For a copy of Keats’ La Belle Dame sans merci, see http://www.poetryfoundation.org/poem/173740.
]]>This painting by English artist Arthur Hughes was acquired by the National Gallery of Victoria in 1919 with funds from the Felton Bequest. It portrays a scene from the well-known ballad of the same name penned in 1819 by Romantic poet John Keats. The poem is a tale of unrequited love featuring an Arthurian knight and a beautiful woman he meets in the woods. Described by Keats as a ‘faery’s child’, the woman woos the knight with songs, food and promises of love, before taking him back to her elfin grot and lulling him to sleep. While asleep, however, he dreams of death-pale kings, princes and warriors crying “La Belle Dame sans merci/Thee hath in thrall!” before waking up alone on a cold hillside. In the painting, the infatuated knight is pictured in the woods shortly after he has met the beautiful woman and lifted her onto his horse. In the background, the apparitions of the pale figures he will later dream of are visible, trying to convey their warning in vain. Keats borrowed the title for his Arthurian ballad from a fifteenth-century courtly love poem by Alain Chartier.
For a copy of Keats’ La Belle Dame sans merci, see http://www.poetryfoundation.org/poem/173740.
To view this image:
http://www.redbubble.com/people/wdonaldson/works/7127743-the-peasant?c=62571-medieval (16/11/2011).
To see more images from Gumeracha Fair visit Wendi’s Medieval Gallery:
http://www.redbubble.com/people/wdonaldson/collections/62571-medieval (16/11/2011).About The Winter’s Tale:
In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter.
For a copy of the text, see: http://www.gutenberg.org/ebooks/2248.
]]>In this article from The West Australian in 1952, notice of the upcoming stage production of Shakespeare’s “The Winter’s Tale” by the John Alden Shakespearean Company is given. The medieval costumes - including elaborate head-dresses, pointed shoes and draped sleeves - would be particularly appealing to Perth audiences, the article suggests, because they were such a marked change from the plays usually performed on the Perth stage.
About The Winter’s Tale:
In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter.
For a copy of the text, see: http://www.gutenberg.org/ebooks/2248.
This article features a photograph of costume head-dresses from the stage production of Shakespeare’s “The Winter’s Tale” performed in Perth in 1952 as part of a national tour by the John Alden Shakespearean Company. The four actresses in the photograph are Lucille Robinson and Elsie Dayne (ladies of the court), Mavis Turner (Perdita) and Iris Hart (Emilia). The head-dresses are described by the author as “millinery of medieval times”. About The Winter’s Tale:
For a copy of the text, see: http://www.gutenberg.org/ebooks/2248.
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This article features a photograph of costume head-dresses from the stage production of Shakespeare’s “The Winter’s Tale” performed in Perth in 1952 as part of a national tour by the John Alden Shakespearean Company. The four actresses in the photograph are Lucille Robinson and Elsie Dayne (ladies of the court), Mavis Turner (Perdita) and Iris Hart (Emilia). The head-dresses are described by the author as “millinery of medieval times”. About The Winter’s Tale:
For a copy of the text, see: http://www.gutenberg.org/ebooks/2248.
“’The Winter’s Tale’ for Perth Stage” The West Australian, 13 September 1952, p.5 http://ausmed.arts.uwa.edu.au/items/show/403