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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://museumvictoria.com.au/collections/items/245425/window-stained-glass-ferguson-urie-circa-1872" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://museumvictoria.com.au/collections/items/245425/window-stained-glass-ferguson-urie-circa-1872&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Stairwell window at â€˜Glenferrie,â€™ Malvern, Victoria</text>
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                <text>Australiana, blazon, coat-of-arms, colonialism, Emu, Ferguson &amp; Urie, Fergusson coat-of-arms, Glenferrie, James Fergusson, Kangaroo, Malvern, medieval design, rose, shamrock, Stained Glass, symbolism, thistle, VIC, Victoria</text>
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                <text>This commanding stairwell window by Ferguson &amp; Urie (1872) is calculated to reflect the prosperity and good fortune of the original owner, James Fergusson. Fergusson was a Melbourne manufacturing stationer, and was at times a member of the Legislative assembly and Shire President. The window was probably installed shortly after he moved into â€˜Glenferrieâ€™ in 1872 and remained there, long after Fergusson died in 1888, until the house was demolished in 1954. The window comprises three large central lights, the innermost of which contains the Fergusson Coat-of-Arms, and three smaller top lights, each containing specifically Australian motifs (Kangaroo, Colonial Coat-of Arms, and an Emu). The â€˜diaperedâ€™ octagonal background quarries feature a rose, shamrock, and thistle pattern that is stylistically â€˜medieval,â€™ signifying a link to the British Isles. Hand painted scenes in the (lower) main tier of panels depict relevant features of the burgeoning economy, which are related to trade, productivity, and the exploitation of natural resources.</text>
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                <text>Healley, Ben</text>
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                <text>Museum Victoria</text>
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                <text>2001</text>
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                <text>Â© Museum Victoria </text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The â€˜Advance Australiaâ€™ Arms Window in the Queen Victoria Building, Sydney</text>
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                <text>architecture, cartwheel window, coat-of-arms, endeavour, heraldic, heraldry, identity, neo-Romanesque, New South Wales, NSW, Queen Victoria Building, retail arcade, Romanesque Revival architecture, shopping arcade, Southern Cross, stained glass, Sydney, unification, window, arcade</text>
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                <text>Urry, David (Digital Image)</text>
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