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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Holyrood&amp;rsquo;, &lt;em&gt;The Bulletin,&lt;/em&gt; 12 November 1903</text>
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                <text>Battle of Flodden (9 September 1513), Bonnie Prince Charlie, bush ballads, Corridor of Kings, Edinburgh, David Riccio, David Rizzio, Flodden Field, Holyrood Abbey, Holyrood Palace, Jacobite Uprising, James IV (1473-1513), Lord Darnley, lute, Mary Queen of Scots, monarchy, nostalgia, royal residence, Scotland, the Forty Five, Will H. Ogilvie (1869-1963). </text>
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                <text>As a young man, William H. (&amp;lsquo;Will&amp;rsquo;) Ogilvie spent 12 years in outback Australia, &amp;lsquo;horse-breaking, droving, mustering and camping out on the vast plains&amp;rsquo; before returning home to Scotland in 1901 (See Clement Semmler, 'Ogilvie, William Henry (Will) (1869&amp;ndash;1963)', &lt;em&gt;Australian Dictionary of Biography&lt;/em&gt;, http://adb.anu.edu.au/biography/ogilvie-william-henry-will-7890). He was a prolific writer and much of his poetry and verse appeared in &lt;em&gt;The Bulletin&lt;/em&gt;. This poem is set in Holyrood palace, the principal residence of Scottish royals from the fifteenth century. The poet&amp;rsquo;s reference to &amp;lsquo;ancient tower and archway&amp;rsquo; hints at the older provenance of the site, where Holyrood Abbey had stood since 1128. In the poem, the reader is taken on a journey &amp;ldquo;down the storied halls&amp;rdquo; while the lives of persons and events of note are recounted. The Scots massacred by the English at Flodden Field are remembered, including James IV - the last of the medieval kings in the &amp;lsquo;Corridor of Kings&amp;rsquo; - who ruled Scotland from 1488 until his death at the Battle of Flodden in 1513. The verses also reference Mary Queen of Scots, who resided at Holyrood from 1561-1567; her Secretary David Rizzio (also Riccio), who was violently stabbed to death by Lord Darnley in 1566; and &amp;lsquo;Bonnie&amp;rsquo; Prince Charlie (&amp;ldquo;a rebel prince&amp;rdquo;) and the 1745 Jacobite Uprising. Ogilvie&amp;rsquo;s nostalgic poem appeared in &lt;em&gt;The Bulletin&lt;/em&gt; in November 1903, after first being printed in &lt;em&gt;The Scotsman&lt;/em&gt;.</text>
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                <text>Will H. Ogilvie</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>12 November 1903</text>
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                <text>Public Domain</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Newspaper Article: National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article32723401" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article32723401&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A Bereaved Empire</text>
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                <text>Augustus, Augustus (63BC-19AD), bereavement, British Empire, corn laws, Darius (550-486BC), death, democracy, emancipation, Empire, enfranchisement, free press, free schools, grief, invention, Louis XIV (1638-1715), loyalty, medieval proclamation, monarch, monarchy, mourning, nation, Queen Elizabeth (r.1558-1603), Queen Victoria (r.1837-1901), political equality, progress, railway, reform, republic, republicanism, royalty, science, sovereign, steamer, telegraph, triumph</text>
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                <text>In this article upon the death of Queen Victoria (on 22 January 1901), her reign is described as a period in which â€œwe took a sudden step from medieval darkness to the metaphorically blinding brilliancy of the dawn of the twentieth centuryâ€. Citing the expansion of Empire, the extension of the franchise, the invention of railway, telegraph and the steamship and the establishment of free schools as examples of progress, the article suggests that the legacy of the Victorian era will surpass that of all others, including Augustus, Louis XIV and Elizabeth I, for its combination of intellectual splendour, artistic brilliance and political development. Under Victoria, the author suggests, Britain had become a republic in all but name, because in a break from tradition she was â€œthe Queen of the people, not of Peers and Aristocrats; the Queen of the cottage, and not of the Castleâ€. This shift and the growth of public affection that accompanied it is highlighted by the author in the suggestion that an adaptation of the traditional proclamation â€œThe King is Dead, Long Live the Kingâ€, in use since the medieval period to signify the immediate transfer of sovereignty onto the heir, was unthinkable because her beloved subjects needed time to mourn.  </text>
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                <text>&lt;strong&gt;&lt;/strong&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article32723401" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article32723401&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>West Australian Sunday Times</text>
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                <text>27 January 1901, p. 6.</text>
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                <text>National Library of Australia</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;&lt;em&gt;The Age&lt;/em&gt; online:&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.theage.com.au/opinion/society-and-culture/bigoted-bedrock-of-our-law-20110428-1dyp9.html" target="_blank"&gt;http://www.theage.com.au/opinion/society-and-culture/bigoted-bedrock-of-our-law-20110428-1dyp9.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Bigoted Bedrock of Our Law</text>
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                <text>Act of Settlement (1701), Anne Boleyn (c.1500-1536), anti-Catholicism, Australian constitution, British throne, Charles III (b.1948), Commonwealth, constitution, constitutional law, David Cameron (b.1966), Elizabeth II (b.1926), feudal principle, inheritance, Kate Middleton (b.1982), law, laws, legal, monarch, monarchy, primogeniture, protestantism, republican campaign,  republicanism, royal tradition, Saxe-Coburg Gotha, succession, Thomas Paine (1737-1809), throne, Tony Blair (b.1953), treason, Treason Act (1351), William V (b.1982), Windsor</text>
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                <text>Amidst media fervour over the royal wedding of Prince William and Kate Middleton (Princess Catherine), Geoffrey Robertson raises the Australian republican question in this opinion piece. Beginning with reference to Thomas Paineâ€™s denunciation of hereditary monarchy and the religious bias of the 1701 Act of Settlement which prevents non-Protestant heirs from succeeding to the British throne, Robertson suggests that Australiaâ€™s enduring penchant for royal tradition is what keeps it part of the commonwealth. He goes on to cite examples of what he refers to as â€˜medieval nonsenseâ€™ that â€˜still applies in Australiaâ€™, including the feudal principle of primogeniture, the 1351 Treason Act and obsolete but unrepealed laws such as one that vests the ownership of wild swans with the monarch.</text>
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            <description>Information about rights held in and over the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sedition Charge "Medieval" Counsel Argues</text>
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                <text>monarchy, monarchist, anti-monarchist, anti-monarchy, Queen Elizabeth II, communist, communism, Communist Review, treason, sedition, common law, medieval justice</text>
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            <description>An account of the resource</description>
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                <text>Three members responsible for an anti-monarchist article in the 'Communist Review' are on trial for sedition. Their defence counsel argues that such charges are 'medieval' and out of step with modern life. The article claims that Queen Elizabeth II betrayed her oath to her people by surrounding herself with wealthy courtiers. Their lawyers invoked common law to protect the printer of the publication as he did not write the article.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="5586">
                <text>Anon.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;National Library of Australia&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article18381785" target="_blank"&gt;http://nla.gov.au/nla.news-article18381785&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="5588">
                <text>The Sydney Morning Herald</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>Sat 22 April 1953</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5590">
                <text>Public domain</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>communist</name>
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        <name>Communist Review</name>
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        <name>medieval justice</name>
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        <name>monarchist</name>
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        <name>monarchy</name>
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        <name>Queen Elizabeth II</name>
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                  <text>Medievalism on the Page</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Medieval Drama</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>Arthur, Arthurian, Arthuriana, Death of Arthur, entertainment, Holy Grail, John Gould, King, King Arthur, Le Morte d'Arthur, Malory, monarch, monarchy, quest, Quest for the Holy Grail, New South Wales, NSW, performance, play, plays, Sir Thomas Malory, stage, stage play, Sydney, Sydney University, theatre, University, university play</text>
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                <text>An article from the Sydney Morning Herald notifying readers of a second performance of Malory's Le Morte d'Arthur. The performance by graduates and undergraduates of the University of Sydney was of a section of Malory's work, The Quest for the Holy Grail. The performance included a cast of over 150 in costume, and a Gregorian choir.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>The National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article17249186" target="_blank"&gt;http://nla.gov.au/nla.news-article17249186&lt;/a&gt;</text>
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            <name>Date</name>
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                <text>7 July 1936</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17401">
                <text>National Library of Australia</text>
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            <name>Format</name>
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        <name>Holy Grail</name>
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        <name>John Gould</name>
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