2 8 25 https://ausmed.arts.uwa.edu.au/files/original/b22ed7e43c32fdb635be064411c48321.jpg 672a4d8e2cd62b8213731a631e5c170b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 836 Width 510 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne dâ€™Arc, State Library of Victoria, Melbourne. Subject The topic of the resource armour, banner, banners, battles, battle, Bernard Hall, bronze, Charles VII (r., Charles de Ponthieu (1403-1461), DomrÃ©my, Emmanuel FrÃ©miet (1824-1910), equestrian, execution, Felton Bequest, fleur-de-lys, Jeanne dâ€™Arc, Joan of Arc (1412-1431), La Pucelle, legend, maid of OrlÃ©ans, Melbourne, National Gallery of Victoria, oriflamme, OrlÃ©ans, Paris, pennant, Place des Pyramides, sculpture, State Library of Victoria, statue, Victoria, war, war-banner, war-horse, war horse, war banner Description An account of the resource Image of the Jeanne d’Arc bronze statue at the State Library of Victoria in Melbourne. The statue is the work of French sculptor Emmanuel Frémiet, and is a cast of the 1899 version of his Jeanne d’Arc which stands in the Place des Pyramides in Paris. Purchased in 1906 by Bernard Hall, the Director of the National Gallery of Victoria, with funds from the Felton Bequest, it was installed at the entrance to the State Library of Victoria on 4 February 1907. The sculpture depicts the young Joan of Arc astride a war-horse, dressed in her body-armour and raising an oriflamme banner. About Joan of Arc: Joan of Arc was born in 1412 in the French village of Domrémy. From the age of about 12, Joan had visions of saints and heard heavenly voices that increasingly urged her to fight for France during the Hundred Years’ War. She travelled to the court of Charles De Ponthieu, the Orléanist claimant to the throne, where she was provided with a suit of armour and her distinctive banner depicting a golden fleur-de-lys. She secured a decisive military victory to rescue the city of Orléans from the Earl of Salisbury’s English army in 1429, and was present at the coronation of Charles VII. However, in May the following year Joan was captured by Burgundian forces at Compiègne, and was handed over to the English. She was tried at Rouen on charges of witchcraft and heresy, and was condemned to death. On 30 May 1431, she was executed. Two and a half decades later, the case was appealed and her conviction was overturned. She was beatified in 1909 and canonised as a saint in 1920. For more information about this statue and its background, see Ted Gott, ‘An Iron Maiden for Melbourne – The History and Context of Emmanuel Frémiet’s 1906 Cast of Jeanne d’Arc’, The La Trobe Journal, vol.81, Autumn 2008, pp.53-68: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html</a>. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 27 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Armour banner banners battle battles Bernard Hall bronze Charles de Ponthieu (1403-1461) Charles VII (r. DomrÃ©my Emmanuel FrÃ©miet (1824-1910) equestrian execution Felton Bequest fleur-de-lys Jeanne dâ€™Arc Joan of Arc (1412-1431) La Pucelle legend maid of OrlÃ©ans Melbourne National Gallery of Victoria oriflamme OrlÃ©ans Paris pennant Place des Pyramides sculpture State Library of Victoria statue Victoria war war banner war horse war-banner war-horse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Hyperlink Title, URL, Description or annotation. URL <a href="http://units.handbooks.uwa.edu.au/units/engl/engl2238" target="_blank">http://units.handbooks.uwa.edu.au/units/engl/engl2238</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval in the Modern World Subject The topic of the resource Arthur, Arthurian, Beowulf, Jorge-Luis Borges, Robert Bresson, cinema, fantasy, mythology, myth, legend, legends, myths, films, film, Neil Gaiman, John Gardner, Guy Gavriel Kay, Seamus Heaney, Geoffrey Hill, literature, Andrew Lynch, Monty Python, Perth, poetry, Randolph Stow, Alfred Tennyson, Mark Twain, UWA, university, universities, University of Western Australia, WA, Western Australia, Robert Zemeckis Description An account of the resource A second and third year undergraduate unit taught at The University of Western Australia. The unit was created by Andrew Lynch and features novels, poetry and film from the nineteenth, twentieth and twenty-first centuries that reinterpreted medieval literature and themes. Texts include Tennysonâ€™s â€˜The Passing of Arthurâ€™, the film â€˜Monty Python and the Holy Grailâ€™, Twainâ€™s â€˜A Connecticut Yankee in King Arthurâ€™s Courtâ€™, Gardnerâ€™s â€˜Grendelâ€™, the Zemeckis/Gaiman film â€˜Beowulfâ€™, poetry by Borges, Hill, and Heaney, Bressonâ€™s â€˜Lancelot du Lacâ€™, and Gavriel Kayâ€™s â€˜A Song for Arbonneâ€™. Of particular note is the inclusion of works by Australian authors: Kate Forsythâ€™s â€˜Morgan of the Fayâ€™, Maggie Hamiltonâ€™s â€˜Merlinâ€™, Juliet Marillerâ€™s â€˜Son of the Shadowsâ€™, â€˜The Girl Green as Elderflowerâ€™ by Randolph Stow, and Jules Watsonâ€™s â€˜The White Mareâ€™. Creator An entity primarily responsible for making the resource Lynch, Andrew Source A related resource from which the described resource is derived The University of Western Australia Publisher An entity responsible for making the resource available The University of Western Australia Date A point or period of time associated with an event in the lifecycle of the resource February 2009 Rights Information about rights held in and over the resource Andrew Lynch, the University of Western Australia Format The file format, physical medium, or dimensions of the resource Link to UWA Undergraduate Handbook Language A language of the resource English Alfred Tennyson Andrew Lynch Arthur Arthurian Beowulf cinema fantasy film films Geoffrey Hill Guy Gavriel Kay John Gardner Jorge-Luis Borges legend legends literature Mark Twain Monty Python myth mythology myths Neil Gaiman Perth poetry Randolph Stow Robert Bresson Robert Zemeckis Seamus Heaney universities university University of Western Australia UWA WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx" target="_blank">http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morgan Le Fay Subject The topic of the resource Accalan, Accolon, Art, Arthur, Arthurian, Avalon, Ballarat, ChrÃ©tien de Troyes, Christian Waller (1894-1954), Excalibur, healer, healing, keys, king, King Arthur, knight, lance, Le Morte dâ€™Arthur, legend, Morgan Le Fay, power, shield, Thomas Malory, VIC, Victoria watercolour, wounded king Description An account of the resource This watercolour by Australian artist Christian Waller was gifted to the Art Gallery of Ballarat in 1933 by the Women’s Association. It depicts a woman in medieval dress whom the title identifies as Morgan Le Fay. Morgan Le Fay is a sorceress/healer in Arthurian legend. Starting with Chrétien de Troyes in the late twelfth century, she is often named as Arthur’s half-sister (by his mother Igerne). She plays a key adversarial role in much Arthurian literature; she is often depicted trying to expose the adulterous liaisons of Lancelot and Guinevere, and attempting to bring about Arthur’s downfall. She does this by using her magic powers to give Arthur’s sword, Excalibur, to her lover Accolon (while leaving Arthur unknowingly with a counterfeit), and by throwing Excalibur into the lake. At the end of Thomas Malory’s fifteenth-century text Le Morte d’Arthur, however, she resumes her healing role by taking Arthur to Avalon and tending to the wounded king. For a copy of Le Morte d’Arthur, see: <a href="http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/" target="_blank"> http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/</a>. In the background of Waller’s painting are numerous medieval references: a lance, a heraldic shield, a helmet, a picture of a knight riding a horse, and a set of highly symbolic keys given Morgan Le Fay’s power in Arthurian legend. About Christian Waller: Christian Waller was born Christian Marjory Emily Carlyle Yandell in 1894 in Castlemaine, Victoria. In 1910 she moved to Melbourne with her family. There she attended the National Gallery Schools and won acclaim from a young age, receiving a number of student prizes, exhibiting her work with the Victorian Artists Society and featuring in illustrated publications such as Franklin Petersons Melba’s Gift Book of Australian Art and Literature in 1915. In 1915 she married fellow artist Mervyn Napier Waller. He lost his right arm the following year serving on the Western Front, and Christian supported him upon his return to Australia by working as a commercial artist. During the 1920s she became a book illustrator, and her work from this period has been described as reflecting “Classical, Medieval, Pre-Raphaelite and Art Nouveau influences” (See Thomas, David, 'Waller, Christian Marjory Emily Carlyle (1894–1954)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, <a href="http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407" target="_blank">http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407</a>, accessed 4 February 2012). From 1928 Waller started designing stained glass windows. This was an artistic medium in which she was prolific, and for which she became well known, during the 1930s and 40s. Creator An entity primarily responsible for making the resource Waller, Christian (1894-1954) Source A related resource from which the described resource is derived Art Gallery of Ballarat Date A point or period of time associated with an event in the lifecycle of the resource 1920 Rights Information about rights held in and over the resource Art Gallery of Ballarat Format The file format, physical medium, or dimensions of the resource Watercolour, 33.3cm x 21.4cm; Hyperlink Accalan Accolon art Arthur Arthurian Avalon Ballarat ChrÃ©tien de Troyes Christian Waller (1894-1954) Excalibur healer healing keys king King Arthur knight lance Le Morte dâ€™Arthur legend Morgan Le Fay power shield Thomas Malory Vic Victoria watercolour wounded king https://ausmed.arts.uwa.edu.au/files/original/c7352a104bce6184b3bacb5bd15b6023.jpg 42372f43bc02d4ae1e1669ff7ca3976b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 813 Width 574 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Poster Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mythistory: Science Fiction, Fantasy, and the Medieval Imagination Subject The topic of the resource literature, fantasy, film, history, Perth, Rob Stuart, science fiction, Star Trek, Star Wars, The University of Western Australia, university, universities, Tolkien, J.R.R. Tolkien, WA, Western Australia, mythistory, myth, legend, myths, legends, Lord of the Rings Description An account of the resource Aposter for the second and third year undergraduate course ‘Mythistory’ offered at The University of Western Australia. The course examines popular science fiction and fantasy films and literature of the twentieth and twenty-first century within their historical context. The course outline can be found at <a href="http://units.handbooks.uwa.edu.au/units/hist/hist2233" target="_blank">http://units.handbooks.uwa.edu.au/units/hist/hist2233</a>. Creator An entity primarily responsible for making the resource Stuart, Rob Date A point or period of time associated with an event in the lifecycle of the resource 18 May 2011 Rights Information about rights held in and over the resource Rob Stuart Format The file format, physical medium, or dimensions of the resource Poster Language A language of the resource English fantasy film history J.R.R. Tolkien legend legends literature Lord of the Rings myth mythistory myths Perth Rob Stuart Science Fiction Star Trek Star Wars The University of Western Australia Tolkien universities university WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/5387244df91ddc650f29d8b7e6f9c756.pdf a745646ebb437c132b71223b0fabc082 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data PDF; Digitised Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rescue of an Austrian Nazi: Medieval Incident Re-enacted Subject The topic of the resource anthem, Austria, Blondel, capture, cell, chivalry, chivalric legend, confinement, deception, dupe, DÃ¼rnstein Castle, Eleanor of Aquitaine (c.1122-1204), escape, folklore, Franz Hofer (1902-1975), imprisonment, legend, Leopold V of Austria (1157-1194), medieval folklore, minstrel, Nazi, page, prison, ransom, Richard Coeur de Lion, Richard I (1157-1199), Richard the Lionheart, ruse, song, Third Crusade (1189-1192), troubadour, Tunsbruck gaol Description An account of the resource In this report from Munich in 1933, an â€˜amusing storyâ€™ about the escape of Nazi leader Franz Hofer from an Austrian prison is recounted for WA readers. Not long before his escape in August 1933, Hofer said, he heard one of the Austrian warders singing the Nazi anthem with the additional line â€œBondage will only last a short time nowâ€. This he correctly interpreted as a sign that he would soon be rescued. The article likens the incident to a legend concerning the imprisonment of Richard the Lionheart in the twelfth century. In 1192, Richard I of England was captured by Leopold V of Austria on his return from the Third Crusade. He was held for a significant ransom, which Richardâ€™s mother - Eleanor of Aquitaine - raised. Richard was eventually released and returned to England in 1194. A popular chivalric legend emerged that a faithful troubadour named Blondel travelled from castle to castle after Richard was captured singing a song that would be recognisable only to him, in order to discover the place of Richardâ€™s imprisonment. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia <a href="http://nla.gov.au/nla.news-article33326172" target="_blank">http://nla.gov.au/nla.news-article33326172</a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 9 October 1933, p. 9. Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Digital Newspaper Article; PDF Language A language of the resource English anthem Austria Blondel capture cell chivalric legend chivalry confinement DÃ¼rnstein Castle deception dupe Eleanor of Aquitaine (c.1122-1204) escape folklore Franz Hofer (1902-1975) imprisonment legend Leopold V of Austria (1157-1194) medieval folklore minstrel Nazi page prison ransom Richard Coeur de Lion Richard I (1157-1199) Richard the Lionheart ruse song Third Crusade (1189-1192) troubadour Tunsbruck gaol Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.   search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Galahad and the Pale Nun Subject The topic of the resource Alfred Lord Tennyson (1809-1892), Art, Arthur, Arthurian, Arthurian legend, Arthurian romance, chivalric, chivalry, Galahad, gallantry, Holy Grail, Idylls of a King, illustration, knight, Le Morte dâ€™Arthur, legend, Mabinogion, narrative poem, nostalgia, nun, piety, poem, purity, Sir Galahad, Sir Thomas Malory (1405-1471), Victorian revival Description An account of the resource This photograph, taken by Julia Margaret Cameron in 1874, is held by the Art Gallery of South Australia. It depicts Sir Galahad, one of the Knights of the Round Table in Arthurian legend, and a nun. The illegitimate son of Lancelot and Elaine of Corbenic, Galahad was raised in a convent under the care of the Abbess, his Great Aunt. He was one of only 3 Knights to see the Holy Grail, and is renowned in legend for his gallantry, his piety and his purity. He was a popular character in the Victorian revival of Arthurian myth, and these qualities were emphasised in Alfred Lord Tennysonâ€™s 1842 poem â€˜Sir Galahadâ€™. This particular photograph appeared as Plate IX in Alfred Lord Tennysonâ€™s Idylls of the King and Other Poems, a collection of 12 narrative poems retelling the King Arthur legend published between 1856 and 1885. Tennysonâ€™s version was based primarily on two well-known medieval texts: Sir Thomas Maloryâ€™s Le Morte dâ€™Arthur and the Mabinogion. Creator An entity primarily responsible for making the resource Cameron, Julia Margaret Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1874 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Albumen-silver photograph, 33.4 x 27.2 cm; Hyperlink Alfred Lord Tennyson (1809-1892) art Arthur Arthurian Arthurian legend Arthurian romance chivalric chivalry Galahad gallantry Holy Grail Idylls of a King illustration knight Le Morte dâ€™Arthur legend Mabinogion narrative poem nostalgia nun piety poem purity Sir Galahad Sir Thomas Malory (1405-1471) Victorian revival https://ausmed.arts.uwa.edu.au/files/original/2dc210654329591c43576abcf042057c.jpg b829fab2c70a29b4ab4a21849ef3b55a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 426 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St George and the Dragon Altar, St Georgeâ€™s Cathedral, Perth, WA Subject The topic of the resource altar, Anglican, Anglicanism, Anglican Cathedral, carving, Cathedral, chivalric tradition, chivalry, combat, battle, crusades, dragon, Eucharist service, Golden Legend, hagiography, Jacobus de Voragine, jarrah, knight, legend, myth, mythology, nave, nave altar, Perth, saint, saints, Speculum Historiale, St George, St George and the Dragon, Saint George, St Georgeâ€™s Cathedral, sword, Vincent of Beauvais (c.1190-1264), WA, Western Australia Description An account of the resource Close-up image of the jarrah nave altar at St George’s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais’ Speculum Historiale and Jacobus de Voragine’s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, “‘Thingless names’? The St George Legend in Australia”, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html</a>). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2004 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Altar Anglican Anglican Cathedral Anglicanism battle carving Cathedral chivalric tradition chivalry combat Crusades dragon Eucharist service Golden Legend hagiography Jacobus de Voragine jarrah knight legend myth mythology nave nave altar Perth saint Saint George saints Speculum Historiale St George St George and the Dragon St Georgeâ€™s Cathedral sword Vincent of Beauvais (c.1190-1264) WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/f23c18a9f8f9ef85ee4a871f02104f26.jpg 99b63a37009dc8948a5b54fd08bf539b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 491 IPTC Array a:1:{s:16:"copyright_notice";s:32:"KODAK DC3400 ZOOM DIGITAL CAMERA";} IPTC String copyright_notice:KODAK DC3400 ZOOM DIGITAL CAMERA Width 738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St George and the Dragon Altar, St Georgeâ€™s Cathedral, Perth, Western Australia. Subject The topic of the resource altar, Anglican, Anglicanism, Anglican Cathedral, carving, Cathedral, chivalric tradition, chivalry, combat, battle, crusades, dragon, Eucharist service, Golden Legend, hagiography, Jacobus de Voragine, jarrah, knight, legend, myth, mythology, nave, nave altar, Perth, saint, saints, Speculum Historiale, St George, St George and the Dragon, Saint George, St Georgeâ€™s Cathedral, sword, Vincent of Beauvais (c.1190-1264), WA, Western Australia Description An account of the resource Image of the jarrah nave altar at St George’s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais’ Speculum Historiale and Jacobus de Voragine’s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, “‘Thingless names’? The St George Legend in Australia”, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html</a>). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2004 Rights Information about rights held in and over the resource Photographed with permission of the Dean, St Georgeâ€™s Cathedral Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Altar Anglican Anglican Cathedral Anglicanism battle carving Cathedral chivalric tradition chivalry combat Crusades dragon Eucharist service Golden Legend hagiography Jacobus de Voragine jarrah knight legend myth mythology nave nave altar Perth saint Saint George saints Speculum Historiale St George St George and the Dragon St Georgeâ€™s Cathedral sword Vincent of Beauvais (c.1190-1264) WA Western Australia