1 8 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.       go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.       search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancilla Domini; or, Handmaid or â€˜maid servantâ€™ of the Lord Subject The topic of the resource Adam, angel, Annunciation, Art, colour, curtain, Eden, Eve, Gabriel, lilies, Mary, Pre-Raphaelite, religious art, Renaissance art, rose, Rupert Bunny (1864-1947), SA, South Australia, symbolism, vermillion, virgin Description An account of the resource This work by Australian artist Rupert Bunny was acquired by the Art Gallery of South Australia in 1996. It depicts the religious subject of the Annunciation, when the angel Gabriel descended from heaven to tell Mary that she would conceive the son of God. An angel dressed in white stands with one arm outstretched before the kneeling figure of Mary. The angel holds white lilies, while Mary clutches a white rose and is surrounded by pink roses. The background is dominated by a bold vermillion red curtain and a wall hanging showing Adam and Eve being cast from the Garden of Eden by a sword-wielding angel. This work dates from the 1890s, a time when Bunny was preoccupied with biblical themes. He was influenced by the symbolists of the nineteenth century and also the Pre-Raphaelites, as is evidenced here by “a return to the detailed, brightly coloured and symbolically rich art of the early Italian Renaissance” (See the accompanying information pages on the Art Gallery of South Australia’s website at: <a href="http://www.artgallery.sa.gov.au/TLF/964p25/" target="_blank">http://www.artgallery.sa.gov.au/TLF/964p25/</a>). Creator An entity primarily responsible for making the resource Bunny, Rupert Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1896 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 100.3 x 110.4cm; Hyperlink Adam angel Annunciation art colour curtain Eden Eve Gabriel lilies Mary Pre-Raphaelite religious art Renaissance art rose Rupert Bunny (1864-1947) SA South Australia symbolism vermillion virgin https://ausmed.arts.uwa.edu.au/files/original/1146f9c772369cd483b8c7a2f1b7fe16.pdf 373628debda0b88a1ae2750ca138cf2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised Newspaper Article, National Library of Australia - <a href="http://nla.gov.au/nla.news-article58414412" target="_blank">http://nla.gov.au/nla.news-article58414412</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wedding Fashions Subject The topic of the resource bouquet, brides, bride, bridesmaids, brocade, chiffon, clothing, coronet, dress, gown, fashion, headdress, jackets, lace, lilies, medieval lines, medieval style, roses, satin, tulle, veil, velvet, wedding, wedding dress, womenâ€™s fashion Description An account of the resource In this column on wedding fashions in 1929, readers are advised that the favoured style for wedding dresses has changed from the short straight frocks of the previous year to long medieval style dresses. A long frock, the author suggests, is more dignified than a short or flimsy one, and is therefore â€œmuch more in keeping with the church serviceâ€. Materials such as velvet and satin are recommended, and a new tendency to eliminate the train and replace it with a flowing tulle veil is noted. Veils of tulle or chiffon are advised to create a â€œcloudy effectâ€ that contrasts the heavier material of the dress. The bridesmaidâ€™s dresses, the article concludes, should be in the same style as the bride. If the bride wears a velvet dress of medieval design, it instructs, the bridesmaids should also wear velvet in a different colour, and definitely not tulle frocks of the early Victorian style. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australian Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 12 May 1929, p. 5s. Rights Information about rights held in and over the resource The Sunday Times Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English bouquet bride brides bridesmaids brocade chiffon clothing coronet dress fashion gown headdress jackets lace lilies medieval lines medieval style roses satin tulle veil velvet wedding wedding dress womenâ€™s fashion