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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper Article in the Western Mail.</text>
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                <text>In Fashionâ€™s Realm</text>
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                <text>In this column describing the latest fashion trends in 1928, the author suggests that alongside coat frocks, hats and fur pelts, the medieval style was making a comeback. Popular materials such as ring and chiffon velvets, brocades, satins and rich quality georgettes, the article suggests, were especially amenable to the â€˜grace, softness and classic expressionâ€™ of medieval gowns.</text>
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                <text>National Library of Australia</text>
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                <text>26 April 1928</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article38020224" target="_blank"&gt;http://nla.gov.au/nla.news-article38020224&lt;/a&gt;&lt;br /&gt;</text>
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                <text>Tudor Dress Vogue</text>
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                <text>This article from the Western Mail in 1934 recognises a Tudor influence on current fashions and describes some of the Tudor styles being adopted by leading dress-makers. In particular, it suggests that â€˜princesseâ€™ cuts were common for skirts, and that medieval puffs were being introduced into sleeves. The article goes on to describe the â€˜modernised Tudor styleâ€™ of a wedding dress worn by Miss Barbara Hutchinson at her marriage to Mr Victor Rothschild. The dress was made of ivory velvet and had medieval sleeves, a triple row of quilted pads to resemble buttons and a short â€˜en princesseâ€™ train. Additionally, Miss Hutchinson wore a pearl coronet in the Tudor style. The â€˜Tudor periodâ€™ refers to the period 1485-1603 in England, and spans the reign of five Tudor monarchs: Henry VII, Henry VIII, Edward VI, Mary I and Elizabeth I.</text>
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