5 8 111 https://ausmed.arts.uwa.edu.au/files/original/6dcc604142dd68c81afb003bf55b2f40.JPG 593bd354f2c3067ee7ae3803dd207a97 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/0087695ba3993f84effbb8b46690e1b5.JPG 0f33842238d155dcfb700e5f6b7e84d2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/8ac635502f3dbde58754de982c8b9c88.JPG 53b4fda8510ad87a6288fba34ed7d994 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapel, Brickendon Estate, Tasmania Subject The topic of the resource William Archer, bell tower, Brickendon Estate, buttress, chapel, convict, farm, farm village, Gothic, Gothic Revival, Longford, pointed arch, porch, spire, stained glass, Tas, Tasmania, tower, vaulted ceiling. Description An account of the resource <p>The small brick chapel with a shingle roof on Brickendon Estate, near Longford, is dated by its stained glass windows to the 1850s. It is in the centre of the farm village and was built for the religious observances of the farm workers and their families. It was built by William Archer (1788-1879) who had founded Brickendon in 1824. It possibly replaces an earlier chapel for convict labour. The chapel is consecrated and is still occasionally used for weddings. The chapel is in the Gothic Revival style and features a pointed arch entrance, buttresses, vaulted timber ceiling, porch, ornate timber details, and a bell tower topped by a spire. &nbsp;</p> <p>For information on Brickendon Estate see <a href="http://www.brickendon.com.au" target="_self">http://www.brickendon.com.au</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 24, 2012 Rights Information about rights held in and over the resource Photographs taken with the permission of the Archer family. Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1079" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1079</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph bell tower Brickendon Estate buttress chapel convict farm farm village Gothic Gothic Revival Longford pointed arch porch spire stained glass Tas Tasmania tower vaulted ceiling. William Archer https://ausmed.arts.uwa.edu.au/files/original/c13b90ff71216995444145f14e3c2401.JPG cc38a6a55c0b58c42523ec8542c31103 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/fa3055902f66f098b82817bc0065ca5e.JPG bfc7be30198a8fd7dd74202c0438b7eb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/5f8e825aa5aafac75954fc9f8f63d19c.JPG f5bfd7c22096c58f86811bda987e4fad Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Duncan House, Launceston, Tasmania Subject The topic of the resource Art Deco, City Motors, crenellation, Duncan House, Ford, Gothic, Launceston, parapet, Colin Philip, pointed arch, Tas, Tasmania. Description An account of the resource Duncan House is on Brisbane Street in central Launceston, Tasmania. It was designed by architect Colin Philip in 1934 as the Ford showroom for City Motors. The three storey Art Deco building features a number of medieval Gothic features including a crenelated parapet at the front and side (which was continued on a later extension at the rear), an arched entrance, and pointed arch doorways in the corridor. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 25, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Art Deco City Motors Colin Philip crenellation Duncan House Ford Gothic Launceston parapet pointed arch Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/fd3daac28c55dc9eabc35bdcd7392f80.JPG b94362dd9e4163299a0a83d5555da15a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/31374afd39880ab87aae1396bea47feb.JPG 88345806af222fb2919ffa71c6d65dfd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carr Villa Memorial Park Entrance Chapel, Launceston, Tasmania Subject The topic of the resource Buttress, Carr Villa Memorial Park, cemetery, chapel, entrance, Gothic, Gothic Revival, lancet windows, Launceston, pointed arch, spire, Tas, Tasmania, tower. Description An account of the resource <p>Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. This photograph shows the front and side of the building.</p> <p>For the rear and interior of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/id/1098" target="_self">http://ausmed.arts.uwa.edu.au/items/show/id/1098</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 2, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/id/1098" target="_self">http://ausmed.arts.uwa.edu.au/items/show/id/1098</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photographs buttress Carr Villa Memorial Park cemetery chapel entrance Gothic Gothic Revival lancet windows Launceston pointed arch spire Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/51830c6aab5b70a44f37d8fb910139f7.JPG 08e51676b554d37e301ff2a490672e7c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/b38ed4e0977376db90cdc0020f08e87d.JPG 06852837f0931c2356dba64e28eb6e73 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carr Villa Memorial Park Entrance Chapel, Launceston, Tasmania Subject The topic of the resource Buttress, Carr Villa Memorial Park, cemetery, chapel, entrance, Gothic, Gothic Revival, lancet windows, Launceston, pointed arch, spire, Tas, Tasmania, tower, vaulted ceiling. Description An account of the resource <div class="element-text"> <p>Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. These photographs shows the rear of the building and the vaulted timber ceiling. As can be seen in the photograph of the rear, the building acts as a large entrance through which funeral processions can pass.</p> <p>For the front and side of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1092</a></p> </div> <br /> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 2, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1092</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph buttress Carr Villa Memorial Park cemetery chapel entrance Gothic Gothic Revival lancet windows Launceston pointed arch spire Tas Tasmania tower vaulted ceiling. https://ausmed.arts.uwa.edu.au/files/original/fd7b7487e547f9431449e801ab9b34c7.JPG a74d3272a644e331a4bce1f791b136a0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/d0af7df4569e8ef87650b35685a8ac11.JPG d255f1baa7c59cf261b1e647aea1633f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/de4e3aa166a93ff7686e68928d2eeb63.JPG 5edfa6488cf875f04353d64af8246715 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St James of Jerusalem Church, Colebrook, Tasmania Subject The topic of the resource Anglican, bellcote, Colebrook, Gothic, Gothic Revival, Jerusalem, lancet windows, pointed arch, St James of Jerusalem Church, Tas, Tasmania. Description An account of the resource St James of Jerusalem Anglican Church is in the village of Colebrook, Tasmania. The sandstone building was built in 1884 in the Gothic Revival style with pointed arch doorways, a bellcote, and lancet windows. Jerusalem is the former name of Colebrook. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Anglican bellcote Colebrook Gothic Gothic Revival Jerusalem lancet windows pointed arch St James of Jerusalem Church Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/95ea9e3dadd980e3f5962730deaa9656.JPG 13093a88d51680e4707a54128e5e9b43 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/07f2ff496efe91c25eec0fbb00d9019b.JPG b5d5c06cdb7ef216c6c69371b0826964 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/e1e68cce39d938eb7e4f0027248cf26d.JPG d8751d00028d39ece2cb38c00c3efcc7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Patrick’s Church, Colebrook, Tasmania Subject The topic of the resource Brian Andrews, bellcote, buttress, Catholic, Colebrook, Gothic, Gothic Revival, lancet windows, St Patrick, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, St Patrick’s Church, Tas, Tasmania, Frederick Thomas, tracery, Robert William Willson, Bishop Willson. Description An account of the resource <p>St Patrick&rsquo;s Catholic Church is in the village of Colebrook, Tasmania. The sandstone building was built in 1855-7 under the supervision of architect Frederick Thomas from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin&rsquo;s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, porch, and lancet windows. A noticeable feature is the triple bellcote which was reinstated in 2007 after falling in a storm in 1895. The elaborate balustrade was not part of Pugin&rsquo;s design and was added by Thomas due to the sloping site. St Patrick&rsquo;s represents Pugin&rsquo;s idea of an early fourteenth century English village church.</p> <p>Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.</p> <p>St Patrick (c. 387 - c. 460) was an early medieval British missionary who worked in northern Ireland and is now Ireland&rsquo;s patron saint.</p> <p>For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Colebrook_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Colebrook_Essay.pdf</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane (essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (essay copyright Pugin Foundation, Brian Andrews) Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Augustus Welby Northmore Pugin bellcote Bishop Willson. Brian Andrews buttress Catholic Colebrook Frederick Thomas Gothic Gothic Revival lancet windows pointed arch porch Pugin Robert William Willson St Patrick St Patrick’s Church Tas Tasmania tracery https://ausmed.arts.uwa.edu.au/files/original/a95de8ef999f67b31d45fca5cdd46801.JPG 79dff599d567fff5122f69e9c4c79027 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/f2df53f96ede6fde697439e630885576.JPG 404698b929bd2457b0283ed6fecf20c3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/d81c864e73fe6828c12dd7812f07c959.JPG d757e2014f52fbb3a517e70e29aa5e9c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John the Evangelist’s Church exterior, Richmond, Tasmania Subject The topic of the resource Brian Andrews, buttress, Catholic, Rod Cooper, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, Alexander North, John Bede Polding, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelist’s Church, spire, Tas, Tasmania, Frederick Thomas, tracery, turret, Robert William Willson, Bishop Willson. Description An account of the resource <p>St John the Evangelist&rsquo;s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia&rsquo;s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin&rsquo;s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin&rsquo;s design come the chancel (including the rear window with tracery), sacristy and spire. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, spire, stair turret, and lancet windows. The present spire is the third and a scaled down version of Pugin's original designed by architect Rod Cooper and added in 1972. The cross on top of the spire is all that remains of the second spire, designed by Alexander North (1858-1945)&nbsp;in 1893.</p> <p>Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.</p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a></p> <p>&nbsp;For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane (Essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (Essay copyright Brian Andrews; Pugin Foundation) Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Alexander North Augustus Welby Northmore Pugin Bishop Willson. Brian Andrews buttress Catholic Frederick Thomas Gothic Gothic Revival Henry Edmund Goodridge John Bede Polding lancet windows pointed arch porch Pugin Richmond Robert William Willson Rod Cooper spire St John the Evangelist’s Church Tas Tasmania tracery turret https://ausmed.arts.uwa.edu.au/files/original/c24c8b09be285886c91ba4bc5da1f16a.JPG 16cac2a7cfe5132ab6e7a1e9c9994a5a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Eardley Wilmot monument, Hobart, Tasmania Subject The topic of the resource Blind arcading, cemetery, cenotaph, Gothic, Hobart, William Porden Kay, Lieutenant-Governor, mausoleum, monument, pointed arch, St David’s Park, Tas, Tasmania, Van Diemen's Land, John Eardley Wilmot. Description An account of the resource A monument to Sir John Eardley Wilmot (1783-1847) is situated in St David’s Park (previously a cemetery), Hobart. Wilmot was Lieutenant-Governor of Van Diemen’s Land (ie. Tasmania) between 1843 and 1847 and died of an undiagnosed illness after being removed from office. The multi-tiered cenotaph, sometimes referred to as a mausoleum, was raised by public subscription in 1850 and placed over his remains. It was designed by William Porden Kay (1809-1870). It is in the Gothic style and features the pointed arches, blind arcading, and elaborate stonework often associated with ecclesiastical architecture. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph blind arcading cemetery cenotaph Gothic Hobart John Eardley Wilmot. Lieutenant-Governor mausoleum monument pointed arch St David’s Park Tas Tasmania Van Diemen's Land William Porden Kay