1
8
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https://ausmed.arts.uwa.edu.au/files/original/2a811f44be39802eecd6e243f21fc2eb.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Height
640
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St. Alban's Church, Highgate, at the 2011 Beaufort Street Festival
Subject
The topic of the resource
Beaufort, Beaufort Street, Beaufort Street Festival, festival, festivals, leisure, recreation, street festival, street festivities, Mt Lawley, Mt. Lawley, Mount Lawley, Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St Alban, Anglicanism, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA
Description
An account of the resource
An image of St. Alban's Church, Highgate, Western Australia being used by the community at the Beaufort Street Festival.
St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938).
Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St George’s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Alban’s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St George’s Cathedral.
Creator
An entity primarily responsible for making the resource
Carter, Bree
Date
A point or period of time associated with an event in the lifecycle of the resource
12th November 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
Anglican church
Anglicanism
architect
architecture
Beaufort
Beaufort Street
Beaufort Street Festival
bell turret
buttresses
Church
church building
festival
festivals
Fred Collett (builder)
Highgate
J. J. Talbot Hobbs (1864-1938)
leadlight windows
leisure
limestone
Mount Lawley
Mt Lawley
Mt. Lawley
neo-Romanesque
Norman architecture
oculus windows
parish church
preparatory school
quoins
recreation
red brick
Romanesque architecture
Saint Alban
Saint George
Saint Michael
semi-circular arches
St Alban
St. Alban
St. George
St. Michael
stained glass
stained-glass
stone
street festival
street festivities
The Sisters of the Church of England
Victorian Romanesque style
WA
Western Australia
-
https://ausmed.arts.uwa.edu.au/files/original/81ef0e915b6afde6f5e20764c127b75b.jpg
552ee92c8622cd9776905ee069f3f062
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
427
Width
640
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St. Alban's Anglican Church, Highgate, WA
Subject
The topic of the resource
Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA
Description
An account of the resource
A view of St Alban’s Anglican Church, Highgate. St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St George’s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Alban’s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St George’s Cathedral. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915.
Creator
An entity primarily responsible for making the resource
McEwan, Joanne
Date
A point or period of time associated with an event in the lifecycle of the resource
4 February 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
Anglican church
architect
architecture
bell turret
buttresses
Church
church building
Fred Collett (builder)
Highgate
J. J. Talbot Hobbs (1864-1938)
leadlight windows
limestone
neo-Romanesque
Norman architecture
oculus windows
parish church
preparatory school
quoins
red brick
Romanesque architecture
Saint Alban
Saint George
Saint Michael
semi-circular arches
St. Alban
St. George
St. Michael
stained glass
stained-glass
stone
The Sisters of the Church of England
Victorian Romanesque style
WA
Western Australia
-
https://ausmed.arts.uwa.edu.au/files/original/632f329e8d91cb48e11cbb0bb7a09b8b.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
427
Width
640
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St. Alban’s Anglican Church, Highgate, Western Australia
Subject
The topic of the resource
Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA
Description
An account of the resource
A view of St Alban’s Anglican Church, Highgate. St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St George’s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Alban’s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St George’s Cathedral. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915.
Creator
An entity primarily responsible for making the resource
McEwan, Joanne
Date
A point or period of time associated with an event in the lifecycle of the resource
4 February 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
Anglican church
architect
architecture
bell turret
buttresses
Church
church building
Fred Collett (builder)
Highgate
J. J. Talbot Hobbs (1864-1938)
leadlight windows
limestone
neo-Romanesque
Norman architecture
oculus windows
parish church
preparatory school
quoins
red brick
Romanesque architecture
Saint Alban
Saint George
Saint Michael
semi-circular arches
St. Alban
St. George
St. Michael
stained glass
stained-glass
stone
The Sisters of the Church of England
Victorian Romanesque style
WA
Western Australia
-
https://ausmed.arts.uwa.edu.au/files/original/ed485036d2d50773612e2017d0627c87.jpg
9afc9145a8a77481ddaef7589e171afd
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Beehive Corner, Adelaide
Subject
The topic of the resource
Adelaide, arch, architecture, banded brickwork, commercial building, corbel, English & Soward, Federation Gothic style, gable, golden bee, Gothic Revival, Haigh’s chocolate store, historic site, John Rundle (1791-1864), King William Street, lancet arch, neo-gothic, quatrefoil, pinnacle, red brick, restoration, retail, Rundle Mall, SA, shopping mall, South Australia, tourelle, turret
Description
An account of the resource
A view of Beehive Corner at the Western end of Rundle Mall in Adelaide, South Australia. This historic corner site was originally owned by John Rundle and has been known as ‘Beehive Corner’ since the 1840s. The Federation Gothic style building pictured here is the second building to stand on the site, replacing an older, plainer building erected in 1849. The present building was constructed between 1894 and 1896, most probably by architects English & Soward. It provides a rare example where neo-gothic architecture was used for a commercial building. Its characteristic gothic features include the lancet-arched windows with quatrefoil insets, the banded brickwork, the corbel effect, the pinnacles and the tourelle (or turret) bearing the name ‘Beehive Corner’ in gold lettering. Original features and details that had been stripped away during the twentieth century were restored in 1998.
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
7 July 2011
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
Dorey, Margaret, “Beehive Corner, Adelaide,” <em>Medievalism in Australian Cultural Memory</em>, <a href="../../../items/show/499">http://ausmed.arts.uwa.edu.au/items/show/499</a>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Adelaide
arch
architecture
banded brickwork
commercial building
corbel
English & Soward
Federation Gothic Style
gable
golden bee
Gothic Revival
Haigh’s chocolate store
historic site
John Rundle (1791-1864)
King William Street
lancet arch
neo-Gothic
pinnacle
quatrefoil
red brick
Restoration
retail
Rundle Mall
SA
shopping mall
South Australia
tourelle
turret
-
https://ausmed.arts.uwa.edu.au/files/original/1deb6bca81221ad57ee5e80789c669a8.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Beehive Corner, Adelaide
Subject
The topic of the resource
Adelaide, arch, architecture, banded brickwork, commercial building, corbel, English & Soward, Federation Gothic style, gable, golden bee, Gothic Revival, Haigh’s chocolate store, historic site, John Rundle (1791-1864), King William Street, lancet arch, neo-gothic, quatrefoil, pinnacle, red brick, restoration, retail, Rundle Mall, SA, shopping mall, South Australia, tourelle, turret
Description
An account of the resource
A view of Beehive Corner at the Western end of Rundle Mall in Adelaide, South Australia. This historic corner site was originally owned by John Rundle and has been known as ‘Beehive Corner’ since the 1840s. The Federation Gothic style building pictured here is the second building to stand on the site, replacing an older, plainer building erected in 1849. The present building was constructed between 1894 and 1896, most probably by architects English & Soward. It provides a rare example where neo-gothic architecture was used for a commercial building. Its characteristic gothic features include the lancet-arched windows with quatrefoil insets, the banded brickwork, the corbel effect, the pinnacles and the tourelle (or turret) bearing the name ‘Beehive Corner’ in gold lettering. Original features and details that had been stripped away during the twentieth century were restored in 1998.
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
7 July 2011
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
Dorey, Margaret, “Beehive Corner, Adelaide,” <em>Medievalism in Australian Cultural Memory</em>, <a href="../../../items/show/500">http://ausmed.arts.uwa.edu.au/items/show/500</a>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Adelaide
arch
architecture
banded brickwork
commercial building
corbel
English & Soward
Federation Gothic Style
gable
golden bee
Gothic Revival
Haigh’s chocolate store
historic site
John Rundle (1791-1864)
King William Street
lancet arch
neo-Gothic
pinnacle
quatrefoil
red brick
Restoration
retail
Rundle Mall
SA
shopping mall
South Australia
tourelle
turret
-
https://ausmed.arts.uwa.edu.au/files/original/15dba33037cc1a55b4a04d73d4d7166b.jpg
0e8d1fa33792f08e6118d4588b0b87a2
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1084
Width
813
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Neo-Romanesque Apse, Christ Church, North Adelaide
Subject
The topic of the resource
Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style
Description
An account of the resource
A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows.
About Christ Church:
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The building’s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.
For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
3 July 2011
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a><br /> <br />Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a><br /> <br /> Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #478, <a href="../../../items/show/478">http://ausmed.arts.uwa.edu.au/items/show/478</a><br /> <br /> Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, <a href="../../../items/show/479">http://ausmed.arts.uwa.edu.au/items/show/479</a>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
Anglicanism
Anglo-Norman
Anglo-Norman design
arch
architecture
Bishop
Bishop Augustus Short (1802-1883)
building
Christian
Christianity
Church
Church of England
churches
ecclesiastical
ecclesiastical building
gable
gables
Henry Stuckey
Henry Stuckey (1821-1851)
limestone
neo-Romanesque
North Adelaide
red brick
rounded arch
SA
sandstone
semi-circular arch
South Australia
stained glass
Victorian Romanesque style
-
https://ausmed.arts.uwa.edu.au/files/original/ae3d407985cec704ce8edab50a725144.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
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Height
640
Width
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apse, Christ Church, North Adelaide
Subject
The topic of the resource
Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style
Description
An account of the resource
A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows.
About Christ Church:
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The building’s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.
For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
3 July 2011
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p>Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a><br /> <br />Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a><br /> <br /> Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #478, <a href="../../../items/show/478">http://ausmed.arts.uwa.edu.au/items/show/478</a></p>
<p>Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, <a href="../../../items/show/480">http://ausmed.arts.uwa.edu.au/items/show/480</a></p>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
Anglicanism
Anglo-Norman
Anglo-Norman design
arch
architecture
Bishop
Bishop Augustus Short (1802-1883)
building
Christian
Christianity
Church
Church of England
churches
ecclesiastical
ecclesiastical building
gable
gables
Henry Stuckey
Henry Stuckey (1821-1851)
limestone
neo-Romanesque
North Adelaide
red brick
rounded arch
SA
sandstone
semi-circular arch
South Australia
stained glass
Victorian Romanesque style
-
https://ausmed.arts.uwa.edu.au/files/original/92e1366f8d73fc33fe5b98eadfe0b845.jpg
c6d46014ff6df9e0a0b0d55d9c9df499
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
739
Width
985
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Neo-Romanesque Apse at Christ Church, North Adelaide
Subject
The topic of the resource
Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style
Description
An account of the resource
A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows.
About Christ Church:
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The building’s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.
For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
3 July 2011
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p>Dorey,Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a><br /> <br />Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a></p>
<p>Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, <a href="../../../items/show/479">http://ausmed.arts.uwa.edu.au/items/show/479</a><br /> <br /> Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, <a href="../../../items/show/480">http://ausmed.arts.uwa.edu.au/items/show/480</a></p>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
Anglicanism
Anglo-Norman
Anglo-Norman design
arch
architecture
Bishop
Bishop Augustus Short (1802-1883)
building
Christian
Christianity
Church
Church of England
churches
ecclesiastical
ecclesiastical building
gable
gables
Henry Stuckey
Henry Stuckey (1821-1851)
limestone
neo-Romanesque
North Adelaide
red brick
rounded arch
SA
sandstone
semi-circular arch
South Australia
stained glass
Victorian Romanesque style