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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A close-up image of one of the neo-gothic lancet windows at St Mary's Roman Catholic Cathedral.&#13;
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About St Maryâ€™s Roman Catholic Cathedral:&#13;
&#13;
St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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                <text>Images of neo-gothic features at the Anglican Chapel of St. Mary and St. George, including lancet arches, hood moulding and traceried windows. &#13;
&#13;
About the Chapel of St. Mary and St. George:&#13;
&#13;
The Chapel of St. Mary and St. George was constructed for, and continues to be used by, Guildford Grammar School. It was designed by prominent English gothic revival architect Sir Walter Tapper and is built in a Gothic Perpendicular Revival style. Plans to build a chapel to service the school were proposed shortly after the appointment of headmaster Reverend Percy Henn in 1909. Penn appealed for funds and managed to secure the benefaction of London businessman and Philanthropist Cecil Oliverson, which covered the costs of building and furnishing the chapel. Building began in 1912 and the chapel was completed and consecrated in 1914. The replication of a â€˜village greenâ€™ setting, in which the chapel is situated on a flat expanse of grass and framed by the schoolâ€™s other buildings, is notable. &#13;
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About St Maryâ€™s Roman Catholic Cathedral:&#13;
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                <text>A detail of the decorative stone tracery surrounding the lancet archways leading into the entrance porch at the Mitchell Building, The University of Adelaide. This is an example of blind tracery (because it is applied to the stone wall and no glass or openings are present), which consists of trefoil and quatrefoil shapes that each contain a carved foliage pattern.&#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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                <text>An image of the entrance porch to the Mitchell Building at The University of Adelaide. Large lancet openings surrounded by decorative hood moulding lead from all three sides to entrance, which consists of a wooden door topped with a rose window and accompanied on either side by a slender lancet window. Extensive blind tracery can be seen around the lancet archways and along the roofline, where an arcade of lancet arches also forms a parapet.&#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s other neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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                <text>An image of the entrance doorway to the former Magistrateâ€™s Court Building in Melbourneâ€™s CBD, on the corner of La Trobe Street and Russell Street. The Former Magistrateâ€™s Court Building is a three-storey building of French Romanesque design. As is common of neo-romanesque or Norman Revival architecture, the entrance is strongly modelled; the already large doorway is amplified by archivolts, in this case a band of five semi-circular arches, column jambs and decorative hood moulding.  &#13;
&#13;
The Former Magistrateâ€™s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It replaced a two-storey brick building on the site that previously housed the Supreme Court and then the Court of Petty Sessions. Construction of the new building began in 1911 and was completed in 1914. The Court of Petty Sessions, later renamed the Melbourne Magistrateâ€™s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.</text>
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                <text>McEwan, Joanne</text>
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            <name>Date</name>
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                <text>6 May 2011</text>
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                <text>No Copyright</text>
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                <text>Digital Photograph; JPEG</text>
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