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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://hdl.handle.net/10462/deriv/112714"&gt;http://hdl.handle.net/10462/deriv/112714&lt;/a&gt;</text>
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                <text>Decorated Float in the St. Patrick's Day Procession, Warwick, ca. 1910</text>
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                <text>St Patrick, Saint Patrick, St. Patrick, St. Patrick's Day, saints, saint, Irish, Ireland, Irish national identity, national identity, nationalism, identity, parades, processions, parade, procession, float, banner, banners, horse-drawn vehicle, politics, political, radical politics, Robert Emmet, Erin Go Bragh, Ireland forever, Queensland</text>
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                <text>Image of a St. Patrick's Day float bearing a banner advocating Irish nationalist sentiments. </text>
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                <text>Anon.</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>ca. 1910</text>
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