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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="line-height: 115%; font-size: 10pt;"&gt; &lt;a href="http://www.smh.com.au/national/knights-templar-jump-from-dan-brown-to-down-under-20091211-kok7.html" target="_blank"&gt;http://www.smh.com.au/national/knights-templar-jump-from-dan-brown-to-down-under-20091211-kok7.html&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Knights Templar jump from Dan Brown to Down Under </text>
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                <text>Dan Brown, Crusades, The Da Vinci Code, knights, knighthood, Knights Templar, fiction, literature, Christian, Christianity, religion, religious, war, Military Orders, New South Wales, NSW, Sydney, The Sydney Morning Herald</text>
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                <text>An article by Dylan Welch in The Sydney Morning Herald about the Knights Templar in Australia. The article briefly outlines the origins of the order in the early twelfth century as protectors of Christian pilgrims to Jerusalem, and its disbandment in the early fourteenth. The order has since been revived and now also operates in Australia, combining Christian charity work with instruction in swordplay and a French form of kickboxing. The article interviews two Australian members of the Templarâ€™s, Paul Oâ€™Sullivan and Paul Grice. It is noted that the modern knights have little in common with those featured in Dan Brownâ€™s novel â€˜The Da Vinci Codeâ€™. Instead, they are described as a â€˜modern-day esoteric knighthoodâ€™.</text>
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          <element elementId="39">
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                <text>Welch, Dylan</text>
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            <name>Source</name>
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                <text>The Sydney Morning Herald</text>
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            <name>Publisher</name>
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              <elementText elementTextId="10630">
                <text>The Sydney Morning Herald</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>12 December 2009</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The Sydney Morning Herald</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper Article; Hyperlink</text>
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            <name>Language</name>
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                <text>English</text>
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        <name>Christian</name>
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        <name>Crusades</name>
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        <name>Dan Brown</name>
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        <name>fiction</name>
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        <name>knighthood</name>
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        <name>knights</name>
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        <name>Knights Templar</name>
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        <name>Sydney</name>
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        <name>The Da Vinci Code</name>
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        <name>The Sydney Morning Herald</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Medieval Writerâ€™s window, The Great Hall at The University of Sydney</text>
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                <text>Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer</text>
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                <text>&lt;p&gt;An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton &amp;amp; Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully &amp;lsquo;canopied,&amp;rsquo; a self-conscious nineteenth-century &amp;lsquo;medievalism&amp;rsquo; that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour.&lt;/p&gt;&#13;
To view this and other stained glass windows from the Great Hall and Quadrangle, see: &lt;a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml &lt;/span&gt;&lt;/a&gt;</text>
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                <text>White, David</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="19151">
                <text>Unknown</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Â© David White (photo)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Author</name>
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        <name>canopy</name>
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        <name>education</name>
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        <name>Geoffrey Chaucer (1340-1400)</name>
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        <name>Gothic Revival</name>
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        <name>Great Hall</name>
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        <name>James I of Scotland (1394-1437)</name>
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        <name>John Fortescue (1394-1476)</name>
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        <name>learning</name>
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