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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Negative.</text>
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              <text>&lt;a href="http://hdl.handle.net/10462/deriv/101801"&gt;http://hdl.handle.net/10462/deriv/101801&lt;/a&gt;</text>
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                <text>St. Patrick's Day Procession, Queen Street, Brisbane, 1903</text>
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                <text>St. Patrick, St Patrick, Saint Patrick, saints, saint, parades, processions, parade, procession, Irish, Ireland, Catholicism, Catholic, St. Patrick's Day, religious, religion, ceremony, celebration, Brisbane, QLD, Queensland, Celtic, cross, harp, ring-headed cross</text>
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                <text>An image of crowds of people gathered on Queen Street in Brisbane, QLD to watch the floats in a St. Patrick's Day parade. Processions with banners were a feature of the later medieval period. The banner for the St Patrick's day procession also features a number of items associated with medieval Ireland, including a harp and ring-headed 'Celtic' cross.</text>
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            <name>Creator</name>
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                <text>Anon.</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>1903</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>John Oxley Library, State Library of Queensland</text>
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        <name>harp</name>
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        <name>Irish</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Bouguereauâ€™s Virgin and Child</text>
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                <text>art, artwork, child, Christ Child, crucifixion, devotional art, devotional, gaze, halo, icon, infant Jesus, Madonna, Mary, nostalgia, religious, religion, religious art, SA, South Australia, virgin, Virgin Mary, William Adolphe Bouguereau (1825-1905)</text>
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                <text>This work by William Adolphe Bouguereau was acquired by the Art Gallery of South Australia in 1899 with funds from the Elder Bequest. It depicts the Virgin Mary, clothed in a dark green dress with gold trim and seated against a backdrop of rich gold cloth, holding the infant Jesus on her lap. The childâ€™s arms are outstretched in a crucifixion pose. Although this painting dates from the nineteenth century (1888), it is strongly reminiscent of devotional religious art from the medieval period. The colours and composition are generally similar to those employed by medieval artists, while Maryâ€™s downcast gaze and the use of gold circles to represent halos recreate more specific motifs that were common in medieval representations of the Madonna and Child. </text>
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                <text>Bourguereau, William Adolphe</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Art Gallery of South Australia</text>
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                <text>1888</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Art Gallery of South Australia</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink; &#13;
Oil on Canvas, 176 x 102.8 cm</text>
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        <name>William Adolphe Bouguereau (1825-1905)</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>2 x Digital Photographs; JPEGs</text>
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                <text>Bethany Church of God, Raglan Road, North Perth</text>
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                <text>Jerusalem, Saint Lazarus of Bethany, Saint Martha of Bethany, St Mary of Bethany, saints, saint, church, churches, Christianity, Christian, religion, religious, worship, Perth, WA, Western Australia, J. Hine, architect, architecture</text>
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                <text>Images of the front of Bethany Church of God on Raglan Road in North Perth, Western Australia. The Church, designed by architect J. Hine, was originally built in 1913, and has received further renovations in 1935 and in more recent years.  </text>
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                <text>Carter, Bree</text>
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                <text>28 July 2011</text>
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