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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article37689201" target="_blank"&gt;http://nla.gov.au/nla.news-article37689201&lt;/a&gt;</text>
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                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
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              <text>&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;span&gt;&#13;
&lt;pre&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://www.austlit.edu.au/" target="_blank"&gt;http://www.austlit.edu.au/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&#13;
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                <text>Abstract: Matthews finds a unity in the arrangement of stories in While the Billy Boils. The chronological nature of the stories, the use of rumour and the consistent use of time and distance are all elements that support the structure of the collection. Matthews concludes that the world of While the Billy Boils is "various and crowded", but it is a world "in which the whole undeniably loose undertaking can be regarded as hanging together". (Quoted from Auslit Website information).&#13;
&#13;
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and obsessiveness is Death.'p 194. Whether this is a fair description of 'the medieval' in Lawson's poetry is unclear but Lawson is preoccupied with injustice, and the uncomfortably close gap between annihilation and the vicissitudes of his ife: poverty, illness or war.(HH)&#13;
&#13;
AustLit BRN: 21818   &#13;
Last amended: 24 Jul 2001    </text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;See Page 98&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Chaucer. [From various sources].</text>
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                <text>biography, Dante Alghieri (c.1265-1321), Early Australian Literary Tastes, Edmund Spenser (c.1552-1599), English language, Geoffrey Chaucer  (c.1340-1400), Hainault, heresy,  John of Gaunt (1340â€“1399), John Milton (1608â€“1674), John Wycliffe (d.1384), medieval poet, medieval poetry, poet, poetry, William Shakespeare (1564â€“1616).</text>
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                <text>&lt;p class="MsoNormal"&gt;This column from the &lt;em&gt;Colonial Literary Journal&lt;/em&gt; in 1844 provides a biography of medieval poet Geoffrey Chaucer. Quoting from an unnamed source, the article names Chaucer alongside Spenser, Shakespeare and Milton as one of the &amp;lsquo;Four Great English Poets&amp;rsquo;, and credits him with helping to form the English language. In its praise of Chaucer&amp;rsquo;s poetry, the article likens him to a range of Renaissance painters: &amp;ldquo;Chaucer excels in pathos, in humour, in satire, character, and description. &amp;ndash;His graphic faculty, and healthy sense of the material, strongly ally him to the painter; and perhaps a better idea could not be given of his universality than by saying, that he was at once the Italian and the Flemish painter of his time, and exhibited the pure expression of Raphael, the devotional intensity of Domenechino. The colour and corporeal fire of Titian, the manners of Hogarth, and the homely domesticities of Ostade and Teniers!&amp;rdquo;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Although the article lists 1328 as the year of Chaucer&amp;rsquo;s birth, most scholars date it almost two decades later, c.1340. See for example, Douglas Gray, &amp;lsquo;Chaucer, Geoffrey (c.1340&amp;ndash;1400)&amp;rsquo;, &lt;em&gt;Oxford Dictionary of National Biography&lt;/em&gt;, Oxford University Press, 2004 [&lt;a href="http://www.oxforddnb.com/view/article/5191" target="_blank"&gt;http://www.oxforddnb.com/view/article/5191&lt;/a&gt;, accessed 24 Feb 2011.&lt;/p&gt;</text>
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                <text>Colonial Literary Journal and Weekly Miscellany of Useful Information, Volume 1, Number 7, p.98.</text>
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                <text>â€˜The Vikingâ€™ poem </text>
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                <text>"The Old Squire Sir William rode to Virland," Henry Lawson </text>
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