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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Modelling Display by Student Teachers</text>
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                <text>bell tower, class, classroom, cloisters, curriculum, display, ecclesiastical building, education, exhibition, medieval monastery, modelling, replica, school, student, student teachers, Teachers Training College </text>
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                <text>This photograph of a replica medieval monastery was featured in Melbourne newspaper The Argus in 1937. It was constructed by student teachers at the Teachers Training College as part of an exhibition of works, and was designed as a modelling task for school children. The cloisters and bell tower common of medieval monasteries are featured in the model. </text>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article11094482" target="_blank"&gt;http://nla.gov.au/nla.news-article11094482&lt;/a&gt;</text>
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                <text>The Argus</text>
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                <text>4 September 1937</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Engraving featured in The Illustrated Australian News</text>
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                <text>The Great Hall of the Exhibition on the 1st of August</text>
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                <text>Great Hall Exhibition, 1888, Great Hall, gothic building, gothic, gothic revival, neo-gothic, gothic architecture, architecture, architect, exhibition</text>
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                <text>Engraving in the Illustrated Australian News of the Great Hall as it appeared during the exhibition of 1888.</text>
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                <text>The Illustrated Australian News</text>
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                <text>15 August 1888</text>
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Hyperlink</text>
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        <name>Great Hall exhibition</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Engraving featured in The Illustrated Australian News</text>
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                <text>The Chateau Tahbilk Vineyard Company's Exhibit at the 1888 Exhibition</text>
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                <text>Engraving in The Illustrated Australian News of the Chateau Tahbilk Vineyard's exhibit at the 1888 Great Hall Exhibition. The exhibit was made to look like with a medieval-style tower, complete with crenellation.</text>
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                <text>15 November 1888</text>
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                <text>The Illustrated Australian News</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Centennial International Exhibition</text>
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&lt;p&gt;&lt;br /&gt; The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. Electric light was installed in the Building in 1888, which enabled visitors to attend the Exhibition at night for the first time. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. For more about the Royal Exhibition Building, including a virtual tour inside the building, see the Museum Victoria Royal Exhibition Building website: &lt;a href="http://museumvictoria.com.au/reb/" target="_blank"&gt;http://museumvictoria.com.au/reb/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>An illustration of painters gilding the dome of the Royal Exhibition Building in Melbourne. This task was undertaken in association with other contracted repainting and redecorating work in the lead-up to the 1888 Centennial International Exhibition. The dome of the Royal Exhibition Building was modelled on Brunelleschiâ€™s fifteenth-century design for the dome of the Florence Cathedral.&#13;
About the Royal Exhibition Building:&#13;
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                <text>In this article, an update is provided on repainting work being carried out at the Exhibition Building in Melbourne in the lead up to the 1888 Centennial International Exhibition. The most difficult task being undertaken as part of this redecoration, according to the author, was the gilding of the gold ball surmounting the dome. To complete this, painters had been swung 300 feet above ground level. The dome of the Royal Exhibition Building was modelled on Brunelleschiâ€™s fifteenth-century design for the dome of the Florence Cathedral.&#13;
About the Royal Exhibition Building:&#13;
The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. It hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 and the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (â€˜Rundbogenstilâ€™). Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004.</text>
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                <text>Images of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of &amp;pound;1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate Fr&amp;eacute;miet&amp;rsquo;s Jeanne d&amp;rsquo;Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragon&amp;rsquo;s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html).</text>
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