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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article81658763" target="_self"&gt;http://nla.gov.au/nla.news-article81658763&lt;/a&gt;</text>
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                <text>â€˜Alfred Was Great Kingâ€™</text>
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                <text>Alfred the Great, Anglo-Saxon, Anglo-Saxon Chronicle, Charters Towers, Danes, education, England, King Alfred, law, literature, navy, The Northern Miner, Old English Chronicle, Qld, Queensland, Vikings, Wessex.</text>
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                <text>&lt;p&gt;&amp;lsquo;Alfred Was Great King&amp;rsquo; is an anonymous article that appeared in the Charters Towers, Queensland, newspaper &lt;em&gt;The Northern Miner&lt;/em&gt; in 1954. The article is about the ninth-century Anglo-Saxon/English king Alfred of Wessex, or Alfred the Great. The article enthusiastically supports his title and discusses Alfred&amp;rsquo;s achievements &amp;ndash; saving Wessex from Danish (Viking) invaders, laying the foundations for English law, beginning its naval tradition, and promoting education and prose literature. A lot of text is devoted to another of Alfred&amp;rsquo;s achievements, the establishment of the Old English Chronicle, now usually referred to as the Anglo-Saxon Chronicle. It is described in the article as &amp;lsquo;the first great work in English prose&amp;rsquo;. &lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article81658763"&gt;http://nla.gov.au/nla.news-article81658763&lt;/a&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;</text>
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                <text>The Northern Miner</text>
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                <text>February 6, 1954</text>
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                <text>Public Domain</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜Living by the swordâ€™</text>
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                <text>Adult education, education, Elizabethan, Stephen Hand, Hobart, Leatherwood Online, â€˜Living by the swordâ€™, performance, rapier, re-creation, Vincentio Saviolo, George Silver, Stocatta School of Defence, sword, swordsman, Tas, Tasmania, Tasmaniaâ€™s Journal of Discovery, website.</text>
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                <text>&lt;p&gt;The anonymous online article &amp;lsquo;Living by the sword&amp;rsquo; appears in volume 4 of the Leatherwood Online &amp;ndash; Tasmania&amp;rsquo;s Journal of Discovery website and was posted in June/July 2007. It is about professional swordsman Stephen Hand of Hobart, Tasmania. Stephen teaches writes about, performs, and choreographs medieval and Elizabethan sword fighting. His technique is based on the late sixteenth-century works by Italian rapier master&lt;br /&gt;Vincentio Saviolo and the Englishman George Silver who favoured a more traditional backsword. Stephen helped establish the Stocatta School of Defence in Sydney in 1998 and a Hobart branch in 2004, and also teaches adult education classes. &amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For the article see &lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;</text>
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                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
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                <text>June/July 2007</text>
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                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;</text>
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                <text>'Performance of excerpt from Aucassin et Nicolette' </text>
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                <text>Aucassin and Nicolette, Aucassin et Nicolette, Alana Bennett, Belinda Bennett, Centre for Medieval and Early Modern Studies, chantefable, costume, education, film, hurdy gurdy, Eugene Mason, MEMS, Minervaâ€™s Tower, music, performance, Perth, University of Western Australia, UWA, WA, website, Western Australia, YouTube.</text>
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                <text>&lt;p&gt;This performance of an excerpt from Aucassin et Nicolette was performed by Alana Bennett on November 1, 2012 as part of her MEMS (Medieval and Early Modern Studies) Honours dissertation at the University of Western Australia. The four minute film made by Belinda Bennett was uploaded to YouTube on November 1, 2012. Alana (a member of the medieval band Minerva&amp;rsquo;s Tower) plays a hurdy gurdy and wears medieval clothing. Aucassin et Nicolette is an anonymous twelfth or thirteenth century French chantefable (sung story) which combines prose and verse.&lt;/p&gt;&#13;
&lt;p&gt;For the performance see &lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;An English translation of Aucassin et Nicolette by Eugene Mason is available at &lt;a href="http://www.yorku.ca/inpar/aucassin_mason.pdf"&gt;http://www.yorku.ca/inpar/aucassin_mason.pdf&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Bennett, Belinda (link to a translation by Eugene Mason)</text>
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                <text>November 1, 2012</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31539">
                <text>Alana Bennett</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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About the Chapel of St. Mary and St. George:&#13;
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The Chapel of St. Mary and St. George was constructed for, and continues to be used by, Guildford Grammar School. It was designed by prominent English gothic revival architect Sir Walter Tapper and is built in a Gothic Perpendicular Revival style. Plans to build a chapel to service the school were proposed shortly after the appointment of headmaster Reverend Percy Henn in 1909. Penn appealed for funds and managed to secure the benefaction of London businessman and Philanthropist Cecil Oliverson, which covered the costs of building and furnishing the chapel. Building began in 1912 and the chapel was completed and consecrated in 1914. The replication of a â€˜village greenâ€™ setting, in which the chapel is situated on a flat expanse of grass and framed by the schoolâ€™s other buildings, is notable. &#13;
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About the Chapel of St. Mary and St. George:&#13;
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The Chapel of St. Mary and St. George was constructed for, and continues to be used by, Guildford Grammar School. It was designed by prominent English gothic revival architect Sir Walter Tapper and is built in a Gothic Perpendicular Revival style. Plans to build a chapel to service the school were proposed shortly after the appointment of headmaster Reverend Percy Henn in 1909. Penn appealed for funds and managed to secure the benefaction of London businessman and Philanthropist Cecil Oliverson, which covered the costs of building and furnishing the chapel. Building began in 1912 and the chapel was completed and consecrated in 1914. The replication of a â€˜village greenâ€™ setting, in which the chapel is situated on a flat expanse of grass and framed by the schoolâ€™s other buildings, is notable. </text>
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About the Chapel of St. Mary and St. George:&#13;
&#13;
The Chapel of St. Mary and St. George was constructed for, and continues to be used by, Guildford Grammar School. It was designed by prominent English gothic revival architect Sir Walter Tapper and is built in a Gothic Perpendicular Revival style. Plans to build a chapel to service the school were proposed shortly after the appointment of headmaster Reverend Percy Henn in 1909. Penn appealed for funds and managed to secure the benefaction of London businessman and Philanthropist Cecil Oliverson, which covered the costs of building and furnishing the chapel. Building began in 1912 and the chapel was completed and consecrated in 1914. The replication of a â€˜village greenâ€™ setting, in which the chapel is situated on a flat expanse of grass and framed by the schoolâ€™s other buildings, is notable. &#13;
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                <text>An image of the vaulted ceiling of St. Patrick's Convent School located on South Street in York, a town ninety minutes south east of Perth in Western Australia.&#13;
&#13;
The school was built in 1873 by Father Patrick Gibney for the Sisters of Mercy. The Sisters of Mercy taught children of all ages, as well as music, reading and writing for young adults. When they left York, it was converted into one of the oldest libraries in WA. The building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. It is often symbolic of conservative qualities such as, continuity, stability, religious authority and tradition. The vaulted ceilings of this building is a feature which is particularly characteristic of the nineteenth-century Gothic style of architecture.&#13;
&#13;
At present, the building is privately owned and opens as an Antique shop on weekends. </text>
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