1 8 2 https://ausmed.arts.uwa.edu.au/files/original/809766644f32b2fe1b0659349ecf381d.jpg a812ee45ec9825a556b5cf249ccd344d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 336 Width 382 https://ausmed.arts.uwa.edu.au/files/original/3a7367d7e08844dc7f14838136f04958.jpg c62cec716267b793239254a1ce457b06 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 268 Width 448 https://ausmed.arts.uwa.edu.au/files/original/422890dbf6e4d10947269f9dbb397032.jpg dbde0b07c103f119a2e1b7de925a3490 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 183 Width 544 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 3 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gaunt's Clock, Royal Arcade, Melbourne Subject The topic of the resource arcade, Britain, Brutus, Corineus, Gaunt’s Clock, Geoffrey of Monmouth (d.1154/5), giants, Gog, Gogmagog, guardian, Guildhall, Historia Regum Britanniae, legend, London, Magog, medieval folklore, Melbourne, myth, mythology, porter, Royal Arcade, statues, time, Trojan army Description An account of the resource A view of Gaunt’s Clock in Royal Arcade, Melbourne. Royal Arcade was designed by architect Charles Webb and was completed in 1870. Gaunt’s Clock was added in 1892. On either side of the clock is a statute of the mythical giants Gog and Magog, who symbolically strike chimes every hour. According to the legend cited in the description under the clock, Gog and Magog were captured by Brutus and forced to serve as porters at the gateway of a palace on the site of the Guildhall in London. They are indeed guardians of the City of London, and wooden statutes of the figures were installed at the Guildhall in the early eighteenth century. These statues replaced large wicker models of the giants that had been paraded in the Lord Mayor’s Procession since the time of Henry V (r.1414-1422), but that were destroyed in the Great Fire. The description under the clock reads: “These two 7-feet giants have been striking the time on Gaunt's clock since 1892. They were carved from clear pine and modelled on the figures erected in Guildhall, London, in 1708 to symbolise the conflict between the ancient Britons and the Trojan invaders. Mythology tells of the giants Gog and Magog (also known as Corineus and Gogmagog) having been captured in battle by the Trojans and made to serve as porters at the gateway of an ancient palace on a site later occupied by the Guildhall. It is traditional for Gog to stand to the north and Magog to the south.” However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant Goëmagot (by throwing him into the sea). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade Britain Brutus Corineus Gaunt’s Clock Geoffrey of Monmouth (d.1154/5) giants Gog Gogmagog guardian Guildhall Historia Regum Britanniae legend London Magog medieval folklore Melbourne myth mythology porter Royal Arcade statues time Trojan army https://ausmed.arts.uwa.edu.au/files/original/e09f22981ce72bda42e0f7a80e6c5e21.jpg 5cc02f9d3e2d6db9bf63afda98c8cf0c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 330 Width 212 https://ausmed.arts.uwa.edu.au/files/original/9037fa1f6c1e111e8e9bef03ab2ff528.jpg 4f03ef1452bf603f8c6692693f1a8b2d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 386 Width 306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gog and Magog, Royal Arcade, Melbourne Subject The topic of the resource arcade, Britain, Brutus, Corineus, gateway, Gaunt’s Clock, Geoffrey of Monmouth (d.1154/5), giants, Gog, Gogmagog, guardian, Guildhall, Historia Regum Britanniae, legend, London, Magog, medieval folklore, Melbourne, myth, mythology, porter, Royal Arcade, statues, time, Trojan army Description An account of the resource Close-up images of the statutes of Gog and Magog, who strike the time hourly on Gaunt’s Clock in Melbourne’s Royal Arcade. According to the legend cited in the description under the clock, the mythological giants Gog and Magog were captured by Brutus and forced to serve as porters at the gateway of a palace on the site of the Guildhall in London. They are indeed guardians of the City of London, and wooden statutes of the figures were installed at the Guildhall in the early eighteenth century. These statues replaced large wicker models of the giants that had been paraded in the Lord Mayor’s Procession since the time of Henry V (r.1413-1422), but that were destroyed in the Great Fire. The description reads: “These two 7-feet giants have been striking the time on Gaunt's clock since 1892. They were carved from clear pine and modelled on the figures erected in Guildhall, London, in 1708 to symbolise the conflict between the ancient Britons and the Trojan invaders. Mythology tells of the giants Gog and Magog (also known as Corineus and Gogmagog) having been captured in battle by the Trojans and made to serve as porters at the gateway of an ancient palace on a site later occupied by the Guildhall. It is traditional for Gog to stand to the north and Magog to the south.” However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant Goëmagot (by throwing him into the sea). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade Britain Brutus Corineus gateway Gaunt’s Clock Geoffrey of Monmouth (d.1154/5) giants Gog Gogmagog guardian Guildhall Historia Regum Britanniae legend London Magog medieval folklore Melbourne myth mythology porter Royal Arcade statues time Trojan army