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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>One of three photographs of domestic roof-top adornments in Lyttleton Street, East Launceston. This one features a cat. Situated on the edge of the roof over-looking the street, it is possible that the cat was in part inspired by the gargoyles that adorn many medieval gothic churches. Although a cat may not seem particularly medieval, especially in comparison to the dragon and sea serpent on other Lyttleton Street roofs, domesticated animals were sometimes portrayed as gargoyles on medieval churches. For example, the fifteenth-century gothic Notre Dame church in Noyers-sur-Serein, Burgundy, France, includes a gargoyle in the shape of a dog.  </text>
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