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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1. Go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_self"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;2. Search by artist or title.&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'St Francis beaten by his Father', by Arthur Boyd</text>
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            <description>The topic of the resource</description>
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                <text>art, Assisi, beating, business, Catholicism, Christianity, church, cloth merchant, drawing, family, father, Francis of Assisi, Franciscan Order, modern art, patrimony, poverty, preacher, preaching, religious order, repairs, saint, Saint Francis of Assisi, San Damiano, St Francis of Assisi, The Poor Clares, violence, work.</text>
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                <text>This work by Arthur Boyd was acquired by the Art Gallery of South Australia in 1969 with funds from the Morgan Thomas Bequest. It depicts St Francis of Assisi being beaten by his father, who is known to have objected to Francisâ€™ religious inclinations and specifically to have reprimanded him for selling cloth from his shop to fund church repairs. St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181. After an adolescence spent learning his fatherâ€™s cloth business and aspiring to be a noble knight, he received his religious calling in his twenties when he was praying at San Damiano and heard Christ telling him to repair the church. Following a dispute with his father after selling cloth to raise money for the task, Francis returned every stitch of clothing his father had ever given him and renounced his patrimony. He turned to a life of poverty and religious work. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226, and was pronounced a saint only two years later by Pope Gregory IX. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Arthur Boyd, 1920-1999</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="29436">
                <text>Art Gallery of South Australia: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/" target="_self"&gt;http://www.artgallery.sa.gov.au/agsa/home/&lt;/a&gt;&lt;br /&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="29437">
                <text>1965</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Art Gallery of South Australia, with permission of the Bundanon Trust</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="29439">
                <text>Lithograph on Paper, 47.9cm x 60.3cm</text>
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        <name>art</name>
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        <name>Assisi</name>
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        <name>beating</name>
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        <name>business</name>
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        <name>Catholicism</name>
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        <name>Christianity</name>
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        <name>cloth merchant</name>
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        <name>drawing</name>
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        <name>family</name>
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        <name>father</name>
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        <name>Francis of Assisi</name>
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        <name>Franciscan Order</name>
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        <name>modern art</name>
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        <name>patrimony</name>
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        <name>preacher</name>
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        <name>Saint Francis of Assisi</name>
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        <name>San Damiano</name>
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        <name>St Francis of Assisi</name>
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        <name>The Poor Clares</name>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
          <description/>
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              <text>&lt;a href="http://www.michaelgalovic.com/Pop/StFrancis.html" target="_self"&gt;http://www.michaelgalovic.com/Pop/StFrancis.html&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜St Francis and the Birdsâ€™, by Michael Galovic</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Animals, art, Assisi, Bevagna, birds, Cardinal Ugolini, Catholicism, Christianity, Francis of Assisi, Franciscan, Giovanni Francesco do Bernadone, icon, iconography, modern art, Pope Gregory IX, Pope Innocent III, Portiuncula, poverty, preacher, preaching, religious art, religious order, saint, Saint Francis of Assisi, St Francis of Assisi, The Little Flowers of St Francis, The Poor Clares, work, â€˜new iconsâ€™.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;This artwork by Yugoslavian-Australian artist Michael Galovic depicts St Francis of Assisi, the thirteenth-century religious reformer, preaching to birds in his characteristic brown habit. It is an example of the artist&amp;rsquo;s modern religious artwork in which he seeks to create new versions of traditional icons, often featuring medieval figures such as St Francis or Hildegard of Bingen (see &lt;a href="http://www.michaelgalovic.com/galleryintro.html" target="_self"&gt;http://www.michaelgalovic.com/galleryintro.html&lt;/a&gt;). St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181 to a wealthy cloth merchant. Following a dispute with his father in his twenties, he returned every stitch of clothing his father had ever given him and turned to a life of poverty and religious work, particularly by helping to rebuild churches. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226 and only two years later he was pronounced a saint by Pope Gregory IX. Among many well-known stories about St Francis and animals is the scene depicted in this painting, which is described in &lt;em&gt;The Little Flowers of St Francis&lt;/em&gt;:&lt;/p&gt;&#13;
&lt;p&gt;So solace-filled he left them, and full well,&lt;br /&gt;To penitence disposed, and, parting thence,&lt;br /&gt;Betwixt Carmano and Bevagna came. &lt;br /&gt;And, ardently as ever journeying on, &lt;br /&gt;He raised his eyes and certain trees beheld &lt;br /&gt;Fast by the way-side, on whose boughs were perched &lt;br /&gt;A multitude of birds innumerable, &lt;br /&gt;So that Saint Francis was amazed thereat, &lt;br /&gt;And said to his companions: &amp;ldquo;In the road &lt;br /&gt;Ye shall await me here, whole I go preach &lt;br /&gt;Unto the birds my sisters&amp;rdquo;: and he went &lt;br /&gt;Within the field, and to the birds &amp;lsquo;gan preach &lt;br /&gt;That on the ground were sitting; and at once &lt;br /&gt;Those that were on the trees did come to him,&lt;br /&gt;And, one and all, stayed motionless until &lt;br /&gt;Saint Francis had done preaching, and e&amp;rsquo;en then&lt;br /&gt;Departed not till he had given them &lt;br /&gt;His Benediction.&lt;/p&gt;&#13;
&lt;p&gt;(James Rhoades, &lt;em&gt;The Little Flowers of St Francis: Rendered into English Verse&lt;/em&gt;, London, 1904, pp.88-89).&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Michael Galovic</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="29418">
                <text>&lt;a href="http://www.michaelgalovic.com" target="_self"&gt;http://www.michaelgalovic.com&lt;/a&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="29419">
                <text>1998</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="29420">
                <text>Michael Galovic</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="29421">
                <text>Gessoed board, with egg tempera and gold leaf, mixed technique assemblage, 100cm x 70cm</text>
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        <name>â€˜new iconsâ€™</name>
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        <name>Animals</name>
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        <name>art</name>
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        <name>Assisi</name>
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        <name>Bevagna</name>
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        <name>birds</name>
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        <name>Cardinal Ugolini</name>
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        <name>Giovanni Francesco do Bernadone</name>
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        <name>Pope Gregory IX</name>
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        <name>Pope Innocent III</name>
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        <name>St Francis of Assisi</name>
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        <name>The Little Flowers of St Francis</name>
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