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                <text>The Priest House is in the small rural Western Australian town of Mullewa was designed by Monsignor John Cyril Hawes as his personal accommodation. The stone house was built in 1929-1930 after the adjacent church of Our Lady of Mt Carmel and Sts Peter and Paul was completed. Priest House is notable for its Romanesque-style veranda with semi-circular arches. The house is now the Priest House Museum dedicated to Monsignor Hawes.&#13;
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For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;&amp;lsquo;The Towers&amp;rsquo; building is in the Hobart suburb of Newtown and lends its name to Tower Road. It was designed by English-born convict architect James Blackburn in c. 1845 as a grand domestic building built around an internal courtyard. The weatherboard house features a prominent three-storey stone tower with an additional level provided by a turret. The tower and turret are both crenellated and feature rounded arched windows. The rooms inside the tower feature marble fireplaces.&lt;/p&gt;&#13;
&lt;p&gt;For more on James Blackburn see: &lt;a href="http://adb.anu.edu.au/biography/blackburn-james-1789" target="_blank"&gt;http://adb.anu.edu.au/biography/blackburn-james-1789&lt;/a&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Caretakers House (for the nearby shot tower) in the Hobart suburb of Bonnet Hill, Tasmania, has the appearance of a medieval fortified house. It was originally built for Joseph Moir from 1855 as a domestic dwelling. The two-storey stone building features a parapet and crenellation at the front of the house, which resembles a tower, as well as another tower with crenellation built on top of the house.</text>
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