1 8 35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.abc.net.au/compass/s3510122.htm">http://www.abc.net.au/compass/s3510122.htm</a>   Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Tasmanian Gothicâ€™, Compass, ABC TV Subject The topic of the resource ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson. Description An account of the resource ‘Tasmanian Gothic’ was an episode of the Australian Broadcasting Corporation’s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200th anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin’s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania’s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin’s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture.   For the episode transcript see <a href="http://www.abc.net.au/compass/s3510122.htm">http://www.abc.net.au/compass/s3510122.htm</a> For the Pugin churches see <a href="http://ausmed.arts.uwa.edu.au/items/show/1104">http://ausmed.arts.uwa.edu.au/items/show/1104</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/951">http://ausmed.arts.uwa.edu.au/items/show/951</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1119">http://ausmed.arts.uwa.edu.au/items/show/1119</a>     Creator An entity primarily responsible for making the resource Australian Broadcasting Corporation Date A point or period of time associated with an event in the lifecycle of the resource June 24, 2012 Contributor An entity responsible for making contributions to the resource Boynton, Wendy (researcher) Rights Information about rights held in and over the resource Australian Broadcasting Corporation Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1104">http://ausmed.arts.uwa.edu.au/items/show/1104</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/951">http://ausmed.arts.uwa.edu.au/items/show/951</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1119">http://ausmed.arts.uwa.edu.au/items/show/1119</a> Format The file format, physical medium, or dimensions of the resource Hyperlink ABC alter cloths Augustus Welby Northmore Pugin Australian Broadcasting Corporation baptismal font Bishop Willson Catholic chalice linen Church Colebrook Compass cross Geraldine Doogue Gothic Gothic Revival headstone monstrance Oatlands Pugin Richmond Robert William Willson. rood screen Tas Tasmania Tasmanian Gothic television transcript vestment website Wendy Boynton Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.sthuberts.com.au/history/who" target="_blank">http://www.sthuberts.com.au/history/who</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Hubertâ€™s Vineyard, Coldstream, Victoria Subject The topic of the resource Antlers, Austrasia, Coldstream, cross, emblem, Franks, Hubert de Castella, hunters, Neustria, patron saint, Pepin of Heristal, saint, St Hubert, stag, symbolism, Victoria, VIC, vineyard, vision, winery, Yarra Valley Description An account of the resource St Hubertâ€™s vineyard in Coldstream, Victoria, was founded by Hubert de Castella in 1862. It is named after St Hubert, the â€˜Apostle of Ardennesâ€™ and patron saint of hunters. Born c.656, Hubert was the eldest son of Bertrand, Duke of Aquitaine. He was a prominent member at the Court of Neustria in his youth and later (after fleeing to the Eastern Frankish territories) at Pepin of Heristalâ€™s Court in Austrasia. He is believed to have increasingly prioritised hunting over religious observance, which culminated sometime soon after his marriage (682) in a vision of a stag carrying a shining cross between his antlers. The stag told him to transform his ways or he would go to hell. Henceforth, he distributed his wealth amongst the poor, renounced his dukedom, was ordained as a priest, founded a number of monasteries and engaged in missionary work until his death in c.727. In homage to this legend, the St Hubertâ€™s Vineyard emblem features a stag and a cross. Creator An entity primarily responsible for making the resource St. Hubert's Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource St. Hubert's Format The file format, physical medium, or dimensions of the resource Hyperlink Antlers Austrasia Coldstream cross emblem Franks Hubert de Castella hunters Neustria patron saint Pepin of Heristal saint St Hubert stag symbolism Vic Victoria vineyard vision winery Yarra Valley https://ausmed.arts.uwa.edu.au/files/original/184ee6b0184e9cd674d9172ed34ed644.jpg f41b2c430c75c21f033cefae8ffe12c7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2048 Width 1536 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Georgeâ€™ window, St Albanâ€™s Anglican church, Highgate Subject The topic of the resource Anglican, armour, church, cross, dragon, helmet, Highgate, Joseph John Talbot Hobbs, iconography, parish church, pennant, Romanesque, St Albanâ€™s, St George, St Georgeâ€™s Cathedral, semi-circular arch, shield, spear, stained glass, sword, Victorian Romanesque, WA, Western Australia. Description An account of the resource An image of the ‘Saint George’ stained glass window at St Alban’s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St Michael) located at the rear of the church. It was originally purchased for St George’s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban’s. The stained glass depicts George standing astride a vanquished winged-dragon. As is common in artistic renditions, George’s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His spear, which pierces the dragon, is also a processional cross and has a pennant with a cross flying from it. About St Alban’s: St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban’s, see: <a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank">http://stalbans.org.au/about-st-albans/historic-st-albans/</a>. Creator An entity primarily responsible for making the resource Le Coultre, Eleanor Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2010 Rights Information about rights held in and over the resource Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA. Format The file format, physical medium, or dimensions of the resource Digital photograph Anglican Armour Church cross dragon helmet Highgate iconography Joseph John Talbot Hobbs parish church pennant Romanesque semi-circular arch shield spear St Albanâ€™s St George St Georgeâ€™s Cathedral stained glass sword Victorian Romanesque WA Western Australia. https://ausmed.arts.uwa.edu.au/files/original/c60f3088d942892e1c222f648529f8f6.jpg c27a724b9bf58ae6670f08d36cc8cd5f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 467 Width 700 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculptural relief, St Maryâ€™s Cathedral, Sydney Subject The topic of the resource Australian coat of arms, Catholic, Clonmacnoise, coat of arms, cross, Cross of the Scriptures, Gothic, Gothic Revival, harp, high cross, Ireland, New South Wales, NSW, ring-headed cross, round tower, Sydney Description An account of the resource This photograph shows a sculptural relief that one passes at the climb the steps to the entrance to St Maryâ€™s Cathedral, Sydney. The sculpture includes images from medieval Ireland juxtaposed with the Australian coat of arms featuring a kangaroo and emu. The medieval Irish items are a harp, round tower, and a ring-headed cross. The cross is miniature version of the ninth-century high cross, the Cross of the Scriptures, which can be found at Clonmacnoise monastery in County Offaly, Ireland. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Australian coat of arms Catholic Clonmacnoise coat of arms cross Cross of the Scriptures Gothic Gothic Revival harp high cross Ireland New South Wales NSW ring-headed cross round tower Sydney https://ausmed.arts.uwa.edu.au/files/original/833763a2959a3942c9821917f99bb40a.jpg 5168d44a4817495a4a0e91f34afe5c7a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 998 Width 968 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Great War Memorial Cross, St. Peter's Cathedral, Adelaide, South Australia Subject The topic of the resource Adelaide, armor, armour, bravery, cathedral, chivalric, chivalry, commemoration, courage, cross, Crusades, gallantry, Great War, halo, honour, knight, lance, medieval iconography, memorial, mosaic, noble cause, saints, SA, shield, soldier, South Australia, St George cross, St Peterâ€™s Cathedral, sword, virtue, warrior, World War I, WWI, St. Peter, Saint Peter, St Peter Description An account of the resource Image of the colourful mosaic in the centre of a Great War Memorial Cross situated in the grounds of St Peterâ€™s Cathedral in Adelaide, South Australia. The mosaic depicts a warrior armed with a shield and a lance, and draws on a number of different symbolic references to represent WWI soldiers as courageous, brave and righteous fighters. The tunic and the armour look classical, but the lance, the shield and the halo are distinctively medieval. The shield bearing the St George cross is reminiscent of those carried by knights during the Crusades, while the lance, an instrument used by jousting knights in the High Middle Ages, suggests gallantry, chivalry and honour. The halo encircling the figureâ€™s head is a common iconographic motif in medieval depictions of saints, and the white cloak has likely also been added to symbolise virtue and righteousness. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Armor Armour bravery Cathedral chivalric chivalry commemoration courage cross Crusades gallantry Great War halo honour knight lance medieval iconography memorial mosaic noble cause SA Saint Peter saints shield soldier South Australia St George cross St Peter St Peterâ€™s Cathedral St. Peter sword virtue warrior World War I WWI https://ausmed.arts.uwa.edu.au/files/original/9cc44d50f9fda5ee3bc54664a544f827.jpg dc2a1fdefbd396d480202b85055fcf8a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 968 Width 725 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Great War Memorial Cross at St Peterâ€™s Cathedral, Adelaide. Subject The topic of the resource Adelaide, armor, armour, bravery, cathedral, chivalric, chivalry, commemoration, courage, cross, Crusades, gallantry, Great War, halo, honour, knight, lance, medieval iconography, memorial, mosaic, noble cause, saints, SA, shield, soldier, South Australia, St George cross, St Peterâ€™s Cathedral, sword, virtue, warrior, World War I, WWI, St. Peter, Saint Peter, St Peter Description An account of the resource An image of a Great War Memorial Cross situated in the grounds of St Peterâ€™s Cathedral in Adelaide, South Australia. The colourful mosaic in the centre of the cross depicts a warrior armed with a shield and a lance, and draws on a number of different symbolic references to represent WWI soldiers as courageous, brave and righteous fighters. The tunic and the armour look classical, but the lance, the shield and the halo are distinctively medieval. The shield bearing the St George cross is reminiscent of those carried by knights during the Crusades, while the lance, an instrument used by jousting knights in the High Middle Ages, suggests gallantry, chivalry and honour. The halo encircling the figureâ€™s head is a common iconographic motif in medieval depictions of saints, and the white cloak has likely also been added to symbolise virtue and righteousness. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Armor Armour bravery Cathedral chivalric chivalry commemoration courage cross Crusades gallantry Great War halo honour knight lance medieval iconography memorial mosaic noble cause SA Saint Peter saints shield soldier South Australia St George cross St Peter St Peterâ€™s Cathedral St. Peter sword virtue warrior World War I WWI https://ausmed.arts.uwa.edu.au/files/original/227433004357df5214d74b86d22b1d58.jpg 62d2fe0d7f272f92aa567a317284b8fb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 452 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sisters of Mercy Convent, South Street, York, Western Australia Subject The topic of the resource convent, convent school, Saint Patrick, St. Patrick, St Patrick, Father Patrick Gibney, Patrick Gibney, Sisters of Mercy, South Street, York, Perth, WA, Western Australia, architecture, architect, building, vaulted ceiling, Gothic revival, Gothic, Gothic building, Gothic revival, Catholic, Catholicism, Christian, Christianity, church, churches, religious, religion, saint, saints, cross, crosses, crucifix, arches, arch Description An account of the resource An image of the Sisters of Mercy convent located next to St. Patrick's Convent School on South Street in York, Western Australia. It was built in 1868 and was originally used as a presbytery by Father Patrick Gibney before the arrival of the Sisters of Mercy in York in 1872. The building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. This style is often seen to be symbolic of conservative qualities such as, continuity, stability, religious authority and tradition. The lancet windows of this building and its vaulted ceiling are particular features which are in keeping with this style. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 27 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architect architecture building Catholic Catholicism Christian Christianity Church churches convent convent school cross crosses crucifix Father Patrick Gibney Gothic Gothic building Gothic Revival Patrick Gibney Perth religion religious saint Saint Patrick saints Sisters of Mercy South Street St Patrick St. Patrick vaulted ceiling WA Western Australia York https://ausmed.arts.uwa.edu.au/files/original/7f678083fcc6d9eda097566ae9297aa5.jpg d4ba65a9ef8d8195d0f97e5da60d82f9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrance to St. Patrick's School, York, Western Australia Subject The topic of the resource school, schools, education, children, child, juvenile, youth, youths, teaching, teach, teacher, teachers, convent, convent school, Saint Patrick, St. Patrick, St Patrick, Father Patrick Gibney, Patrick Gibney, Sisters of Mercy, South Street, York, Perth, WA, Western Australia, architecture, architect, building, vaulted ceiling, Gothic revival, Gothic, Gothic building, Gothic revival, Catholic, Catholicism, Christian, Christianity, church, churches, religious, religion, saint, saints, cross, crosses, crucifix, arches, arch Description An account of the resource An image of St. Patrick's Convent School located on South Street in York, a town ninety minutes south east of Perth in Western Australia. The school was built in 1873 by Father Patrick Gibney for the Sisters of Mercy. The Sisters of Mercy taught children of all ages, as well as music, reading and writing for young adults. When they left York, it was converted into one of the oldest libraries in WA. This building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. This style is often symbolic of conservative qualities such as, continuity, stability, religious authority and tradition. At present, the building is privately owned and opens as an Antique shop on weekends. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 27 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architect architecture building Catholic Catholicism child children Christian Christianity Church churches convent convent school cross crosses crucifix education Father Patrick Gibney Gothic Gothic building Gothic Revival juvenile Patrick Gibney Perth religion religious saint Saint Patrick saints school schools Sisters of Mercy South Street St Patrick St. Patrick teach teacher teachers teaching vaulted ceiling WA Western Australia York youth youths