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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Minervaâ€™s Tower</text>
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                <text>Balingup, Balingup Medieval Carnivale, Alana Bennett, Belinda Bennett, folk music, Dylan Kerr, Minervaâ€™s Tower, music, performance, Renaissance, WA, website, Western Australia. </text>
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                <text>&lt;p&gt;Minerva&amp;rsquo;s Tower is a Perth-based band who performs medieval and neo-medieval folk music, including some original compositions. The band consists of two multi-instrumentalists, Alana Bennett and Dylan Kerr. The photograph shows the band performing at the 2012 Balingup Medieval Carnivale in the small Western Australian town of Balingup.&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;the performance, including music from the thirteenth century, the Renaissance, and early modern folk music, see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1200"&gt;http://ausmed.arts.uwa.edu.au/items/show/1200&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the website see &lt;a href="http://www.minervastower.com/" target="_self"&gt;http://www.minervastower.com/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1200"&gt;http://ausmed.arts.uwa.edu.au/items/show/1200&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article58381388" target="_self"&gt;http://nla.gov.au/nla.news-article58381388&lt;/a&gt;</text>
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                <text>&amp;lsquo;Allan Wilkie: Henry VIII on Stage&amp;rsquo;, &lt;em&gt;The Sunday Times&lt;/em&gt;, 27 April 1930</text>
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                <text>Allan Wilkie, Allan Wilkie Company, Anne Boleyn (c.1501-1536), Cardinal Thomas Wolsey (c.1473-1530), Catherine of Aragon (1484-1536), Duke of Buckingham, Edward Stafford (1478-1521), Henry VIII (1481-1547), His Majesty's Theatre, Miss Hunter-Watts, Miss Mildred Howard, Mr Alexander Marsh, Mr John Cairns, Mr William Lockhart, papal envoy, play, performance, Perth, Old England, stage, Tudor times, WA, Western Australia.</text>
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                <text>This article published in &lt;em&gt;The Sunday Times&lt;/em&gt; reviews a production of &amp;lsquo;Henry VIII&amp;rsquo; staged at the His Majesty's Theatre in Perth by the Allan Wilkie Company in 1930. Assisted by elaborate scenes and plush costumes it succeeded, according to the article, in bringing to life the Tudor period: an age of &amp;lsquo;a powerful diplomatic Cardinal that rose from the lowliness of being a son of a butcher; who rose to share the prominence of his regal master; of the beautiful and ill-fated loves of Henry, Catherine of Aragon and Anne Boleyn and of the unfortunate Duke of Buckingham&amp;rsquo;. A criticism levelled against the play was that its attempt to include so many different historical events could lead to incoherency, however, the general consensus of the article was that this was countered by its spectacular revival of &amp;lsquo;Old England&amp;rsquo;.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article58381388" target="_self"&gt;http://nla.gov.au/nla.news-article58381388&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066 (images about this event from the Bayeux tapestry are featured on their website). Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. Members participate in combat, arts and crafts, and food, with their website claiming that you can &amp;lsquo;feast on food that William the Conqueror [c. 1028-1087] would have eaten&amp;rsquo;. The group run educational classes for school groups and do public performances.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/"&gt;http://www.aaf.org.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1075&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1071" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1071&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. The group run educational classes for school groups from primary through to tertiary students. The sessions usually run for two hours and include a mixture of fighting and speaking. They have a number &amp;lsquo;Display Packages&amp;rsquo; to choose from that focus on major figures such as Alfred the Great and William the Conqueror, and various aspects of society including crafts, clothing, the Old English language, religion, law, monetary systems, armour and weapons.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/displays"&gt;http://www.aaf.org.au/displays&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1075&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1069&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Longford Morris Dancers are a group of Morris Dancers who, although associated with the town of Longford, rehearse in the city of Launceston in Tasmania. The group perform the Cotswold and Borders (the border between Wales and England) versions of Morris&lt;br /&gt;dancing, and often appear at public events. Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin.&lt;/p&gt;&#13;
&lt;p&gt;For more information on the group see &lt;a href="http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&amp;amp;oacID=35"&gt;http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&amp;amp;oacID=35&lt;/a&gt;&lt;/p&gt;</text>
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                <text>linc Tasmania</text>
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                <text>&lt;p&gt;Australian Morris Ring is an organisation that represents Australian Morris dancers. It represents &amp;lsquo;sides&amp;rsquo;, or Morris dancing teams, in all Australian states and territories except the Northern Territory. The groups perform the Cotswold, Borders (the border between Wales and England), and North West (of England) versions of Morris dancing, Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin.&lt;/p&gt;&#13;
&lt;p&gt;For more information see &lt;a href="http://www.morris.org.au/index.html"&gt;http://www.morris.org.au/index.html&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.abc.net.au/local/videos/2009/04/21/2548797.htm"&gt;http://www.abc.net.au/local/videos/2009/04/21/2548797.htm&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Home-made medieval war machine goes off with a bangâ€™</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;This online article by Carol Raabus was posted in 2009 on the Australian Broadcasting Corporation&amp;rsquo;s Hobart page. It is about local man Doug Pattison and his re-creation of siege engines. He has built a trebuchet, first used in the twelfth century, and a ballista (a large version of a crossbow), which was first used by the classical Greeks and remained popular until replaced by the trebuchet. Doug sometimes gives public performances of the weapons.&lt;/p&gt;&#13;
&lt;p&gt;For the story, including a clip of the trebuchet in action, see &lt;a href="http://www.abc.net.au/local/videos/2009/04/21/2548797.htm"&gt;http://www.abc.net.au/local/videos/2009/04/21/2548797.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Raabus, Carol</text>
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                <text>Australian Broadcasting Corporation</text>
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                <text>April 21, 2009</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27249">
                <text>Carol Raabus; Australian Broadcasting Corporation</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>hyperlink</text>
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        <name>Carol Raabus</name>
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        <name>Doug Pattison</name>
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        <name>performance</name>
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        <name>re-creation</name>
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        <name>siege</name>
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        <name>siege engine</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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        <name>trebuchet</name>
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        <name>war</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/d624371200afb99c2e04754e9e9eb62a.jpg</src>
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                <name>Bit Depth</name>
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                    <text>8</text>
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                    <text>3</text>
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                <name>Height</name>
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                    <text>3508</text>
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                <name>Width</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Poster; JPEG</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Evandale Village Singers present Henry Purcellâ€™s â€˜King Arthurâ€™ </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Advertisement, St Andrewâ€™s Anglican Church, The British Worthy, Britons, choir, John Dryden, Evandale, Evandale Village Singers, Freya, King Arthur, music, Norse, opera, performance, poster, Henry Purcell, Restoration, Saxons, Tas, Tasmania, Thor, Woden.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;This poster advertises two performances of Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; by the Evandale Village Singers in late October 2012 at St Andrew&amp;rsquo;s Anglican Church in Evandale. Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; is a Restoration-period opera set in the early medieval period with a libretto by John Dryden. It was first performed in 1691. The plot deals with Arthur, king of the Briton&amp;rsquo;s, and his battles against the incoming Saxons, which historically would have taken place in the fifth or sixth centuries. The text mentions the Anglo-Saxon deities Woden and&lt;br /&gt;Thor (Old English Thunor), as well as the Norse goddess Freya. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;The Evandale Village Singers are choir based in the northern Tasmanian town of Evandale who formed in 1999. For more see &lt;a href="http://www.anca.org.au/choir-view/1302"&gt;http://www.anca.org.au/choir-view/1302&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27906">
                <text>Evandale Village Singers</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>October 1, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27908">
                <text>Evandale Village Singers</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Poster</text>
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            </elementTextContainer>
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        <name>advertisement</name>
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        <name>Britons</name>
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        <name>choir</name>
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        <name>Evandale</name>
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        <name>Evandale Village Singers</name>
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        <name>Freya</name>
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        <name>Henry Purcell</name>
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        <name>John Dryden</name>
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        <name>King Arthur</name>
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        <name>music</name>
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      <tag tagId="2525">
        <name>Norse</name>
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        <name>opera</name>
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        <name>poster</name>
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        <name>Restoration</name>
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      <tag tagId="5679">
        <name>Saxons</name>
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        <name>St Andrewâ€™s Anglican Church</name>
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        <name>Thor</name>
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      <tag tagId="5680">
        <name>Woden.</name>
      </tag>
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  </item>
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