1
8
18
-
https://ausmed.arts.uwa.edu.au/files/original/76b30f33ffb6765f43ebca3baa2c6787.jpg
2b78d555c33863c3f2c3364cbb6122ed
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
691
Width
518
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Portrait of Gloria Rose Armstrong, Kryal Castle
Subject
The topic of the resource
Kryal Castle, tapestry, tapestries, weaving, medieval craft, medieval, craft, castle, castles, jousting, knights, knight, medieval scene, Gloria Rose Armstrong, Australia, Ballarat, Melbourne, VIC, Victoria, Keith Ryall, tourism, tourist, attraction, leisure, recreation, re-creation, entertainment, functions, medieval style, medieval dress, fashion
Description
An account of the resource
An image of a portrait of Gloria Rose Armstrong who designed and executed the hand embroidered 'Kyral Tapestry', which is displayed at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. The tapestry depicts Kryal Castle and various aspects of medieval life. Reportedly the largest of its type in the Southern hemisphere, the Kryal tapestry took 3600 hours to complete and is thought to contain 19 million stitches.
Creator
An entity primarily responsible for making the resource
Jeffrey, N.
Date
A point or period of time associated with an event in the lifecycle of the resource
2010
Rights
Information about rights held in and over the resource
Image used with the permission of N. Jeffrey
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
attraction
Australia
Ballarat
castle
castles
craft
entertainment
fashion
functions
Gloria Rose Armstrong
jousting
Keith Ryall
knight
knights
Kryal Castle
leisure
medieval
medieval craft
medieval dress
medieval scene
medieval style
Melbourne
re-creation
recreation
tapestries
tapestry
tourism
tourist
Vic
Victoria
weaving
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<span><span style="color: #000000; font-family: Tahoma; font-size: x-small;"><a href="http://www.ngv.vic.gov.au/col/work/3796" target="_blank"><span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"><span style="color: #0000ff;">http://www.ngv.vic.gov.au/col/work/3796</span></span></a></span></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
In Springtime (Im Fruhling)
Subject
The topic of the resource
Arnold Böcklin (1827-1901), art, beauty, Felton Bequest, feminine ideal, landscape, medieval dress, medieval theme, music, musical instrument, naturalism, nature, nostalgia, Renaissance art, Renaissance beauty, seasons, spring, springtime, VIC, Victoria
Description
An account of the resource
This work by Swiss-born artist Arnold Böcklin was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1977. The painting depicts two beautiful ‘otherworldly’ female figures in flowing, colourful dresses walking in an idyllic green landscape. Although the dresses are of a romanticised medieval style, the naturalism with which the landscape is rendered is a typically nineteenth-century artistic style. “By bringing a modern sensibility to a late medieval sceneâ€, Ted Gott et al have suggested, “the artist has brilliantly linked to his contemporary world the fifteenth-century ideal of beauty†(19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.63).
Creator
An entity primarily responsible for making the resource
Böcklin, Arnold
Source
A related resource from which the described resource is derived
National Gallery of Victoria
Publisher
An entity responsible for making the resource available
National Gallery of Victoria
Date
A point or period of time associated with an event in the lifecycle of the resource
1873
Rights
Information about rights held in and over the resource
National Gallery of Victoria
Format
The file format, physical medium, or dimensions of the resource
Oil on Canvas, 104.5 x 78cm;
Hyperlink
Arnold Böcklin (1827-1901)
art
beauty
Felton Bequest
feminine ideal
landscape
medieval dress
medieval theme
music
musical instrument
naturalism
nature
nostalgia
Renaissance art
Renaissance beauty
seasons
spring
springtime
Vic
Victoria
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<p>To view this image,</p>
<p>1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a></p>
<span style="color: #000000; font-family: Tahoma; font-size: x-small;">2. search by artist or title. </span><br />
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Feigned Death of Juliet
Subject
The topic of the resource
bedchamber, Capulet, characters, Count Paris, domestic interior, Frederic Leighton (1830-1896), Friar Laurence, Juliet, Lady Capulet, medieval dress, music, musical instruments, musicians, nurse, play, Romeo and Juliet, SA, Shakespearean characters, South Australia, tragedy, William Shakespeare (1564-1616)
Description
An account of the resource
This oil on canvas painting by nineteenth-century artist Frederic Leighton was acquired by the Art Gallery of South Australia with funds from the Elder Bequest in 1899. Titled ‘The Feigned Death of Juliet’ it depicts a scene from William Shakespeare’s tragedy 'Romeo and Juliet'. In Act IV Scene V of the play, Count Paris arrives at the Capulet house with Friar Laurence to claim Juliet as his bride. However, instead of finding her ready to proceed to the church to be wed, he discovers Juliet seemingly lifeless in her chamber. In Leighton’s painting, Juliet is shown lying on a bed surrounded by her mother, her nurse, her father and Count Paris. Friar Laurence hovers in the corner and a band of musicians congregate by the open door with their instruments. Although the play was written in the 1590s, it is set in Verona in an earlier (but unspecified) period. The characters in the painting are all depicted wearing styles of dress typical of the High Middle Ages.
Creator
An entity primarily responsible for making the resource
Leighton, Frederic
Source
A related resource from which the described resource is derived
Art Gallery of South Australia
Publisher
An entity responsible for making the resource available
Art Gallery of South Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
1856 - 1858
Rights
Information about rights held in and over the resource
Art Gallery of South Australia
Format
The file format, physical medium, or dimensions of the resource
Oil on Canvas, 113.6 x 175.2cm;
Hyperlink
bedchamber
Capulet
characters
Count Paris
domestic interior
Frederic Leighton (1830-1896)
Friar Laurence
Juliet
Lady Capulet
medieval dress
music
musical instruments
musicians
nurse
play
Romeo and Juliet
SA
Shakespearean characters
South Australia
tragedy
William Shakespeare (1564-1616)
-
https://ausmed.arts.uwa.edu.au/files/original/17b73f2789ec13c7005407d4c6cf3315.pdf
7947c1b8a3b98d9fc2bb52bb4d99715b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Newspaper Article
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
“The Winter’s Tale†for Perth Stage
Subject
The topic of the resource
Antigonus, Apollo’s Temple, Bohemia, Camillo, costume, drama, Emilia, Florizel, head dress, head-dress, headdress, Hermione, jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Mamillius, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, shoes, Sicilia, sleeves, stage, theatre, The Winter’s Tale, WA, Western Australia, William Shakespeare (1564-1616)
Description
An account of the resource
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span style="font-size: 10pt;">In this article from The West Australian in 1952, notice of the upcoming stage production of Shakespeare’s “The Winter’s Tale” by the John Alden Shakespearean Company is given. The medieval costumes - including elaborate head-dresses, pointed shoes and draped sleeves - would be particularly appealing to Perth audiences, the article suggests, because they were such a marked change from the plays usually performed on the Perth stage. </span></p>
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span style="font-size: 10pt;">About The Winter’s Tale:</span></p>
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span style="font-size: 10pt;">In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter.</span></p>
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span style="font-size: 10pt;">For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank"><span style="color: #0000ff;">http://www.gutenberg.org/ebooks/2248</span></a>. </span></p>
Creator
An entity primarily responsible for making the resource
Anon.
Source
A related resource from which the described resource is derived
<span><span style="font-family: Tahoma; color: #000000; font-size: x-small;"><span style="line-height: 115%; font-size: 10pt;">National Library of Australia,</span><span style="line-height: 115%; font-size: 10pt;"> </span><span lang="EN"><a href="http://nla.gov.au/nla.news-article49052507" target="_blank"><span style="font-family: Calibri; color: #0000ff; font-size: small;">http://nla.gov.au/nla.news-article49052507</span></a></span></span></span><br /><a href="../../items/show/402"></a>
Publisher
An entity responsible for making the resource available
The West Australian
Date
A point or period of time associated with an event in the lifecycle of the resource
13 September 1952, p. 5.
Rights
Information about rights held in and over the resource
The West Australian
Relation
A related resource
“This is What Women Wore in Bygone Times”, The West Australian, 18 September 1952, p. 7, <a href="../../items/show/402">http://ausmed.arts.uwa.edu.au/items/show/402</a>
Format
The file format, physical medium, or dimensions of the resource
Digital Newspaper Article
Language
A language of the resource
English
Antigonus
Apollo’s Temple
Bohemia
Camillo
costume
drama
Emilia
Florizel
head dress
head-dress
headdress
Hermione
jealousy
John Alden (1908-1962)
John Alden Shakespearean Company
Leontes
Mamillius
medieval costume
medieval dress
oracle
Pauline
Perdita
performance
Perth
Polixenes
Shakespeare
shepherd
shepherdess
shoes
Sicilia
sleeves
stage
The Winter’s Tale
theatre
WA
Western Australia
William Shakespeare (1564-1616)
-
https://ausmed.arts.uwa.edu.au/files/original/f131ebe28fbea929e58a082d25ec547d.pdf
8e8a856f2ecf780296118e665de8efea
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Newspaper Article <span><span style="font-family: Tahoma; color: #000000; font-size: x-small;"><span lang="EN"><a href="http://nla.gov.au/nla.news-article49053308" target="_blank"><span style="font-family: Calibri; color: #0000ff; font-size: small;">http://nla.gov.au/nla.news-article49053308</span></a></span></span></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
This is What Women Wore in Bygone Times
Subject
The topic of the resource
Antigonus, Apollo’s Temple, Bohemia, Camillo, costume, drama, Elsie Dayne, Emilia, Florizel, head dress, head-dress, headdress, Hermione, Iris Hart (1910-1983), jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Lucille Robinson, Mamillius, Mavis Turner, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, Sicilia, stage, theatre, The Winter’s Tale, WA, Western Australia, William Shakespeare (1564-1616)
Description
An account of the resource
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"> </p>
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"> </p>
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span style="font-family: Tahoma; color: #000000; font-size: x-small;">
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span style="font-size: 10pt;">This article features a photograph of costume head-dresses from the stage production of Shakespeare’s “The Winter’s Tale” performed in Perth in 1952 as part of a national tour by the John Alden Shakespearean Company. The four actresses in the photograph are Lucille Robinson and Elsie Dayne (ladies of the court), Mavis Turner (Perdita) and Iris Hart (Emilia). The head-dresses are described by the author as “millinery of medieval times”. </span></p>
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span style="font-size: 10pt;">About The Winter’s Tale:</span></p>
</span><span style="font-size: 10pt;">In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter.</span></p>
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span style="font-size: 10pt;">For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank"><span style="color: #0000ff;">http://www.gutenberg.org/ebooks/2248</span></a>. </span></p>
Creator
An entity primarily responsible for making the resource
Anon.
Source
A related resource from which the described resource is derived
<span><span style="font-family: Tahoma; color: #000000; font-size: x-small;"><span style="line-height: 115%; font-size: 10pt;">National Library of Australia,</span><span style="line-height: 115%; font-size: 10pt;"> </span><span lang="EN"><a href="http://nla.gov.au/nla.news-article49053308" target="_blank"><span style="font-family: Calibri; color: #0000ff; font-size: small;">http://nla.gov.au/nla.news-article49053308</span></a></span></span></span>
Publisher
An entity responsible for making the resource available
The West Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
18 September 1952, p. 7.
Rights
Information about rights held in and over the resource
The West Australian
Relation
A related resource
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><strong></strong></p>
<p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"><span lang="EN"><span style="font-family: Calibri; font-size: small;">“’The Winter’s Tale’ for Perth Stage” <em>The West Australian, </em>13 September 1952, p.5 </span></span><a href="../../../items/show/403">http://ausmed.arts.uwa.edu.au/items/show/403</a></p>
Format
The file format, physical medium, or dimensions of the resource
Newspaper Article
Language
A language of the resource
English
Antigonus
Apollo’s Temple
Bohemia
Camillo
costume
drama
Elsie Dayne
Emilia
Florizel
head dress
head-dress
headdress
Hermione
Iris Hart (1910-1983)
jealousy
John Alden (1908-1962)
John Alden Shakespearean Company
Leontes
Lucille Robinson
Mamillius
Mavis Turner
medieval costume
medieval dress
oracle
Pauline
Perdita
performance
Perth
Polixenes
Shakespeare
shepherd
shepherdess
Sicilia
stage
The Winter’s Tale
theatre
WA
Western Australia
William Shakespeare (1564-1616)
-
https://ausmed.arts.uwa.edu.au/files/original/7c662407af516274c435392a64b43ec2.JPG
b617f7304b433fef098facc8e67b7de2
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
480
Width
640
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Preparatory Skirmish at 2010 SCA College Challenge
Subject
The topic of the resource
Society for Creative Anachronism, anachronism, SCA, St. Basil, Saint Basil, Saint Lazarus, St. Lazarus, kettle hat, armour, armoury, knight, knights, knighthood, chivalry, Kingdom of Lochac, armour making, costume, costumes, medieval dress, UWA, University for Western Australia, Murdoch University, Western Australia, WA, medieval armour, tournament, tourney, battle, medieval craft, craft, metalwork
Description
An account of the resource
<p>Members of the Society for Creative Anachronism preparing to fight in a battle for the 2010 College Challenge between the factions of St Lazarus and St Basil. The tournament was held at the University of Western Australia.</p>
<p>About the Society for Creative Anachronism and the Kingdom of Lochac (the Australian and New Zealand regional branch of the SCA): <br /> <br /> <strong>The Society for Creative Anachronism</strong> is an international organisation which focuses on the study and 're-creation' of Medieval and Early Modern cultures and their histories before the seventeenth century. As the prime example of a 'living history' group, members of the SCA aim to re-create the past through applying elements of historical knowledge to a practical engagement with Medieval and Early Modern crafts, martial arts, science, metalwork and cooking (for example). The Society was created by graduates of the University of Berkley in California in the 1960s and has since branched out to include 19 kingdoms, with over 30,000 members in locations across the globe.<br /> <br /> <strong>The Kingdom of Lochac</strong> is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. <br /> <br /> Information regarding <strong>the College of St. Basil the Great </strong>can be found at <a href="http://lochac.sca.org/basil/index.php?page=home">http://lochac.sca.org/basil/index.php?page=home</a></p>
Creator
An entity primarily responsible for making the resource
Carter, Bree
Date
A point or period of time associated with an event in the lifecycle of the resource
19 December 2010
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
anachronism
Armour
armour making
armoury
battle
chivalry
costume
costumes
craft
kettle hat
Kingdom of Lochac
knight
knighthood
knights
medieval armour
medieval craft
medieval dress
metalwork
Murdoch University
Saint Basil
Saint Lazarus
SCA
Society for Creative Anachronism
St. Basil
St. Lazarus
tournament
tourney
University for Western Australia
UWA
WA
Western Australia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)
URL
<a href="http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711">http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Knight and his Lady, University Commemoration Day ("Commem") through streets
Subject
The topic of the resource
armour, chain mail, chainmail, “Commem Dayâ€, commemoration, costume, custom, fancy dress, “Festival Dayâ€, festivities, helmet, horse, knight, knights, knighthood, chivalry, lady, medieval costume, medieval dress, medieval romance, romance, NSW, New South Wales, parade, pennant, procession, Sam Hood (1872-1953), shield, St George cross, street parade, students, Sydney, The University of Sydney, tradition, university
Description
An account of the resource
Hyperlink to a photograph of two Sydney university students participating in the “Commem Day†street parade in 1937, taken by renowned Australian photographer Sam Hood. The two students in the photograph appear on horseback and in costume; a male student is dressed as a medieval knight complete with chainmail, a helmet and a shield, and a female student dons an imitation medieval style dress and hat. “Commem Day†was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the twentieth century. The last “Commem Day†parade was held in 1975.
Creator
An entity primarily responsible for making the resource
Hood, Sam
Source
A related resource from which the described resource is derived
State Library of New South Wales, Digital Order No. hood_14970
Publisher
An entity responsible for making the resource available
State Library of New South Wales
Date
A point or period of time associated with an event in the lifecycle of the resource
19 May 1937
Rights
Information about rights held in and over the resource
State Library of New South Wales
Format
The file format, physical medium, or dimensions of the resource
Hyperlinkl; Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)
Language
A language of the resource
English
“Commem Dayâ€
“Festival Dayâ€
Armour
chain mail
chainmail
chivalry
commemoration
costume
custom
fancy dress
festivities
helmet
horse
knight
knighthood
knights
lady
medieval costume
medieval dress
Medieval Romance
New South Wales
NSW
parade
pennant
procession
romance
Sam Hood (1872-1953)
shield
St George cross
street parade
students
Sydney
The University of Sydney
tradition
university
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)
URL
<a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=19716">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=19716</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Knight in The University of Sydney Commem Day Parade, 1937
Subject
The topic of the resource
armour, chainmail, chain mail, “Commem Dayâ€, commemoration, costume, custom, fancy dress, “Festival Dayâ€, festivities, helmet, horse, knight, knights, chivalry, knighthood, medieval romance, romance, medieval costume, medieval dress, New South Wales, parade, pennant, procession, Sam Hood (1872-1953), shield, St George cross, street parade, students, Sydney, The University of Sydney, tradition, university
Description
An account of the resource
Hyperlink to a photograph of a Sydney university student participating in the “Commem Day†street parade in 1937, taken by renowned Australian photographer Sam Hood. The student in the photograph appears on horseback and dressed as a medieval knight, complete with chainmail and a helmet. “Commem Day†was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the early twentieth century. The last “Commem Day†parade was held in 1975.
Creator
An entity primarily responsible for making the resource
Hood, Sam
Source
A related resource from which the described resource is derived
State Library of New South Wales, Digital Order No. hood_14975
Publisher
An entity responsible for making the resource available
State Library of New South Wales, Hood Collection part I: Sydney streets, buildings, people, activities and events, c.1925-1955
Date
A point or period of time associated with an event in the lifecycle of the resource
19 May 1937
Rights
Information about rights held in and over the resource
State Library of New South Wales
Format
The file format, physical medium, or dimensions of the resource
Hyperlink; Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)
Language
A language of the resource
English
“Commem Dayâ€
“Festival Dayâ€
Armour
chain mail
chainmail
chivalry
commemoration
costume
custom
fancy dress
festivities
helmet
horse
knight
knighthood
knights
medieval costume
medieval dress
Medieval Romance
New South Wales
parade
pennant
procession
romance
Sam Hood (1872-1953)
shield
St George cross
street parade
students
Sydney
The University of Sydney
tradition
university