1
8
6
-
https://ausmed.arts.uwa.edu.au/files/original/437279d178b5608f69f57d07893c4ead.JPG
a1d8b86ed9a98298c31bfa7ee2442cbc
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
871
Width
653
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Christogram on font, St George’s Cathedral, Perth
Subject
The topic of the resource
Anglican, Bishop Parry, bishop, church, Christian, Christianity, religion, religious, Christogram, Donnybrook stone, font, I.H.S., Jesus, Perth, St George, stone, WA, Western Australia, Donnybrook, stone
Description
An account of the resource
Image of a font in St George’s Cathedral, Perth. The font was sculpted in Donnybrook stone in 1930 by Herbert Parry, son of Bishop Parry. The font has eight facets, one of which features the intertwined initials I.H.S., a common medieval abbreviation, or Christogram, for Jesus taken from the first three letters of his name in Greek.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
29 May 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
Anglican
Bishop
Bishop Parry
Christian
Christianity
Christogram
Church
Donnybrook
Donnybrook stone
font
I.H.S.
Jesus
Perth
religion
religious
St George
stone
WA
Western Australia
-
https://ausmed.arts.uwa.edu.au/files/original/7f2a68483646fa55338556add699127c.JPG
e3e480398b61e7926603361e87cbb226
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Norman baptismal font, St Mary’s Cathedral, Hobart, Tasmania
Subject
The topic of the resource
Arch, baptismal font, Catholic, column, font, Hobart, Norman, Norman font, Romanesque, St Mary’s Cathedral, Tas, Tasmania, Robert William Willson, Bishop Willson.
Description
An account of the resource
<p>Repair work on St Mary’s Catholic Cathedral, Hobart, in 2008 brought to light the possibility that a baptismal font in the Cathedral may be from the medieval Norman period. The cylindrical font has elaborately carved columns and Romanesque arches. The Romanesque style was popular in Normandy and was introduced to England following the Norman conquest in 1066. It is thought that the font was brought to Hobart from England by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866) in 1844. When the antiquity of the font was first discovered, the Cathedral administrator told ABC News in 2008 that it may date<br />back to the ninth century, but as Normandy was not formally established until 911 this is unlikely. More recently it has been suggested that the font comes<br />from the Norman period in England and is dated c. 1066-1200. Research into the font is continuing.</p>
<p>The baptismal font is a rare example of the Australian<br />public’s practical use of, and interaction with, an actual medieval item for many generations.</p>
<p>For the original dating see <a href="http://www.cathnews.com/article.aspx?aeid=7424">http://www.cathnews.com/article.aspx?aeid=7424</a>.</p>
<p>For the revised dating see <a href="http://hobart.catholic.org.au/history/st-marys-cathedral">http://hobart.catholic.org.au/history/st-marys-cathedral</a></p>
<p> </p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
arch
baptismal font
Bishop Willson.
Catholic
column
font
Hobart
Norman
Norman font
Robert William Willson
Romanesque
St Mary’s Cathedral
Tas
Tasmania
-
https://ausmed.arts.uwa.edu.au/files/original/67f36e774da20f272a69621721fac6bc.JPG
e7655eda4b55a6a45e4c47a0cc843e4f
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St David’s Cathedral baptismal font, Hobart, Tasmania
Subject
The topic of the resource
Anglican, baptismal font, blind arcading, George Frederick Bodley, font, Gothic, Gothic Revival, Hobart, pointed arch, St David’s Cathedral, Tas, Tasmania, tracery.
Description
An account of the resource
<p>The baptismal font in St David’s Cathedral, Hobart, was made by local craftsmen to the design of English architect George Frederick Bodley (1827-1907). The cathedral was designed in 1865 by Bodley. Like the cathedral, the baptismal font is in the Gothic Revival style, particularly the blind arcading design of the font’s base featuring tracery and pointed arches.</p>
<p>For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
<p> </p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
Anglican
baptismal font
blind window
font
George Frederick Bodley
Gothic
Gothic Revival
Hobart
pointed arch
St David’s Cathedral
Tas
Tasmania
tracery.
-
https://ausmed.arts.uwa.edu.au/files/original/806d59e37f5b147278bba99f45855bdc.JPG
3b45939a28c599b748c2fb6e0b20bb82
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/25b3b8bbd5f08081bbb3e88229eeedc0.JPG
1081b42e1e7da94275b24b778698aade
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
https://ausmed.arts.uwa.edu.au/files/original/18855818769e1c58ed09d81eefe0cb77.JPG
0b338cbb72b2e1751c775493189adf62
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St David’s Cathedral interior, Hobart, Tasmania
Subject
The topic of the resource
Prince Alfred, altar, Anglican, George Frederick Bodley, column, font, Gothic, Gothic Revival, Hobart, Henry Hunter, pointed arch, rood screen, St David’s Cathedral, stained glass, Tas, Tasmania, tracery, vaulted ceiling.
Description
An account of the resource
St David’s Anglican Cathedral, Hobart was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The photographs show the nave, aisles, and sanctuary of the cathedral, as well as a small internal pointed arch door and doorway (photograph three), demonstrating that the Gothic style was carried through to utilitarian features. Photographs one and two show the elevation of the cathedral achieved with columns supporting pointed arches with molding, and the vaulted ceiling. Also visible is the large stained glass east window with stone tracery above the high altar, and numerous smaller stained glass windows. Other fatures of note in photographs one and two are the Bodley designed stone font and timber rood screen, the latter being installed in 1916.
George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.
For more on St David's Cathedral see the 'Relation' section.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1179">http://ausmed.arts.uwa.edu.au/items/show/1179</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1166">http://ausmed.arts.uwa.edu.au/items/show/1166</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1155">http://ausmed.arts.uwa.edu.au/items/show/1155</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1168">http://ausmed.arts.uwa.edu.au/items/show/1168</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1184">http://ausmed.arts.uwa.edu.au/items/show/1184</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1174">http://ausmed.arts.uwa.edu.au/items/show/1174</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1171">http://ausmed.arts.uwa.edu.au/items/show/1171</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1190">http://ausmed.arts.uwa.edu.au/items/show/1190</a></p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
Altar
Anglican
column
font
George Frederick Bodley
Gothic
Gothic Revival
Henry Hunter
Hobart
pointed arch
Prince Alfred
rood screen
St David’s Cathedral
stained glass
Tas
Tasmania
tracery
vaulted ceiling.
-
https://ausmed.arts.uwa.edu.au/files/original/e10ac942225a34cd7a483155cd0613b0.JPG
11ab1b1a7f3871ec046da41f9c0d2f81
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
https://ausmed.arts.uwa.edu.au/files/original/3eef2bea0ce8b91b0b67e08767c67596.JPG
e2418c843c4645b1479c983f21361822
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St John the Evangelist’s Church interior, Richmond, Tasmania
Subject
The topic of the resource
Brian Andrews, baptismal font, Catholic, font, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, John Bede Polding, pointed arch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelist’s Church, Tas, Tasmania, Frederick Thomas, tiles, tracery, Robert William Willson, Bishop Willson.
Description
An account of the resource
<p>St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a parts of a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear stained glass window with tracery seen in photograph two), sacristy and spire. Thomas designed the communion rails as the rood screen in Pugin’s model was too large for the building, as well as the pointed chancel arch. The interior also includes a font designed by Pugin in 1843. It was carved in England and brought to Tasmania by Bishop Wilson, and sits atop a platform of simple medieval-style tiles. </p>
<p>Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.</p>
<p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1117</a></p>
<p>For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a></p>
<br />
Creator
An entity primarily responsible for making the resource
McLeod, Shane (essay by Brian Andrews)
Date
A point or period of time associated with an event in the lifecycle of the resource
October 5, 2012
Rights
Information about rights held in and over the resource
No Copyright (essay copyright Brian Andrews and the Pugin Foundation)
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Augustus Welby Northmore Pugin
baptismal font
Bishop Willson.
Brian Andrews
Catholic
font
Frederick Thomas
Gothic
Gothic Revival
Henry Edmund Goodridge
John Bede Polding
lancet windows
pointed arch
Pugin
Richmond
Robert William Willson
St John the Evangelist’s Church
Tas
Tasmania
tiles
tracery
-
https://ausmed.arts.uwa.edu.au/files/original/5cd7abb516509f5c22c0198cd19b9efa.jpg
e0c9e1795cd87e1e61546938760cf3aa
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
3888
https://ausmed.arts.uwa.edu.au/files/original/e6d34abc208602e40cfce086d4d0611c.jpg
1a9f2a00ecc9d7150bc92eef2edef8fa
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3888
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Michael and All Angels Anglican Church interior, Bothwell, Tasmania
Subject
The topic of the resource
Alter, Anglican, Bothwell, column, font, Gothic, Gothic Revival, lancet window, Thomas Lewis, Alexander North, pointed arch, pulpit, St Michael and All Angels Church, sculpture, Tas, Tasmania, trusses.
Description
An account of the resource
<p>St Michael and All Angels Anglican Church is in the small Tasmanian town of Bothwell. The church was built in the Gothic Revival style from 1887 and consecrated in 1891. It was designed by Launceston architect Alexander North (1858-1945) and built of local stone by Lewis and son and Hallet, primarily by the stonemason Thomas Lewis. The stonemason’s skill is amply displayed on the interior, which features stone steps through a low stone wall connected to a stone pulpit, a stone alter, and decorated stone columns. An unusual feature is the stone fireplace on the west wall to heat the church. The low stone wall features a pointed arch design in relief which adds to the Gothic appearance of the interior. The fittings of the interior, including the pews and the font beside the fireplace, were designed by North. Also evident in the photographs are the lancet windows, some with stained glass, and the timber trusses of the roof.</p>
<p>For more of the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1175">http://ausmed.arts.uwa.edu.au/items/show/1175</a> </p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1172">http://ausmed.arts.uwa.edu.au/items/show/1172</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1165">http://ausmed.arts.uwa.edu.au/items/show/1165</a></p>
<p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1162">http://ausmed.arts.uwa.edu.au/items/show/1162</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 8, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1175">http://ausmed.arts.uwa.edu.au/items/show/1175</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1172">http://ausmed.arts.uwa.edu.au/items/show/1172</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1165">http://ausmed.arts.uwa.edu.au/items/show/1165</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1162">http://ausmed.arts.uwa.edu.au/items/show/1162</a></p>
<p> </p>
<p> </p>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Alexander North
Alter
Anglican
Bothwell
column
font
Gothic
Gothic Revival
lancet window
pointed arch
pulpit
sculpture
St Michael and All Angels Church
Tas
Tasmania
Thomas Lewis
trusses.