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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>(Former) St Matthewâ€™s Presbyterian Church entrance, Glenorchy, Hobart, Tasmania</text>
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                <text>James Blackburn, blind arcading, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The former St Matthew&amp;rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the entrance to the church featuring a semi-circular arched doorway and door, and on the blind arcading above the doorway. The doorway also decorated columns and decorated molding on the doorway arch.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For more of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) St Matthewâ€™s Presbyterian Church rear window, Glenorchy, Hobart, Tasmania</text>
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                <text>James Blackburn, capital, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tracery.</text>
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                <text>&lt;p&gt;The former St Matthew&amp;rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the rear window of the church, made up of three narrow windows featuring tracery with semi-circular arches, above which are two small circular windows. The window frame also has a semi-circular arch, with columns and capitals on either side of the window.&lt;/p&gt;&#13;
&lt;p&gt;St Matthew&amp;rsquo;s was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For more of the building see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1213"&gt;http://ausmed.arts.uwa.edu.au/items/show/1213&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1213"&gt;http://ausmed.arts.uwa.edu.au/items/show/1213&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Small Romanesque Arched Doorway, Former Magistrateâ€™s Court, Melbourne</text>
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                <text>arch, architecture, building, capital, columns, Court of Petty Sessions, George B H Austin, hood moulding, law, law courts, magistrate, Magistrateâ€™s Court, masonry, Melbourne, neo-Romanesque, Norman Revival, Public Works Department, RMIT, RMIT University, Romanesque architecture, Romanesque Revival, rounded arches, semi-circular arches, stonework, Supreme Court, Swanson Brothers, university, university buildings, Victoria</text>
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                <text>&lt;p&gt;An image of a small doorway on La Trobe Street to the former Magistrate&amp;rsquo;s Court Building in Melbourne&amp;rsquo;s CBD. The Former Magistrate&amp;rsquo;s Court Building is a three-storey building of French Romanesque design. The doorway is in the neo-Romanesque, Romanesque Revival, or Norman Revival architecture style. It features a deep-set semi-circular arched door and doorway with stone decorated hood moulding. The door is flanked by two small columns with decorated capitals. &lt;br /&gt; &lt;br /&gt; The Former Magistrate&amp;rsquo;s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It replaced a two-storey brick building on the site that previously housed the Supreme Court and then the Court of Petty Sessions. Construction of the new building began in 1911 and was completed in 1914. The Court of Petty Sessions, later renamed the Melbourne Magistrate&amp;rsquo;s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.&lt;/p&gt;&#13;
For more see &lt;a href="http://www.rmit.edu.au/about/heritage/bld20#history"&gt;http://www.rmit.edu.au/about/heritage/bld20#history&lt;/a&gt;</text>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
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                <text>10 February 2013</text>
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                <text>No Copyright</text>
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                <text>&amp;ldquo;Romanesque Arched Doorway, Former Magistrate&amp;rsquo;s Court, Melbourne,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed March 10, 2013,&amp;nbsp;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/713"&gt;http://ausmed.arts.uwa.edu.au/items/show/713 &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div class="element-text"&gt;&amp;ldquo;Former Magistrate&amp;rsquo;s Court Building, Melbourne,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed March 10, 2013, &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/761"&gt;http://ausmed.arts.uwa.edu.au/items/show/761&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&amp;ldquo;Front Facade, Former Melbourne Magistrate&amp;rsquo;s Court,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed March 10, 2013, &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/734"&gt;http://ausmed.arts.uwa.edu.au/items/show/734&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Digital Photograph; JPEG</text>
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