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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt; &lt;a href="http://greycompany.com.au/" target="_blank"&gt;http://greycompany.com.au/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Grey Company</text>
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                <text>Anglo-Saxons, armour, battle, Celts, clothing, combat, Crusades, Dark Ages, Grey Company, knights, Normans, Perth, re-enactment, Saracens, Templar Knights, Turks, Vikings, WA, weapons, Western Australia</text>
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                <text>The Grey Company are an historical re-enactment group based in Perth. They concentrate on the â€˜Dark Agesâ€™ or early medieval period and its various peoples, especially Anglo-Saxons, Celts, Normans, Saracens, and Vikings, but they also perform as gladiators, pirates, crusaders, and late medieval knights. Most of the clothing, weapons, and armour are made by members of the company, for which they hold workshops. The Grey Company often perform battles at public events.   </text>
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                <text>The Grey Company</text>
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                <text>6 October 2011</text>
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                <text>The Grey Company</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St George and the Dragon Altar, St Georgeâ€™s Cathedral, Perth, WA</text>
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                <text>altar, Anglican, Anglicanism, Anglican Cathedral, carving, Cathedral, chivalric tradition, chivalry, combat, battle, crusades, dragon, Eucharist service, Golden Legend, hagiography, Jacobus de Voragine, jarrah, knight, legend, myth, mythology, nave, nave altar, Perth, saint, saints, Speculum Historiale, St George, St George and the Dragon, Saint George, St Georgeâ€™s Cathedral, sword, Vincent of Beauvais (c.1190-1264), WA, Western Australia</text>
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                <text>&lt;p&gt;Close-up image of the jarrah nave altar at St George&amp;rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.&lt;/p&gt;&#13;
&lt;p&gt;The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;</text>
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                <text>Lynch, Andrew</text>
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                <text>21 May 2004</text>
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                <text>No Copyright</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Andrew Lynch, chivalry, College of Saint Basil the Great, combat, costume, ENGL2238, entertainment, essay, fighting, heraldry, Kingdom of Lochac, Known World Handbook, medieval names, medievalism, Monty Python and the Holy Grail, Nancy white, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, Victorian medievalism, WA, Western Australia</text>
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                <text>A student essay submitted by Nancy White as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia. In this essay, the author traces the origins, and outlines the principles guiding participation in, the Society for Creative Anachronism (SCA) - a medieval re-enactment group. She explains the ties of the SCA to Victorian medievalism, and the influence of popular culture through films such as Monty Python and the Holy Grail. The essay also discusses the research that is invested in the costumes and names chosen by the participants, and the culture of chivalry that underpins the tournaments they host.&#13;
&#13;
With thanks to the author for permission to include a copy of this essay.</text>
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                <text>White, Nancy</text>
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                <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"&gt;This work is &amp;copy; Nancy White. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Nancy White: &amp;lsquo;The Society for Creative Anachronism: Origins, Nature and Cultural Labour of its Medievalism&amp;rsquo;, 2011, &lt;a href="../../../" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/&lt;/a&gt;.&lt;/span&gt;</text>
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PDF</text>
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                <text>This is a â€˜frozenâ€™ combat image taken at the Blacktown Medieval Fayre by photographer Richard Taylor in 2011. It depicts a participant dressed in a Norman style helmet complete with a chainmail collar known as an avential or camal, and engaged in combat. The participants and combatants in medieval re-enactment groups generally pay considerable attention to detail. Their clothing and war gear is researched and often handcrafted, and when it comes to re-enacting â€˜combatâ€™ all bouts are marshalled. However, the combat is also based on an honour system, in which â€œevery fighter must decide which blows hit hard enough for him to yield or fall deadâ€  (For more on this, see Patrick Oâ€™Donnell, The Knights Next Door: Everyday People Living Middle Ages Dreams, Lincoln, iUniverse Inc., 2004). Re-enacted combat combines medieval fighting techniques and entertainment. In Medieval Fantasy as Performance: The Society for Creative Anachronism and the Current Middle Ages (Lanham, The Scarecrow Press, 2010), Michael Cramer observes that participation in creative anachronistic events is largely performance-driven (p.xii). That is to say, historical re-enactment is essentially theatre, and this is a significant part of the appeal.&#13;
&#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.flickr.com/photos/34094515@N00/2472389765/"&gt;http://www.flickr.com/photos/34094515@N00/2472389765/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Detail of a mounted Knightâ€™s leg at Ironfest</text>
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                <text>armor, armour, body armour, caparison, combat, Full Tilt, greave, heraldry, horse, â€˜Ironfest,â€™ joust, jousting, kneecup, knight, Lithgow, New South Wales, NSW, plate armour, poleyns, re-enactment, reenactment, Richard Taylor</text>
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                <text>This close-up image of a mounted knightâ€™s leg was taken at Ironfest in 2008 by the photographer Richard Taylor. It reveals a blend of contemporary customs and traditional workmanship, for modern re-enactments of jousting require utmost mobility with as little weight as possible. The horse, rather than being burdened by plate armour, is heavily padded and covered with an ornamental cloth trapper (or caparison) displaying the riders heraldry. The knight wears plates known as greaves to cover the legs, and rounded poleyns (c. 1350s) to protect the knees. The soft leather shoes are spurred, but not otherwise protected, which is unusual. However, this knight will not be required to dismount and fight on foot, so comfort probably took precedence over veracity in this instance. </text>
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                <text>26 April 2008</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="18534">
                <text>Â© Richard Taylor. Some rights reserved dicktay2000</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://users.tpg.com.au/gpost/nemas08/index.html%20"&gt;http://users.tpg.com.au/gpost/nemas08/index.html &lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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                <text>'Close Combat'</text>
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            <description>The topic of the resource</description>
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                <text>Armidale, armor, armour, battle, beading, blacksmithing, blacksmith, brewing, chain mail, chainmail, combat, helmet, kettle hats, medieval crafts, medieval fair, NEMAS, New England Medieval Arts Society, New South Wales, Norman style helmet, NSW, pottery, re-enactment, reenactment, shield, spinning, sword, tanning, war, warfare, weaving, woodworking</text>
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                <text>This is one of several â€˜battleâ€™ images from the NEMAS Easter Gathering in Armidale, NSW, in 2008. A number of medieval re-creation enthusiasts are engaged in close combat. They are armed with swords and what look to be mostly kite shields, and wear an assortment of different early medieval helmet styles. These include Norman style helmets with nasal bars and kettle hats. &#13;
The Gathering is a biannual assembly of re-enactment societies from Australasia traditionally hosted by the New England Medieval Arts Society Inc (or NEMAS). At these gatherings, members aim to recreate medieval arts and craft such as woodworking, blacksmithing, tanning, spinning and weaving, as well as arms and armour construction. The photo gallery depicts scenes of daily life: market stalls, people sitting around campfires, even a King and his attendants, as well as recreated battles. &#13;
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                <text>Unknown photographer at event</text>
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                <text>2008</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18612">
                <text>Â© NEMAS 2011</text>
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