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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A View of Saint Patrick's Catholic Church, York, Western Australia</text>
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                <text>An image of St. Patrick's Catholic Church, located on South Street in York, a settlement ninety minutes south-east of Perth in Western Australia.&#13;
&#13;
The Church's foundation stone was laid on St. Patrick's Day in 1875, with the building being completed in 1886. Its design is typical of the Gothic revival style with its spire and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries.&#13;
&#13;
It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>â€˜Saint Michaelâ€™ Stained Glass Window, St Albanâ€™s Anglican Church, Highgate, Western Australia</text>
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                <text>Angel, Anglican, Anglican church, archangel, Archangel Michael, architecture, battle, Book of Revelation, church, church building, dragon, feast day, Highgate, iconography, J. J. Talbot Hobbs (1864-1938), leadlight windows, medieval calendar, medieval Holy Day, Michaelmas, neo-romanesque, Norman architecture, parish church, romanesque architecture, rounded arch, Saint Michael, saints, saint, semi-circular arch, Saint Alban, St. Alban, St Alban, St George, Saint George, St. George, Saint Michael, St. Michael, St Michael, window, windows, Christian, Christianity, religious, religion, stained-glass, Victorian Romanesque style, WA, Western Australia</text>
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                <text>&lt;p&gt;An image of the &amp;lsquo;Saint Michael&amp;rsquo; stained glass window at St Alban&amp;rsquo;s Anglican Church, Highgate.&lt;strong&gt; &lt;/strong&gt;This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George&amp;rsquo;s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban&amp;rsquo;s. The stained glass depicts Michael, archangel and commander of the Lord&amp;rsquo;s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (&lt;em&gt;Revelation&lt;/em&gt;, 12:7-9). As is common in artistic renditions, Michael&amp;rsquo;s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of &amp;lsquo;Good&amp;rsquo;. During the medieval period, St Michael&amp;rsquo;s feast day (29 September) &amp;ndash; known as Michaelmas &amp;ndash; was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts.&lt;/p&gt;&#13;
&lt;p&gt;About St Alban&amp;rsquo;s:&lt;/p&gt;&#13;
&lt;p&gt;St Alban&amp;rsquo;s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban&amp;rsquo;s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban&amp;rsquo;s, see: &lt;a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank"&gt;http://stalbans.org.au/about-st-albans/historic-st-albans/&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Le Coultre, Eleanor</text>
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                <text>Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA.</text>
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&#13;
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&#13;
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&#13;
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>28 July 2011</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10855">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="10856">
                <text>Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/511"&gt;http://ausmed.arts.uwa.edu.au/items/show/511&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth, Western Australia ,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/510"&gt;http://ausmed.arts.uwa.edu.au/items/show/510&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Arched Windows, Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/509"&gt;http://ausmed.arts.uwa.edu.au/items/show/509&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;The Bethany Church of God, North Perth - Rose Window,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/508"&gt;http://ausmed.arts.uwa.edu.au/items/show/508&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10857">
                <text>Digital Photographs; JPEGs</text>
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        <name>architect</name>
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      <tag tagId="74">
        <name>architecture</name>
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      <tag tagId="86">
        <name>Christian</name>
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      <tag tagId="227">
        <name>Christianity</name>
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      <tag tagId="68">
        <name>Church</name>
      </tag>
      <tag tagId="2536">
        <name>churches</name>
      </tag>
      <tag tagId="3246">
        <name>J. Hine</name>
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      <tag tagId="3242">
        <name>Jerusalem</name>
      </tag>
      <tag tagId="150">
        <name>Perth</name>
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      <tag tagId="113">
        <name>religion</name>
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      <tag tagId="2210">
        <name>religious</name>
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      <tag tagId="1767">
        <name>saint</name>
      </tag>
      <tag tagId="3243">
        <name>Saint Lazarus of Bethany</name>
      </tag>
      <tag tagId="3244">
        <name>Saint Martha of Bethany</name>
      </tag>
      <tag tagId="1691">
        <name>saints</name>
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      <tag tagId="3245">
        <name>St Mary of Bethany</name>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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        <name>worship</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="28">
          <name>URL</name>
          <description/>
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            <elementText elementTextId="20532">
              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=526" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20524">
                <text>Bouguereauâ€™s Virgin and Child</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20525">
                <text>art, artwork, child, Christ Child, crucifixion, devotional art, devotional, gaze, halo, icon, infant Jesus, Madonna, Mary, nostalgia, religious, religion, religious art, SA, South Australia, virgin, Virgin Mary, William Adolphe Bouguereau (1825-1905)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>This work by William Adolphe Bouguereau was acquired by the Art Gallery of South Australia in 1899 with funds from the Elder Bequest. It depicts the Virgin Mary, clothed in a dark green dress with gold trim and seated against a backdrop of rich gold cloth, holding the infant Jesus on her lap. The childâ€™s arms are outstretched in a crucifixion pose. Although this painting dates from the nineteenth century (1888), it is strongly reminiscent of devotional religious art from the medieval period. The colours and composition are generally similar to those employed by medieval artists, while Maryâ€™s downcast gaze and the use of gold circles to represent halos recreate more specific motifs that were common in medieval representations of the Madonna and Child. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bourguereau, William Adolphe</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="20528">
                <text>Art Gallery of South Australia</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20529">
                <text>1888</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20530">
                <text>Art Gallery of South Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20531">
                <text>Hyperlink; &#13;
Oil on Canvas, 176 x 102.8 cm</text>
              </elementText>
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          </element>
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        <name>art</name>
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        <name>artwork</name>
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        <name>child</name>
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        <name>Christ Child</name>
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        <name>crucifixion</name>
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      <tag tagId="244">
        <name>devotional</name>
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      <tag tagId="4096">
        <name>devotional art</name>
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      <tag tagId="4097">
        <name>gaze</name>
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      <tag tagId="3892">
        <name>halo</name>
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      <tag tagId="4098">
        <name>icon</name>
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        <name>infant Jesus</name>
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        <name>Madonna</name>
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        <name>Mary</name>
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        <name>nostalgia</name>
      </tag>
      <tag tagId="113">
        <name>religion</name>
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      <tag tagId="2210">
        <name>religious</name>
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        <name>religious art</name>
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      <tag tagId="887">
        <name>SA</name>
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        <name>South Australia</name>
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        <name>virgin</name>
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      <tag tagId="2296">
        <name>Virgin Mary</name>
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      <tag tagId="4102">
        <name>William Adolphe Bouguereau (1825-1905)</name>
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