1 8 9 https://ausmed.arts.uwa.edu.au/files/original/beb4fa5635c958140dc8d6b96afbf964.pdf bf559ff7f631991e9ad7bc6ea3cdec88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meeting of Chamberlain and Eden clad as medieval admirals Subject The topic of the resource Pre-World War II, world war, WWII, war, Chamberlain, Neville Chamberlain, Eden, Mediterranean piracy, piracy, General France, France, submarines, Mussolini, cartoon, caricature, cartoons as political comment, political, politics, Punch, Punch Magazine Description An account of the resource A â€˜Punchâ€™ cartoon of Neville Chamberlain (Primer Minister of the UK) and Anthony Eden (his Foreign Secretary) depicting them as medieval admirals watching a serpent titled â€˜Mediterranean piracyâ€™, saying â€˜I say, even in holiday time. I think we shall have to take some notice of thisâ€™ was widely reported and held political sway. It urged the UK to act on increasing Italian piracy. News about the cartoon was published in the â€˜Cairns Postâ€™ Friday 3 September 1937, â€˜Barrier Minerâ€™ (Broken Hill, NSW) Friday 3 September 1937 with headlines â€˜Punch Cartoon Urges Britain to Actâ€™, â€˜Sydney Morning Heraldâ€™ (Thursday 2 September 1937; â€˜The West Australianâ€™ Thursday 2 September 1937, â€˜Morning Bulletinâ€™ (Rockhampton, Qld.), Friday 3 September 1937, â€˜Examinerâ€™ (Launceston, Tas.) Friday 3 September 1937. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived The Canberra Times Publisher An entity responsible for making the resource available The Canberra Times Date A point or period of time associated with an event in the lifecycle of the resource 3 Sept 1937 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Armour caricature cartoon cartoons as political comment Chamberlain Eden France General France Mediterranean piracy Mussolini piracy political politics Pre-World War II Punch Punch Magazine submarines war World War WWII Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://hdl.handle.net/10462/deriv/112714">http://hdl.handle.net/10462/deriv/112714</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Float in the St. Patrick's Day Procession, Warwick, ca. 1910 Subject The topic of the resource St Patrick, Saint Patrick, St. Patrick, St. Patrick's Day, saints, saint, Irish, Ireland, Irish national identity, national identity, nationalism, identity, parades, processions, parade, procession, float, banner, banners, horse-drawn vehicle, politics, political, radical politics, Robert Emmet, Erin Go Bragh, Ireland forever, Queensland Description An account of the resource Image of a St. Patrick's Day float bearing a banner advocating Irish nationalist sentiments. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived John Oxley Library, State Library of Queensland Publisher An entity responsible for making the resource available John Oxley Library, State Library of Queensland Date A point or period of time associated with an event in the lifecycle of the resource ca. 1910 Rights Information about rights held in and over the resource John Oxley Library, State Library of Queensland Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English banner banners Erin Go Bragh float horse-drawn horse-drawn vehicle identity Ireland Ireland forever Irish Irish national identity national identity nationalism parade parades political politics procession processions Queensland radical politics Robert Emmet saint Saint Patrick saints St Patrick St. Patrick St. Patrick's Day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Print: Wood Engraving. Image Number: A/S14/06/73/44 URL <a href="http://handle.slv.vic.gov.au/10381/41259" target="_top">http://handle.slv.vic.gov.au/10381/41259</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banner for United Operative Masons of Melbourne Subject The topic of the resource stone mason, stone masons, mason, stone, stone masonry, stonemason, trade union, trade unionism, unionism, unions, working class, labour, work, politics, activism, trade procession, procession, processions, trade, parade, banner, banners Description An account of the resource An image of a medieval-style embellished banner for the United Operative Masons of Melbourne, Victoria. The banner commemorates the 8 hour day Labor Movement, with the 3 men around the triangle symbolising 8 hours of work, 8 hours of recreation and 8 hours of rest. The Labor Movement drew on a symbolic continuity with ideas about medieval guilds - in the organisation of workers into fraternities - and on chivalric codes of conduct - in its concern with the plight of workers and with fighting to protect those most vulnerable to exploitation. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived State Library of Victoria Publisher An entity responsible for making the resource available Hugh George for Wilson and MacKinnon Date A point or period of time associated with an event in the lifecycle of the resource 14 June, 1873 Rights Information about rights held in and over the resource State Library of Victoria Format The file format, physical medium, or dimensions of the resource Hyperlink; Print: Wood Engraving Language A language of the resource English activism banner banners labour mason parade politics procession processions stone stone mason stone masonry stone masons stonemason trade trade procession Trade Union trade unionism unionism unions work working class https://ausmed.arts.uwa.edu.au/files/original/fd505b64e3b266e477799b5cfb7c522c.jpg ba596cb600260a305b965f65452e624f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1122 Width 885 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Journal; Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Scaly Monsterâ€™ Subject The topic of the resource Alderman, â€˜Bloody Jack,â€™ boat, cartoon, democracy, E. Montague Scott (1835-1909), John McElhone (1833-1898), knight, NSW politics, political cartoon, politics, Sydney Municipal Council, respectability Description An account of the resource ‘The Scaly Monster’ drawing shows an unruffled ‘Bloody Jack’ McElhone boarding a vessel embarking for England. This feisty Sydney alderman had a reputation for forthrightness and ‘fisticuffs,’ which was not always appreciated by others. He was once referred to by Daniel O’Connor as “‘an illiterate mountebank,’ ‘a commercial Shylock,’ ‘an unscrupulous vulture,’ and ‘a political Quilp’” (See Martha Rutledge, 'McElhone, John (1833–1898)',Australian Dictionary of Biography, National Centre of Biography, Australian National University, <a href="http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529">http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529</a>, accessed 11 June 2012). O’Connor had previously had a run-in with McElhone after calling him a “servile lickspittle”, for which he received a punch below the left eye. It is not entirely clear to whom or what ‘The Scaly Monster of the House’ refers when he states, “I do not care two straws what the public think. I treat the whole matter with contempt”. It is probable that the cartoonist is merely highlighting the typical McElhone response to opposition of any kind. By all accounts he was well-used to causing indignation and political controversy. He was, however, essentially an honest man who frequently asked difficult questions of the government, and as a result “exposed many public wrongs” in the process. A bearded knight charging from behind may be Sir Henry Parkes, or it could be Sir John Robertson who also sported a luxuriant beard and flowing white locks. Either way, the ‘knight’ is a representative “champion of democracy” (Marguerite Mahood,The Loaded Line: Australian Political Caricature 1788-1901,Carlton: Melbourne University Press, 1973, p.131), and a visible embodiment of political fairness and respectability. Creator An entity primarily responsible for making the resource Possibly MS (Montague Scott) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 3 May 1884 (p. 13) Rights Information about rights held in and over the resource The Bulletin Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Language A language of the resource English â€˜Bloody Jack â€™ boat Alderman cartoon democracy E. Montague Scott (1835-1909) John McElhone (1833-1898) knight NSW politics political cartoon politics respectability Sydney Municipal Council https://ausmed.arts.uwa.edu.au/files/original/a380d749806966a737b2b5ed6708a73e.jpg 0bb6f769abf7296ccba21ccf9d2055a9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2890 Width 1992 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Viking Song’, The Bulletin, 25 August 1910 Subject The topic of the resource anvil, Australian Navy, David McKee Wright (1869-1928), forge, National Defence, national pride, Norse mythology, Odin, politics, Thor, Thorâ€™s Hammer, Vikings. Description An account of the resource David McKee Wright draws inspiration from the journeys of the Vikings across the North Sea in this poetic martial ‘ditty’ that brims with national pride: Australia with her bright hair glowing Has her eye on the furrows of the deep [...] Clang, clang, clang on the anvil There are steel ships wanted on the sea! The reason for Wright’s show of enthusiasm was doubtless the creation of the Australian Navy in 1909. Billy Hughes told the Sydney Morning Herald in 1910 that “Mr Deakin had taken Mr Watson’s scheme [c. 1905] and adorned it with that magnificent eloquence of his till it shone [...] But it was a thing in the clouds [...] The Fisher Government transformed it into iron and steel and guns” (See The Sydney Morning Herald, Wednesday, 16 February 1910, pp. 9-10. <a href="http://nla.gov.au/nla.news-article15133137" target="_self">http://nla.gov.au/nla.news-article15133137</a>). When the fleet eventually arrived off Australian shores in October 1913, it was welcomed “By very large and demonstrative crowds [...] and fervently patriotic speeches were made at the welcoming banquet” (F. K. Crowley, A New History of Australia, Richmond, William Heinemann, 1984, p.294). During the Federal electioneering of February 1910, the fleet featured large in the overall proceedings. The Deakin-Cook Fusion Party lost the 1910 election, but Australia still got its navy, and balladeers and patriots sang its praises. Creator An entity primarily responsible for making the resource David McKee Wright Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 25 August 1910, p.3 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) anvil Australian Navy David McKee Wright (1869-1928) forge National Defence national pride Norse mythology Odin politics Thor Thorâ€™s Hammer vikings https://ausmed.arts.uwa.edu.au/files/original/a8742398a9e4c597f090120eff525f80.jpg 794ad680ec018e9449c230cd681de0b5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3497 Width 1840 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Parkes and the Templars’, The Bulletin, 3 September 1887 Subject The topic of the resource alcohol, Bulletin, drunkenness, I.O.G.T., New South Wales, NSW, piety, pledge, poem, politics, Sir Henry Parkes (1815-1896), state politics, temperance, Templars. Description An account of the resource This poem has links with medievalism through its reference to ‘the Templars’. However, the Templars to whom it refers are not the famous medieval order of crusading knights but rather the crusading nineteenth-century temperance society, the I.O.G.T. The anonymous writer accuses Sir Henry Parkes (P-RK-S) of joining with, or rather of making use of, the temperance league for vested political interests. Presumably, the wily NSW premier was being accused of securing temperance votes by any means possible; including offering false ‘pledges.’ At the time, Parkes was into his fourth premiership, which he secured on a Free Trade ticket. He later managed to attain the office for a fifth time, equalling the accomplishment of his old rival Sir John Robertson. It is unlikely that Parkes ever seriously entertained the idea of enforcing temperance on the colony; he was too canny and his own fondness for champagne was too well known (see A. W. Martin, 'Parkes, Sir Henry (1815–1896)', Australian Dictionary of Biography, <a href="http://adb.anu.edu.au/biography/parkes-sir-henry-4366" target="_blank">http://adb.anu.edu.au/biography/parkes-sir-henry-4366</a>). He did, however, “regulate the liquor trade” in 1881, which pleased the temperance groups momentarily. The final stanza of the poem announces “When all the world is turned teetotal / Then P----s will leave the pleasant bottle, / But that’s in dim hereafter.” The anonymous Bulletin contributor also upbraids Sir Henry (and presumably politicians in general) for failing to maintain and justify ‘broken’ political pledges, for reasons only hinted at here. Creator An entity primarily responsible for making the resource Anonymous Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 3 September 1887, p.8 Rights Information about rights held in and over the resource Public Domain alcohol Bulletin drunkenness I.O.G.T. New South Wales NSW piety pledge poem politics Sir Henry Parkes (1815-1896) state politics temperance Templars https://ausmed.arts.uwa.edu.au/files/original/6d0307e3b65c30ba92a7e6c757643759.jpg ce499652bbc407d305d44b904dad98fa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3489 Width 2147 https://ausmed.arts.uwa.edu.au/files/original/f6692e9af65f7ca8a661d2d42836a354.jpg 31004a541a7ce5fcc09272d02f4b3cbf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3065 Width 2457 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Eating the Leek’ (Henry V, Act V, Scene I), The Bulletin, 4 March 1893. Subject The topic of the resource Cartoon, Fluellen, Henry V, John Bull, medieval costume, Pistol, political cartoon, politics, Shakespeare, Sir George Richard Dibbs (1834-1904), Sir Robert William Duff (1835-1895), theatre, New South Wales, NSW politics, William Ewart Gladstone (1809-1898), William Shakespeare (c.1564-1616). Description An account of the resource This political cartoon by ‘Hop’ enacts a scene from William Shakespeare’s historical play, Henry V. In the scene, Fluellen the Welshman angrily berates the unfortunate Pistol, a crony of Sir John Falstaff, and forces him to eat a raw leek. The cartoon, Louise D’Arcens suggests, uses this rather cryptic information “to depict the recent appointment of the New South Wales governor Sir Robert Duff by the British Prime Minister Gladstone,” (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.182). The ‘leeks’ both seem equally unpalatable to the protesting recipient(s): Pistol and the Premier Sir George Dibbs respectively. The fact that Mr Gladstone and Her Majesty’s Government would appoint the next Governor without approval from the NSW Government indicates the lesson in humility that was forced upon the colony by Whitehall. Ironically, the John Bull figure holds a switch with the words ‘Silken Bond’ written upon it. This sounds suspiciously like “an iron fist in a velvet glove” rationale to contemporary ears. Creator An entity primarily responsible for making the resource Livingston York Hopkins (â€˜Hopâ€™) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 4 March 1893 (Cover) Rights Information about rights held in and over the resource Public Domain cartoon Fluellen Henry V John Bull medieval costume New South Wales NSW politics Pistol political cartoon politics Shakespeare Sir George Richard Dibbs (1834-1904) Sir Robert William Duff (1835-1895) theatre William Ewart Gladstone (1809-1898) William Shakespeare (c.1564-1616) https://ausmed.arts.uwa.edu.au/files/original/fb683f92293d84bafcf7bc9d657b8dcb.pdf 18ba6e83f1a0ff78ba02d7463e8ca5d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="%20http://nla.gov.au/nla.news-article71036792" target="_self">http://nla.gov.au/nla.news-article71036792</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Are We Medieval?' The Worker, 2 January 1904 Subject The topic of the resource Criticism, democracy, economy, guild, industrialisation, labour, legislation, medieval guilds, McKenzie, politics, Professor Thorold Rogers, progress, trade, trade bosses, trade guilds, trade unionism, wages, workers, working conditions. Description An account of the resource This article from Brisbane publication The Worker rebukes derisive comments published by a London journalist mocking Australia’s legislation concerning workers as a reversion to medieval trade laws. Responding to McKenzie’s quip that ‘Under the guise of the most advanced democracy you are reverting to regulations which strongly resemble the rigid conditions and strict trade laws of medieval life’, the author of the article cites research arguing that medieval workers were comparatively better off than modern workers, and suggests that the old trade guilds only failed when they started admitting the bosses into their membership. With a swipe at the British economy and working conditions, the author concludes that Australian workers will not be frightened by medievalism if it means better conditions and more pay: ‘We who go back 2000 years for our religion have no need to be ashamed of reverting a few centuries to pick up an economic hint or two. We go backwards sometimes to progress’. Creator An entity primarily responsible for making the resource Cintra Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article71036792" target="_self">http://nla.gov.au/nla.news-article71036792</a> Publisher An entity responsible for making the resource available The Worker Date A point or period of time associated with an event in the lifecycle of the resource 2 January 1904, p.3 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Criticism democracy economy guild industrialisation labour legislation McKenzie medieval guilds politics Professor Thorold Rogers progress trade trade bosses trade guilds trade unionism wages workers working conditions