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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Minervaâ€™s Tower</text>
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                <text>Balingup, Balingup Medieval Carnivale, Alana Bennett, Belinda Bennett, folk music, Dylan Kerr, Minervaâ€™s Tower, music, performance, Renaissance, WA, website, Western Australia. </text>
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                <text>&lt;p&gt;Minerva&amp;rsquo;s Tower is a Perth-based band who performs medieval and neo-medieval folk music, including some original compositions. The band consists of two multi-instrumentalists, Alana Bennett and Dylan Kerr. The photograph shows the band performing at the 2012 Balingup Medieval Carnivale in the small Western Australian town of Balingup.&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;the performance, including music from the thirteenth century, the Renaissance, and early modern folk music, see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1200"&gt;http://ausmed.arts.uwa.edu.au/items/show/1200&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the website see &lt;a href="http://www.minervastower.com/" target="_self"&gt;http://www.minervastower.com/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Bennett, Belinda</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>August 26, 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No copyright</text>
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            <description>A related resource</description>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1200"&gt;http://ausmed.arts.uwa.edu.au/items/show/1200&lt;/a&gt;</text>
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        <name>Alana Bennett</name>
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        <name>Balingup</name>
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        <name>Balingup Medieval Carnivale</name>
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        <name>Belinda Bennett</name>
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        <name>Dylan Kerr</name>
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        <name>folk music</name>
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        <name>Minervaâ€™s Tower</name>
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        <name>music</name>
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        <name>performance</name>
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        <name>Renaissance</name>
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        <name>WA</name>
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        <name>website</name>
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        <name>Western Australia.</name>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
          <description/>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.ngv.vic.gov.au/col/work/3796" target="_blank"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://www.ngv.vic.gov.au/col/work/3796&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>In Springtime (Im Fruhling)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Arnold BÃ¶cklin (1827-1901), art, beauty, Felton Bequest, feminine ideal, landscape, medieval dress, medieval theme, music, musical instrument, naturalism, nature, nostalgia, Renaissance art, Renaissance beauty, seasons, spring, springtime, VIC, Victoria</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This work by Swiss-born artist Arnold BÃ¶cklin was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1977. The painting depicts two beautiful â€˜otherworldlyâ€™ female figures in flowing, colourful dresses walking in an idyllic green landscape. Although the dresses are of a romanticised medieval style, the naturalism with which the landscape is rendered is a typically nineteenth-century artistic style. â€œBy bringing a modern sensibility to a late medieval sceneâ€, Ted Gott et al have suggested, â€œthe artist has brilliantly linked to his contemporary world the fifteenth-century ideal of beautyâ€ (19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.63). </text>
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                <text>BÃ¶cklin, Arnold</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="18420">
                <text>National Gallery of Victoria</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="18421">
                <text>National Gallery of Victoria</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18422">
                <text>1873</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18423">
                <text>National Gallery of Victoria</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil on Canvas, 104.5 x 78cm;&#13;
Hyperlink</text>
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        <name>Arnold BÃ¶cklin (1827-1901)</name>
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        <name>beauty</name>
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        <name>Felton Bequest</name>
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      <tag tagId="4180">
        <name>feminine ideal</name>
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      <tag tagId="1758">
        <name>landscape</name>
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      <tag tagId="447">
        <name>medieval dress</name>
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      <tag tagId="4181">
        <name>medieval theme</name>
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      <tag tagId="237">
        <name>music</name>
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      <tag tagId="633">
        <name>musical instrument</name>
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        <name>naturalism</name>
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        <name>nature</name>
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        <name>nostalgia</name>
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      <tag tagId="4184">
        <name>Renaissance art</name>
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      <tag tagId="4185">
        <name>Renaissance beauty</name>
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      <tag tagId="4186">
        <name>seasons</name>
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      <tag tagId="4187">
        <name>spring</name>
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        <name>springtime</name>
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      <tag tagId="2984">
        <name>Vic</name>
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      <tag tagId="890">
        <name>Victoria</name>
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <name>URL</name>
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              <text>&lt;span style="line-height: 115%; font-family: 'Calibri','sans-serif'; font-size: 11pt; mso-fareast-font-family: Calibri; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article28052740"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article28052740&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€œRobin Hoodâ€ (comic opera)</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Comic opera, Conservatorium, Crusade, Government House, Reginald De Koven, light opera, music, New South Wales, NSW, opera, performance, Richard I, Robin Hood, Royal Botanic Gardens, Harry B. Smith, Sydney, Sydney Conservatorium of Music, Sydney Morning Herald.</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;This piece titled &amp;ldquo;Robin Hood&amp;rdquo; in the &amp;lsquo;Amusements&amp;rsquo; section of the Sydney Morning Herald newspaper appeared on June 30, 1928. It brings to attention a new production of the comic/light opera Robin Hood at the Sydney Conservatorium of Music in the Royal Botanic Gardens, formerly the stables of Government House. Elsewhere on the same page in the &amp;lsquo;Music and Drama&amp;rsquo; section there is a complimentary article to remind readers of two previous seasons of the opera, and to discuss the opera&amp;rsquo;s origins and style. The &amp;lsquo;rustic&amp;rsquo; opera by Americans Reginald De Koven (music) and Harry B. Smith (libretto) was written in Chicago in the 1880s and, according to the newspaper article, features comic treatment of the characters of the Sherriff and Sir Guy. The opera is based on the popular adventures of the outlaw Robin Hood and is set in Nottingham, England, during the reign of Richard I (the Lionheart) during his time abroad on crusade.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nla.gov.au/nla.news-article28052740"&gt;http://nla.gov.au/nla.news-article28052740&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28414">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="28415">
                <text>Sydney Morning Herald</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>June 30, 1928</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28417">
                <text>Sydney Morning Herald</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper article;Hyperlink</text>
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    <tagContainer>
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        <name>Comic opera</name>
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      <tag tagId="5110">
        <name>Conservatorium</name>
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      <tag tagId="4613">
        <name>Crusade</name>
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        <name>Government House</name>
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        <name>Harry B. Smith</name>
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        <name>light opera</name>
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        <name>music</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>opera</name>
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        <name>performance</name>
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        <name>Reginald De Koven</name>
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        <name>Richard I</name>
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      <tag tagId="3070">
        <name>Robin Hood</name>
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      <tag tagId="4554">
        <name>Royal Botanic Gardens</name>
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      <tag tagId="122">
        <name>Sydney</name>
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        <name>Sydney Conservatorium of Music</name>
      </tag>
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        <name>Sydney Morning Herald.</name>
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                <text>&lt;p&gt;This anonymous article in The Sydney Morning Herald on 30 November 1886 is a review of a musical performance about Alfred the Great. The cantata &amp;lsquo;Alfred&amp;rsquo; was composed by Ebenezer Prout with a libretto by Mr Grist. The piece is based around Alfred&amp;rsquo;s battle with the Viking great army and its leader Guthrum in 878 and opens with Alfred at Athelney, where he had been forced to take refuge with his wife Alswitha (Ealhswith) and men following a Viking attack on the royal estate at Chippenham. Alfred eventually enters the Viking camp disguised as a minstrel where he enters a singing competition with Guthrum, which he wins. During the competition Guthrum sings about the Norse god Thor and Alfred a song of love. Alfred and his men later defeat the Vikings at the battle of Ethandun and Guthrum and his followers become Christians. The performance was given to raise money for a new organ at St Paul&amp;rsquo;s, Redfern, and took place at the Y.M.C.A.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article28351939" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article28351939&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Helen Dell, Drama, France, Iberia, Melbourne, music, performance, poetry, song, Troveresse Medieval Music Ensemble, Vic, Victoria</text>
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                <text>Troveresse Medieval Music Ensemble was founded by mezzo soprano Helen Dell in Melbourne, Victoria, in 2007. Their concert program includes Loveâ€™s Paradise â€“ love stories and songs from twelfth and thirteenth-century France; Songs from the Heart â€“ songs by and for women from medieval France; All You Who Love â€“ medieval and early renaissance music from the Iberian Peninsula. As well as music their performances include stories, poetry, and drama.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The Abbey Medieval Festival is held in the Queensland town of Caboolture, north of Brisbane, and is a major fundraising event held by the Abbey Museum of Art and Archaeology. The Festival is a week-long event that commences with a medieval banquet, features a mid-week Kids Medieval Fun Day, and concludes with a weekend tournament. During the festival visitors can see re-enactors in medieval clothing from various times and places in medieval Europe, jousting and mock battles, medieval music and dance, and purchase items at market stalls.  &#13;
&#13;
For more on the Abbey Museum go to the â€˜Archival Holdingsâ€™ section on this website.</text>
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article47314286" target="_blank"&gt;http://nla.gov.au/nla.news-article47314286&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Voice and Violin</text>
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                <text>This article from The West Australian details a performance, by Miss Lorna McKean and Mr Vaughan Hanly, of Gustav Hoistâ€™s four songs for voice and solo violin at the Kylie Club. The performance was unusual, it suggests, because modern audiences were unaccustomed to hearing music performed without the backing of a harmonic keyboard or orchestra. The wording of the songs are noted to be medieval religious poems.</text>
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                <text>&lt;br /&gt; National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article47314286" target="_blank"&gt;http://nla.gov.au/nla.news-article47314286&lt;/a&gt;</text>
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                <text>18 March 1941, p. 3.</text>
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                <text>The West Australian</text>
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