and replicas, St Andrewâ€™s Cathedral, Sydney</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Anglo-Saxon, artefact, artefacts, artifact, artifacts, Edmund Blacket, Canterbury Cathedral, Canterbury cross, Gothic, Gothic Revival, New South Wales, Norman, NSW, replica, Sydney, Winchester Cathedral, Saint Andrew, St. Andrew, St Andrew, cathedral</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19751">
                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral is in the Gothic Revival style and was designed by the English architect Edmund Blacket. These photographs show two medieval artifacts, and a replica of a medieval original, that were donated to the Cathedral in the early twentieth century. The Anglo-Saxon cross found in Canterbury, also known as the Canterbury cross, is a replica mounted on a stone taken from Canterbury Cathedral. Another mounted replica of the cross can be found at St Georges Cathedral in Perth (see item 333). The decorated stone originally formed part of a Norman arch in Canterbury Cathedral. The piece of oak came from the 1079 Norman foundations of Winchester Cathedral.   </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19752">
                <text>McLeod, Shane</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19753">
                <text>6 February 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19754">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19755">
                <text>3 x Digital Photographs; JPEGs</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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      <tag tagId="2224">
        <name>Anglo-Saxon</name>
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      <tag tagId="4018">
        <name>artefact</name>
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      <tag tagId="3939">
        <name>artefacts</name>
      </tag>
      <tag tagId="3195">
        <name>artifact</name>
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      <tag tagId="3196">
        <name>artifacts</name>
      </tag>
      <tag tagId="1396">
        <name>Canterbury Cathedral</name>
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      <tag tagId="4605">
        <name>Canterbury Cross</name>
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      <tag tagId="353">
        <name>Cathedral</name>
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      <tag tagId="4604">
        <name>Edmund Blacket</name>
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      <tag tagId="70">
        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="1354">
        <name>Norman</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="114">
        <name>replica</name>
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      <tag tagId="115">
        <name>Saint Andrew</name>
      </tag>
      <tag tagId="609">
        <name>St Andrew</name>
      </tag>
      <tag tagId="354">
        <name>St. Andrew</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="4606">
        <name>Winchester Cathedral</name>
      </tag>
    </tagContainer>
  </item>
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