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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This article describes the colourful redecoration of the interior of the Johnston Memorial Church in Fremantle in 1897. The predominant colours are listed as green, salmon, citron, terracotta, Persian red and cream. Among the features described in more detail are a frieze under the ceiling line â€˜with a foliated design introducing quartrefoils and Maltese crossesâ€™, a deep red dado with a medieval acanthus scroll painted in cream, and gold dog roses against a cardinal red background interspersed at regular intervals. The terracotta and cream design painted onto the green balcony is described as â€˜Gothicâ€™, and behind the rostrum â€˜is a Gothic canopy in deeper tones of colour, with a gold diapered pattern in deep blue, forming a background to the preacherâ€™. The decorations were designed and carried out by J. Ross Anderson, who was also noted for his decoration of the Wesley Church in Perth.&#13;
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                <text>St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. Examples of its gothic features are the large decorated window above the main door, the tall vertical towers flanking the entrance, the pointed archways, the flying buttresses, and the ornate tracery decorating the windows, towers and tympanum. St Patrickâ€™s was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994.</text>
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                <text>&lt;p&gt;An image of the entrance to St Paul&amp;rsquo;s Cathedral in Melbourne. Inside the doorway, a set of lightweight stained glass &amp;lsquo;processional doors&amp;rsquo; have been installed. Designed by Janusz Kuzbicki, they were intended to keep out city and traffic noise, and to allow the heavy wooden doors of the Cathedral to remain open during the day. For more on the processional doors, see: &lt;a href="http://www.stpaulscathedral.org.au/cathedral/processional_doors" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://www.stpaulscathedral.org.au/cathedral/processional_doors&lt;/span&gt;&lt;/a&gt;. Around the doorway, a number of the Cathedral&amp;rsquo;s other distinctive features are visible, including the patterned stonework, lancet windows, stone buttresses and decorative tracery.&lt;/p&gt;&#13;
&lt;p&gt;About St Paul&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Paul&amp;rsquo;s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral&amp;rsquo;s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield&amp;rsquo;s more modest original plans.&lt;/p&gt;</text>
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                <text>St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. Examples of its gothic features are the large decorated window above the main door, the tall vertical towers flanking the entrance, the pointed archways, the flying buttresses, and the ornate tracery decorating the windows, towers and tympanum. St Patrickâ€™s was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994.</text>
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&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s other neo-gothic features include its steeply gabled roof, rows of twin lancet windows, decorative stone tracery and the entrance porch. </text>
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                <text>A view of the Redemptorist Church in North Perth, Western Australia. An entrance porch with decorative crenellations and a large traceried window containing five stained glass and lead light panels dominate the churchâ€™s appearance. The door is surrounded by gothic arches decorated with acanthus leaves, and is flanked on either side by stone buttresses and niches. The Greek letters Alpha and Omega are clearly visible on the door, signifying that Christ is the beginning and ending of all things.&#13;
&#13;
This Federation Gothic Style church and the adjoining monastery were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been newly established in WA in 1899. The church was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903 and is dedicated to Saints Peter and Paul. An additional monastery wing was added in 1912 and a chapel and transept in 1922. The monastery and church together were added to the WA Heritage register in 2006.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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            <elementText elementTextId="20995">
              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
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                <text>Neo-gothic Windows, Mitchell Building, The University of Adelaide</text>
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            <name>Subject</name>
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                <text>Adelaide, arch, architecture, blind tracery, column, equilateral arch, gothic architecture, Gothic Revival, lancet arch, lancet window, leadlight, mullion, neo-gothic, pointed arch, quatrefoil, SA, South Australia, The University of Adelaide, tracery, university, university buildings, William McMinn (1844-1884), William Mitchell (1861-1962), window</text>
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                <text>An image showing examples of neo-gothic windows at of the Mitchell Building, The University of Adelaide. The lower row of windows shows sets of twin lancet windows separated by a stone column, while the upper level windows comprise pairs of trefoil pointed lancets, separated by a stone mullion and topped with a quatrefoil window, all contained within a single equilateral pointed arch. &#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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            <name>Creator</name>
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                <text>Dorey, Margaret</text>
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            <name>Date</name>
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                <text>5 July 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                <text>Digital Photograph; JPEG</text>
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        <name>William McMinn (1844-1884)</name>
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        <name>William Mitchell (1861-1962)</name>
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