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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://units.handbooks.uwa.edu.au/units/engl/engl2238" target="_blank"&gt;http://units.handbooks.uwa.edu.au/units/engl/engl2238&lt;/a&gt;</text>
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                <text>Medieval in the Modern World </text>
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                <text>Arthur, Arthurian, Beowulf, Jorge-Luis Borges, Robert Bresson, cinema, fantasy, mythology, myth, legend, legends, myths, films, film, Neil Gaiman, John Gardner, Guy Gavriel Kay, Seamus Heaney, Geoffrey Hill, literature, Andrew Lynch, Monty Python, Perth, poetry, Randolph Stow, Alfred Tennyson, Mark Twain, UWA, university, universities, University of Western Australia, WA, Western Australia, Robert Zemeckis</text>
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                <text>A second and third year undergraduate unit taught at The University of Western Australia. The unit was created by Andrew Lynch and features novels, poetry and film from the nineteenth, twentieth and twenty-first centuries that reinterpreted medieval literature and themes. Texts include Tennysonâ€™s â€˜The Passing of Arthurâ€™, the film â€˜Monty Python and the Holy Grailâ€™, Twainâ€™s â€˜A Connecticut Yankee in King Arthurâ€™s Courtâ€™, Gardnerâ€™s â€˜Grendelâ€™, the Zemeckis/Gaiman film â€˜Beowulfâ€™, poetry by Borges, Hill, and Heaney, Bressonâ€™s â€˜Lancelot du Lacâ€™, and Gavriel Kayâ€™s â€˜A Song for Arbonneâ€™. Of particular note is the inclusion of works by Australian authors: Kate Forsythâ€™s â€˜Morgan of the Fayâ€™, Maggie Hamiltonâ€™s â€˜Merlinâ€™, Juliet Marillerâ€™s â€˜Son of the Shadowsâ€™, â€˜The Girl Green as Elderflowerâ€™ by Randolph Stow, and Jules Watsonâ€™s â€˜The White Mareâ€™.  </text>
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                <text>Andrew Lynch, the University of Western Australia</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of Â£1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate FrÃ©mietâ€™s Jeanne dâ€™Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragonâ€™s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvaisâ€™ Speculum Historiale and Jacobus de Voragineâ€™s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. &#13;
&#13;
For more on the St George legend in Australia, see Andrew Lynch, â€œâ€˜Thingless namesâ€™? The St George Legend in Australiaâ€, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Close-up image of the jarrah nave altar at St George&amp;rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.&lt;/p&gt;&#13;
&lt;p&gt;The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;</text>
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                <text>Lynch, Andrew</text>
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                <text>21 May 2004</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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        <name>nave</name>
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        <name>nave altar</name>
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        <name>Perth</name>
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        <name>saint</name>
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      <tag tagId="116">
        <name>Saint George</name>
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      <tag tagId="1691">
        <name>saints</name>
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        <name>Speculum Historiale</name>
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        <name>St George</name>
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      <tag tagId="2241">
        <name>St George and the Dragon</name>
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        <name>St Georgeâ€™s Cathedral</name>
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        <name>sword</name>
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        <name>Vincent of Beauvais (c.1190-1264)</name>
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        <name>WA</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/711c410eb6bf180a60cb872c9ba54e48.jpg</src>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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            <description>A name given to the resource</description>
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                <text>Gandalf at the Perth Medieval Fayre</text>
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            <description>The topic of the resource</description>
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                <text>Arthurian legend, legend, Arthur, Arthurian, Costume, fantasy fiction, Gandalf, J. R. R. Tolkien, Tolkien, Lord of the Rings, medievalism, Merlin, Norse mythology, Norse, mythology, myth, Perth, Perth Medieval Fayre, Peter Jackson, power, re-creation, recreation, popular culture, sage, Sir Ian McKellen, Western Australia, wisdom, wizard, wizards, wizardry</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>A member of the public dressed as the iconic wizard Gandalf from J. R. R. Tolkienâ€™s Lord of the Rings at the Perth Medieval Fayre. Like the Merlin figure in Arthurian legend, the character of Gandalf is a sage. He harbours power through wisdom and knowledge. The name â€˜Gandalfâ€™ was taken from Norse mythology. In Peter Jacksonâ€™s 2001-2003 screen adaptation of the Lord of the Rings trilogy, Gandalf was played by Sir Ian McKellen.&#13;
&#13;
The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8073">
                <text>McEwan, Joanne</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>19 March 2011</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8075">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8076">
                <text>Digital Photograph;&#13;
JPEG</text>
              </elementText>
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        <name>Arthur</name>
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      <tag tagId="1164">
        <name>Arthurian</name>
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      <tag tagId="2096">
        <name>Arthurian legend</name>
      </tag>
      <tag tagId="1409">
        <name>costume</name>
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      <tag tagId="2520">
        <name>fantasy fiction</name>
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      <tag tagId="2521">
        <name>Gandalf</name>
      </tag>
      <tag tagId="2522">
        <name>J. R. R. Tolkien</name>
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      <tag tagId="1219">
        <name>legend</name>
      </tag>
      <tag tagId="2132">
        <name>Lord of the Rings</name>
      </tag>
      <tag tagId="102">
        <name>medievalism</name>
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      <tag tagId="2523">
        <name>Merlin</name>
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      <tag tagId="1223">
        <name>myth</name>
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      <tag tagId="1224">
        <name>mythology</name>
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      <tag tagId="2525">
        <name>Norse</name>
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      <tag tagId="2524">
        <name>Norse mythology</name>
      </tag>
      <tag tagId="150">
        <name>Perth</name>
      </tag>
      <tag tagId="1680">
        <name>Perth Medieval Fayre</name>
      </tag>
      <tag tagId="2526">
        <name>Peter Jackson</name>
      </tag>
      <tag tagId="1172">
        <name>popular culture</name>
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      <tag tagId="2527">
        <name>power</name>
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        <name>sage</name>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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              <element elementId="73">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website.</description>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://valhallaicecream.com.au"&gt;http://valhallaicecream.com.au&lt;/a&gt;&lt;/span&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Valhalla Icecream</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Advertisement, helmet, Hobart, horned helmet, icecream, logo, mythology, Norse, Odin, Old Norse mythology, shield, sign, Tas, Tasmania, Valhalla, Valhalla Icecream, Valkyrie, Viking, warrior, winged helmet.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;Valhalla Icecream is made in the Hobart suburb of Moonah. As seen on this advertising sign, the company&amp;rsquo;s logo features the side profile of the head of a Viking warrior on a red shield. The warrior wears a helmet with wings, a notion popular in the late 19&lt;sup&gt;th&lt;/sup&gt; century before Vikings with horned helmets became more popular. In Old Norse (Viking) mythology Valhalla was a giant hall where chosen warriors who had died in battle went to join the Norse god Odin. The warriors were led to Valhalla by Valkyries.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://valhallaicecream.com.au"&gt;http://valhallaicecream.com.au&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28526">
                <text>McLeod, Shane</text>
              </elementText>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28527">
                <text>August 26, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28528">
                <text>No copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28529">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="1157">
        <name>advertisement</name>
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      <tag tagId="1555">
        <name>helmet</name>
      </tag>
      <tag tagId="320">
        <name>Hobart</name>
      </tag>
      <tag tagId="2975">
        <name>horned helmet</name>
      </tag>
      <tag tagId="5041">
        <name>icecream</name>
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      <tag tagId="1774">
        <name>logo</name>
      </tag>
      <tag tagId="1224">
        <name>mythology</name>
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      <tag tagId="2525">
        <name>Norse</name>
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      <tag tagId="3173">
        <name>Odin</name>
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      <tag tagId="5042">
        <name>Old Norse mythology</name>
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      <tag tagId="723">
        <name>shield</name>
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      <tag tagId="3976">
        <name>sign</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
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        <name>Tasmania</name>
      </tag>
      <tag tagId="3178">
        <name>Valhalla</name>
      </tag>
      <tag tagId="5043">
        <name>Valhalla Icecream</name>
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      <tag tagId="5044">
        <name>Valkyrie</name>
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        <name>warrior</name>
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        <name>winged helmet.</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Under Merlinâ€™s Spellâ€™</text>
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            <name>Subject</name>
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                <text>Arthur, Australian television, BBC series, broadcasting, Camelot, Channel 10, dragon, entertainment, film, folklore, Gaius, Guinevere, Johnny Capps, magic, medieval legend, Merlin, Morgana, mythology, re-interpretation, romance, Shine Drama, television series, wizard</text>
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                <text>This entertainment piece from The West Australianâ€™s online edition reviews the BBC series Merlin (2008). At the time the article was written in 2010, the second season of the series was being aired on Australian television by Channel 10. The characters and setting of the show are based on figures and places from Arthurian legend, however, the plot focuses on the lives of the characters prior to the mythologised events of the medieval legend. The characters include Merlin, Arthur, Guinevere, Gaius and Morgana, and the story is set in Camelot. Merlinâ€™s Producer, Johnny Capps, is quoted as saying that they needed a mythological tale and he thought that Merlin â€œjust seemed to be right for re-interpretation for a 21st- century audienceâ€. On the motivation for the plot, he continued: â€œWe decided to start before they were famous because what appealed to us was a story of empowerment. What if we had a young Arthur who was not yet King and Merlin as a young wizard, coping with trying to be a teenager and at the same time his destiny and extraordinary power? And we subverted the expectation around Guinevere by making her a lowly servant girl."</text>
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            <name>Creator</name>
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                <text>Saunders, Amanda</text>
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                <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://thewest.com.au/" target="_blank"&gt;Thewest.com.au&lt;/a&gt;&lt;/span&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="11792">
                <text>The West Australian&#13;
&#13;
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>9 June 2010</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Online newspaper article; URL</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>Arthur</name>
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        <name>Australian television</name>
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        <name>Camelot</name>
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        <name>Channel 10</name>
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        <name>dragon</name>
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        <name>entertainment</name>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
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                <text>Extracts from the Melbourne Newspaper, The Argus</text>
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                <text>Ned Kelly, bushranger, bushrangers, bush, Kelly Gang, landscape, Australian landscape, law, legal, crime, criminal, legend, legends, myth, mythology, media, armour, knight, knights, police, Edward Kelly, theft, stealing, Melbourne</text>
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                <text>A series of extracts from The Argus ranging from 1878 to 1880. They tell of the Kelly Gang's exploits and their encounters with colonial Victorian law enforcement. A few of the extracts towards the end of the list include descriptions of the bullet-proof body armour and helmet worn by Ned Kelly during his final battle with police. Although much cruder, the armour was reminiscent of that worn by knights in the late medieval period.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>The Argus</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Argus</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The Argus</text>
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                <text>ca 1878 - 1880</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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              <elementText elementTextId="13409">
                <text>Newspaper article extracts;&#13;
Word Doc.</text>
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            <description>A language of the resource</description>
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        <name>stealing</name>
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        <name>theft</name>
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