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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval"&gt;http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval&lt;/a&gt;</text>
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                <text>â€˜The Warriorâ€™</text>
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                <text>Adelaide Hills, Anglo-Saxons, arms, armor, armour, axe, Battle of Hastings, Bayeux Tapestry, chain mail, chainmail, francisca, Franks, gloves, Gumeracha Medieval Fair, knife, long knife, medieval fair, mitons, Normans, re-enactment, reenactment, SA, seax, South Australia, throwing axe, Wendi Donaldson</text>
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                <text>This photo, taken by photographer Wendi Donaldson at the Gumeracha Medieval Fair in South Australia in May 2011, provides a unique glimpse of a â€˜livingâ€™ early medieval warrior (who could be from almost anywhere in Europe). It depicts a participant at the Fair wearing chain-mail gloves, known as mitons, and a â€˜Normanâ€™ style helmet complete with the distinctive nasal bar which was designed to protect the face from injury. He carries a francisca throwing axe, which is a weapon that was developed by the Franks but also used by early Anglo-Saxons, in one hand and a second weapon that is not clear but that is probably a long knife known as a seax (given the sheath tied to his belt) in the other. Great care is taken by festival organisers and participants alike to ensure that costumes and weapons are within the recognised parameters of the era; however, this warrior does mix early medieval chronologies. For example, both Anglo-Saxons and Normans are depicted wearing this style of helmet in the Bayeaux Tapestry at the Battle of Hastings in 1066, but no-one in the Tapestry has chain-mail gloves. &#13;
The Gumeracha Medieval Fair is an annual event sponsored by the Adelaide Hills Council. The Fair features a host of re-enactment groups from around the world, including handcraft stallholders, wandering musicians and entertainers. This is just one of several interesting medieval events held throughout the country at different times of the year. &#13;
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                <text>Donaldson, Wendi</text>
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                <text>May 2011</text>
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                <text>Â© All images copyright Wendi Donaldson 2011</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Digital Photograph; JPEG</text>
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                <text>Hourglass Gauntlets</text>
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                <text>armour, gauntlets, hourglass gauntlet, gloves, combat, battle, weapons, weapon, weaponry, protection, Medieval Shoppe, recreation, re-creation, re-enactment, replica, replicas, Parkes, New South Wales, NSW, 14th Century, fourteenth century</text>
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                <text>&lt;p&gt;An image of reproduction hourglass gauntlets, sold by the Medieval Shoppe in Parkes, NSW. The Medieval Shoppe produces and sells replicas of swords, shields, armour, and other historical weapons.&lt;/p&gt;&#13;
&lt;p&gt;Their website provides some information about hourglass gauntlets (&lt;a href="http://www.medievalshoppe.com.au/hourglass-gauntlets.html"&gt;http://www.medievalshoppe.com.au/hourglass-gauntlets.html&lt;/a&gt;):&lt;/p&gt;&#13;
&lt;p&gt;"When fighting was almost entirely hand-to-hand, the thorough protection of the hand was necessarily of paramount importance. Armour for the head and body was, after all, but a second line of defence against the attack which penetrated the guard of the weapon. Any damage to the hand which controlled all offensive movements, as well as all parries, would place a combatant at the mercy of his antagonist. But the armourer had not only to give his attention to the protective qualities of the covering which enclosed a part so vulnerable and so likely to receive a wound, he had also to consider how he should least interfere with the use of so complicated a piece of mechanism as the human hand. It was on account of these very important considerations that one finds the gauntlet always more complicated in the details of its construction than the rest of the protective outfit.&lt;/p&gt;&#13;
&lt;p&gt;Underneath the plate was worn a leather glove, to the fingers and thumb of which small overlapping scales were attached to complete the defence of the hand. Hourglass gauntlets are considered the zenith of medieval gauntlets. An example of this type may be seen on the brass of Sir John de Saint Quintan in Brandesburton Church, Yorkshire, which may be dated at about 1397. The famous effigy of Edward, Prince of Wales, known as the Black Prince, in the cathedral church of Canterbury depicts this masterful warrior wearing this kind of hand defence."&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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                <text>The Medieval Shoppe</text>
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                <text>Accessed 2012.</text>
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                <text>Image used with the permission of The Medieval Shoppe, 2012.</text>
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