1 8 6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL Part one: <a href="https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b" target="_blank">https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b</a>/ Part Two: <a href="https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/" target="_blank">https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Canterbury Tales: Part Oneâ€™ & â€˜The Canterbury Tales: Part Twoâ€™, Perth Fringe Festival 2013 Subject The topic of the resource Canterbury Cathedral, carpenter, comedy, court, death, drama, flood, flour miller, Fringe Festival, Geoffrey Chaucer (c.1343-1400), King Arthur, knight, KNUTS, maiden, medieval literature, medieval poetry, Medieval Romance, modern adaptation, old hag, performance, Perth, pilgrim, pilgrimage, Science Fiction, shrine, space, Stephen Lee, Stephen Quinn, The Canterbury Tales, ‘The Franklin’s Tale’, ‘The Merchant’s Tale’, ‘The Miller’s Tale’, ‘The Pardoner’s Tale’, ‘The Reeve’s Tale’, ‘The Wife of Bath’s Tale’, Thomas Becket, Victorian Melodrama, villain, vulcan, WA, Western, Western Australia. Description An account of the resource This production by theatre company KNUTS is a modern adaptation of Geoffrey Chaucer’s The Canterbury Tales in two parts. Adapted by Stephen Quinn and directed by Stephen Lee, it transposes stories from Chaucer’s original text into a variety of different genres, ranging from Western to silent film, Victorian melodrama and a Shakespearean version of a Medieval Romance. Part One includes renditions of ‘The Pardoner’s Tale’, ‘The Miller’s Tale’ and ‘The Reeve’s Tale’, and Part Two ‘The Franklin’s Tale’, The Wife of Bath’s Tale’ and ‘The Merchant’s Tale’. This production featured as part of the Perth Fringe Festival in 2013, where ‘The Canterbury Tales: Part One’ was performed from 7 February to 13 February and ‘The Canterbury Tales: Part Two’ was performed the following week from 14 February to 19 February 2013. A positive review of ‘The Canterbury Tales: Part Two’ from The West Australian can be read at: <a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/" target="_blank">http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/</a>. In Chaucer’s original The Canterbury Tales, written in the late fourteenth century, the narrator joins a group of 29 pilgrims who are about to set out on a journey from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. He proposes that each member of the group tell two stories to entertain them on their journey, and proceeds to record each of these ‘tales’. The teller of the best story was to be rewarded with a free meal at the expense of the rest of the group. Creator An entity primarily responsible for making the resource Written by Geoffrey Chaucer Adapted by Stephen Quinn Directed by Stephen Lee Source A related resource from which the described resource is derived FringeWorld Festival Website (<a href="https://www.fringeworld.com.au/home/" target="_blank">https://www.fringeworld.com.au/home/</a>) Date A point or period of time associated with an event in the lifecycle of the resource Part One: 7 February 2013 - 13 February 2013 Part Two: 14 February 2013 â€“ 19 February 2013 Rights Information about rights held in and over the resource Fringe Festival & KNUTS Theatre Company Format The file format, physical medium, or dimensions of the resource Performance in different genres, including Western, carry on film, silent movie, science fiction, â€˜mock Shakespeareâ€™, Victorian melodrama. â€˜The Franklinâ€™s Taleâ€™ â€˜The Merchantâ€™s Taleâ€™ â€˜The Millerâ€™s Taleâ€™ â€˜The Pardonerâ€™s Taleâ€™ â€˜The Reeveâ€™s Taleâ€™ â€˜The Wife of Bathâ€™s Taleâ€™ Canterbury Cathedral carpenter comedy court death drama flood flour miller Fringe Festival Geoffrey Chaucer (c.1343-1400) King Arthur knight KNUTS maiden medieval literature medieval poetry Medieval Romance modern adaptation old hag performance Perth pilgrim pilgrimage Science Fiction shrine space Stephen Lee Stephen Quinn The Canterbury Tales Thomas Becket Victorian Melodrama villain vulcan WA Western Western Australia https://ausmed.arts.uwa.edu.au/files/original/6c4fca2a2ee6506698a89a30162e27dd.jpg 363ff237bd8ca29f1b249375621a7b93 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3507 Width 832 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘On Keira’, The Bulletin, 16 June 1910 Subject The topic of the resource Armour, chivalry, death, E. J. Brady (1869-1952), Gerringong, humour, Illawarra region, knight, loss, love, Mt Keira, NSW, old age, regret, Shoalhaven, Wollongong escarpment, youth. Description An account of the resource This intensely nostalgic medieval poem by E. J. Brady “is most distinctive for its unapologetic insertion of the chivalric into the local”, which becomes the source of unintended humour (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.141). Looking out on that same geological vista (the Wollongong escarpment), it is indeed difficult to envisage Brady’s youthful knight in armour dashing stubbornly to fame and fortune at the expense of his own happiness, with anything like a straight face. However, with some deft poetic substitution and “Tennysonian” reworking on Brady’s part (D’Arcens, p.141), the Illawarra region of NSW is transformed, at least temporarily, into a mystical fairyland. As the narrator of the poem here regretfully contemplates the paths he didn’t follow, this poem serves as a poignant reminder to readers of the need to make the right decisions in life, especially those concerning love and happiness, lest they suffer the unrelenting pangs of grief and loss. Creator An entity primarily responsible for making the resource E. J. Brady Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 16 June 1910, p.39 Rights Information about rights held in and over the resource Public Domain Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1031" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1031</a> Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Armour chivalry death E. J. Brady (1869-1952) Gerringong humour Illawarra region knight loss love Mt Keira NSW old age regret Shoalhaven Wollongong escarpment youth Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/811/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/811/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Requiescat" by Briton RiviÃ¨re Subject The topic of the resource Armor, armour, art, bed, bloodhound, breastplate, burial rites, byrnie, chain mail, chainmail, coif, couter, cuisses, death, dog, epitaph, greaves, hauberk, helmet, hood, knight, mail, maille, pauldron, plate armour, poleyn, rerebrace, rest, shynbald, sabaton, soul, vambrace, wreath. Description An account of the resource This oil on canvas painting by English artist Briton Rivière was purchased by the Art Gallery of New South Wales (from the artist) in 1897-1898. Completed in 1888, it depicts an armoured medieval knight lying supine on top of a wooden bed and blue floral-patterned bedspread while a dog (usually identified as a bloodhound) gazes up at him. A wreath on the knight’s chest suggests that he is dead, as does the title of the painting: “Requiescat”. Based on the role of the requiem mass in Catholic burial rites, the term “requiescat” (which literally means "rest") refers to a prayer for the repose of the dead, as expressed in the common epitaph “rest in peace”. The knight in this painting is wearing a chain mail byrnie (or hauberk) and various pieces of plate armour, including a breastplate, pauldrons to protect the shoulders, rerebraces and vambraces on his arms, cuisses, poleyns and greaves on his legs and metal shoes known as sabatons. Plate armour began to replace mail armour from the fourteenth century. For more on the artist, see Simon Reynolds, ‘Riviere, Briton (1840–1920)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/35766]. Creator An entity primarily responsible for making the resource Briton RiviÃ¨re (1840-1920) Source A related resource from which the described resource is derived The Art Gallery of New South Wales Publisher An entity responsible for making the resource available The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1888 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 158.7cm x 225cm Armor Armour art bed bloodhound breastplate burial rites byrnie chain mail chainmail coif couter cuisses death dog epitaph greaves hauberk helmet hood knight mail maille pauldron plate armour poleyn rerebrace rest sabaton shynbald soul vambrace wreath Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queen Guenever as a nun Subject The topic of the resource Abbess, Almesbury, art, Arthur, Arthurian, Aubrey Beardsley (1872-1898), convent, death, Guenever, Guinevere, illustration, J.M. Dent & Sons, Le Morte dâ€™Arthur, nun, nunnery, penance, queen, SA, South Australia, Thomas Malory Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1893 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource line-block reproduction on paper, 20.8 x 16.0 cm; Hyperlink Language A language of the resource English Abbess Almesbury art Arthur Arthurian Aubrey Beardsley (1872-1898) convent death Guenever Guinevere illustration J.M. Dent & Sons Le Morte dâ€™Arthur nun nunnery penance queen SA South Australia Thomas Malory Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Sir Bedivere cast the Sword Excalibur into the Water Subject The topic of the resource art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent & Sons, king, knight, lake, Le Morte dâ€™Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1873 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink art Arthur Arthurian Arthuriana Aubrey Beardsley (1872-1898) Avalon death Excalibur illustration J.M. Dent & Sons king knight lake Le Morte dâ€™Arthur legend legends myth mythology SA Sir Bedivere South Australia sword Thomas Malory wounded king https://ausmed.arts.uwa.edu.au/files/original/bc935282dd57aa35ed4cf9799267ea56.pdf 2f2cf306881f38105185408c074a579f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article: National Library of Australia, <a href="http://nla.gov.au/nla.news-article32723401" target="_blank">http://nla.gov.au/nla.news-article32723401</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Bereaved Empire Subject The topic of the resource Augustus, Augustus (63BC-19AD), bereavement, British Empire, corn laws, Darius (550-486BC), death, democracy, emancipation, Empire, enfranchisement, free press, free schools, grief, invention, Louis XIV (1638-1715), loyalty, medieval proclamation, monarch, monarchy, mourning, nation, Queen Elizabeth (r.1558-1603), Queen Victoria (r.1837-1901), political equality, progress, railway, reform, republic, republicanism, royalty, science, sovereign, steamer, telegraph, triumph Description An account of the resource In this article upon the death of Queen Victoria (on 22 January 1901), her reign is described as a period in which â€œwe took a sudden step from medieval darkness to the metaphorically blinding brilliancy of the dawn of the twentieth centuryâ€. Citing the expansion of Empire, the extension of the franchise, the invention of railway, telegraph and the steamship and the establishment of free schools as examples of progress, the article suggests that the legacy of the Victorian era will surpass that of all others, including Augustus, Louis XIV and Elizabeth I, for its combination of intellectual splendour, artistic brilliance and political development. Under Victoria, the author suggests, Britain had become a republic in all but name, because in a break from tradition she was â€œthe Queen of the people, not of Peers and Aristocrats; the Queen of the cottage, and not of the Castleâ€. This shift and the growth of public affection that accompanied it is highlighted by the author in the suggestion that an adaptation of the traditional proclamation â€œThe King is Dead, Long Live the Kingâ€, in use since the medieval period to signify the immediate transfer of sovereignty onto the heir, was unthinkable because her beloved subjects needed time to mourn. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article32723401" target="_blank">http://nla.gov.au/nla.news-article32723401</a> Publisher An entity responsible for making the resource available West Australian Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 27 January 1901, p. 6. Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Augustus Augustus (63BC-19AD) bereavement British Empire corn laws Darius (550-486BC) death democracy emancipation Empire enfranchisement free press free schools grief invention Louis XIV (1638-1715) loyalty medieval proclamation monarch monarchy mourning nation political equality progress Queen Elizabeth (r.1558-1603) Queen Victoria (r.1837-1901) railway reform republic republicanism royalty science sovereign steamer telegraph triumph