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                <text>Balingup, Balingup Medieval Carnivale, carnival, carnivale, fayre, fair, ceremony, dragon, recreation, Shire of Donnybrook-Balingup, South-West WA, WA, Western Australia, 2012</text>
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                <text>&lt;p&gt;An image of the large statue of St. George located inside Kryal Castle, a tourist attraction near Ballarat in Victoria. The figure is atop a horse in full metal armour. At the foot of the statue are plaques describing the legend of 'St. George and the Dragon.'&lt;/p&gt;&#13;
&lt;p&gt;For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About Kryal Castle:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Built in 1972 by Keith Ryall, Kryal Castle is described as &amp;lsquo;Australia&amp;rsquo;s unique medieval castle.&amp;rsquo; As well as functioning as a tourist attraction, the castle can be hired for weddings, conferences, functions, and special events. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis.&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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                <text>Image of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of Â£1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate FrÃ©mietâ€™s Jeanne dâ€™Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragonâ€™s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvaisâ€™ Speculum Historiale and Jacobus de Voragineâ€™s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. &#13;
&#13;
For more on the St George legend in Australia, see Andrew Lynch, â€œâ€˜Thingless namesâ€™? The St George Legend in Australiaâ€, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html.</text>
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                <text>Images of the St George woodcarved statue in St George&amp;rsquo;s Cathedral,  Western Australia. The statue was purchased from Oberammergau in 1970.  Oberammergau is a town in Bavaria known for its woodcarvers and, perhaps  more famously, it&amp;rsquo;s production of a passion play. The legend of St  George slaying the dragon is Eastern in origin. It is thought to have  been brought back to England by crusaders, where it was incorporated  into the chivalric tradition. For more on the St George legend in  Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in  Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).</text>
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                <text>Photographed with permission of the Dean, St Georgeâ€™s Cathedral</text>
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                <text>&lt;p&gt;These interior photographs of Wesley Church show some of the stained glass windows. The window featuring a warrior in full armour and wearing a crown is particularly inspired by the medieval era. The warrior, St George, carries a sword and shield with a cross motif, and the head of a dead dragon lies at his feet. Below them is a castle featuring crenellation. The&amp;nbsp;window is a memorial for someone killed in action in France during World War I, which makes the depiction of a warrior saint an appropriate image.&amp;nbsp;Wesley Church in the central Perth CBD was designed in the Gothic style by Richard Roach Jewell for the local Methodist congregation and it opened in 1870.&lt;/p&gt;&#13;
&lt;p&gt;For Wesley Church see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/916"&gt;http://ausmed.arts.uwa.edu.au/items/show/916&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/916"&gt;http://ausmed.arts.uwa.edu.au/items/show/916&lt;/a&gt;</text>
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                <text>Images of the St George woodcarved statue in St George&amp;rsquo;s Cathedral,  Western Australia. The statue was purchased from Oberammergau in 1970.  Oberammergau is a town in Bavaria known for its woodcarvers and, perhaps  more famously, it&amp;rsquo;s production of a passion play. The legend of St  George slaying the dragon is Eastern in origin. It is thought to have  been brought back to England by crusaders, where it was incorporated  into the chivalric tradition. For more on the St George legend in  Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in  Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="6697">
              <text>2 x Digital Photographs</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St George Slaying the Dragon, London Court, Perth</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="6691">
                <text>animation, Arcade, architecture, Bernard Evans, Claude de Bernales, clock, clockwork, dragon, Elizabethan, Hay Street, Inter-War Old English style, knight, London Court, Perth, retail, shops, St George, Saint George, saint, St Georgeâ€™s Terrace, sword, Tudor, Western Australia, WA</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="6692">
                <text>Images of â€˜St George slaying the Dragonâ€™ at London Court in Western Australia. Located in a window above the clock at the St Georgeâ€™s Terrace entrance to London Court, 'St George slaying the Dragon' is a feature consisting of animated figures that move in time with the clock. A figurine of St George brandishing a sword chases a dragon around a circuit when the clock chimes each quarter of an hour. At the chiming of the full hour, St George catches up to the dragon and beheads him.&#13;
&#13;
London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6693">
                <text>McEwan, Joanne</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6694">
                <text>12 March 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6695">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6696">
                <text>Digital Photographs</text>
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        <name>Animation</name>
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        <name>arcade</name>
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        <name>architecture</name>
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        <name>Bernard Evans</name>
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        <name>Claude de Bernales</name>
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        <name>clock</name>
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        <name>dragon</name>
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        <name>Elizabethan</name>
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        <name>Hay Street</name>
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        <name>knight</name>
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        <name>London Court</name>
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        <name>Perth</name>
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        <name>retail</name>
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        <name>saint</name>
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        <name>Saint George</name>
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        <name>shops</name>
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        <name>St George</name>
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        <name>St Georgeâ€™s Terrace</name>
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        <name>sword</name>
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        <name>Tudor</name>
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        <name>WA</name>
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        <name>Western Australia</name>
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