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                <text>Images of â€œThe Tournament of Armoured Knightsâ€ at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the â€˜caprisonsâ€™, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop.&#13;
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London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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                <text>Image of â€œThe Tournament of Armoured Knightsâ€ at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the â€˜caprisonsâ€™, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop.&#13;
&#13;
London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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              <text>&lt;a href="http://kingshorses.ballarat.vic.au/index.php?option=com_frontpage&amp;amp;Itemid=1"&gt;http://kingshorses.ballarat.vic.au/index.php?option=com_frontpage&amp;amp;Itemid=1&lt;/a&gt;</text>
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                <text>The Kingâ€™s Horses Medieval Equestrian Society Inc., Ballarat, Victoria</text>
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                <text>Armour, Ballarat, combat, costume, equestrian, helmet, horse, The Kingâ€™s Horses, The Kingâ€™s Horses Medieval Equestrian Society Inc., jousting, knight, lance, living history, performance, re-creation, re-enactment, shield, sword, tournament, Vic, Victoria, weapons, website.</text>
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                <text>&lt;p&gt;The King&amp;rsquo;s Horses Medieval Equestrian Society Inc. are a living history group based in the Victorian city of Ballarat. The group were formed in 2007 to focus on the equestrian aspects of the medieval period, especially the 13th century. The King&amp;rsquo;s Horses re-enact jousting at tournaments, where knights riding horses would do battle. The knights and horses are clad in appropriate costume, including helmets, armour, swords, lances, and shields. The group perform at medieval fairs, schools, and corporate functions.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://kingshorses.ballarat.vic.au/index.php?option=com_frontpage&amp;amp;Itemid=1"&gt;http://kingshorses.ballarat.vic.au/index.php?option=com_frontpage&amp;amp;Itemid=1&lt;/a&gt;&lt;/p&gt;</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.sirwalter.com.au/"&gt;http://www.sirwalter.com.au/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;p&gt;The variety of Buffalo Lawn known as Sir Walter was developed in 1996. The logo for the associated company features a medieval knight wearing a helmet and armour riding a horse. The knight carries a lance and a shield, and the appearance of the horse and rider suggests that they are taking part in a jousting tournament. The shield is divided into four squares and carries the title &amp;lsquo;SIR W&amp;rsquo; in two of the squares, whilst the remaining two squares have patterns suggesting grass.&lt;/p&gt;&#13;
&lt;p&gt;For the website see&lt;a href="http://www.sirwalter.com.au/"&gt; http://www.sirwalter.com.au/&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Portrait of Gloria Rose Armstrong, Kryal Castle</text>
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                <text>Kryal Castle, tapestry, tapestries, weaving, medieval craft, medieval, craft, castle, castles, jousting, knights, knight, medieval scene, Gloria Rose Armstrong, Australia, Ballarat, Melbourne, VIC, Victoria, Keith Ryall, tourism, tourist, attraction, leisure, recreation, re-creation, entertainment, functions, medieval style, medieval dress, fashion</text>
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                <text>An image of a portrait of Gloria Rose Armstrong who designed and executed the hand embroidered 'Kyral Tapestry', which is displayed at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. The tapestry depicts Kryal Castle and various aspects of medieval life. Reportedly the largest of its type in the Southern hemisphere, the Kryal tapestry took 3600 hours to complete and is thought to contain 19 million stitches.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Image used with the permission of N. Jeffrey</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This article from the Western Argus provides details of two clocks that were to be installed in London Court. After noting the accuracy of the clocks, which were designed to lose no more than a thousandth of a second per hour, the author provides a description of the mechanised features that would accompany them. One would (and does) show â€œSt George unmounted and brandishing a stainless steel sword chasing a dragon around a circuit each quarter of an hourâ€ and beheading him on the hour, while the other would show four knights jousting. London Court is otherwise described by the author as a â€œmedieval monstrosityâ€, standing in stark contrast to the modern architecture of the surrounding area.&#13;
&#13;
London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. Completed in 1937, the building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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                <text>&lt;strong&gt;&lt;/strong&gt;&lt;span style="font-size: 10pt; color: black;"&gt;National Library of Australia, &lt;/span&gt;&lt;span style="font-size: 10pt; color: black;"&gt;&lt;a href="http://nla.gov.au/nla.news-article34959101" target="_blank"&gt;http://nla.gov.au/nla.news-article34959101&lt;/a&gt;&lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <description>A name given to the resource</description>
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                <text>Kryal Tapestry</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Kryal Castle, tapestry, tapestries, weaving, medieval craft, medieval, craft, castle, castles, jousting, knights, knight, medieval scene, Gloria Rose Armstrong, Australia, Ballarat, Melbourne, VIC, Victoria, Keith Ryall, tourism, tourist, attraction, leisure, recreation, re-creation, entertainment, functions</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An image depicting the hand embroidered 'Kyral Tapestry', which is displayed at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. The tapestry was designed and executed by Gloria Rose Armstrong, and depicts Kryal Castle and various aspects of medieval life. Reportedly the largest of its type in the Southern hemisphere, the Kryal tapestry took 3600 hours to complete and is thought to contain 19 million stitches.</text>
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          <element elementId="39">
            <name>Creator</name>
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            <description>Information about rights held in and over the resource</description>
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                <text>N. Jeffrey</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Keith Ryall</name>
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        <name>knight</name>
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        <name>knights</name>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <elementContainer>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Kryal Castle Jousting Display</text>
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                <text>joust, jousting, jouster, lists, horse, lance, Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, sport, games, medieval sport, weapon, weapons, tournament</text>
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                <text>An image of a person jousting at Kryal Castle in Ballarat. Jousting was a popular medieval and Renaissance sport from the thirteenth century, and is often associated with the chivalric ideal.&#13;
&#13;
About Kryal Castle:&#13;
&#13;
Located 8km from Ballarat in Victoria, Kryal Castle is a local tourist attraction. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Image used with the permission of N. Jeffrey</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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